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7,5/10
6,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaOm Shastri, a recession victim comes to India to sell his ancestors property to clear is debt. On reaching he comes to know that selling the property will make his family homeless in India. ... Ler tudoOm Shastri, a recession victim comes to India to sell his ancestors property to clear is debt. On reaching he comes to know that selling the property will make his family homeless in India. Later he is kidnapped by goons thinking a rich NRI.Om Shastri, a recession victim comes to India to sell his ancestors property to clear is debt. On reaching he comes to know that selling the property will make his family homeless in India. Later he is kidnapped by goons thinking a rich NRI.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 6 indicações no total
Manu Rishi Chadha
- Anandprakash Rameshprakash 'Anni' Rastogi
- (as Manu Rishi)
Devender Chaudhry
- Bichoo
- (as Devender Chaudhary)
Avantica
- Avantika O. Shastri
- (as Avantika Pandey)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
PHAS GAYE RE OBAMA(2010)
comedy
Cast-Rajat Kapoor,sanjay mishra,Manu Rishi chadha,Neha Dhupia.
A NRI man gets bankrupt on the period of recession and comes to India to sell his house to pay his loans back.The film starts when he is kidnapped assuming him to be a millionaire.
Jolly LLB series director Subhash kapoor has written a classic script involving the recession period.It is very difficult to make a comedy film in India which manages to keep both script and humour simultaneously convincing and only a few films are able to do and this film is among those few flicks.
Rajat Kapoor is excellent as the intelligent NRI businessman.Sanjay Mishra is brilliant in his role.Manu Rishi Chadha steals the show with his effortless role of a man living with the dream of living in USA.The rest of cast has also done a good job.The English coaching class scene is iconic and one of the best comic scenes in Bollywood, the film not just make us laugh but it also depicts the reality of our society.
The power of the film is the story, an equally competent screenplay.
There is difference between pure comedy films like Dhamaal,De Dana dan,Golmaal franchise and Witty ones like PK,Peepli Live.The movie proudly sits on the latter category.
The film is unpredictable and will keep u guessing till the end.
AVAILABLE ON YOUTUBE.
AVAILABLE ON YOUTUBE.
After a long long time, I was overjoyed after watching some movie. Wonderfully written script and at the top of that marvelous execution on the screen. A commendable screen play it was in the movie. With the theme of recession and its side effects on different classes of society, movie progresses. First few scenes give you a gut feeling that its not a routine come and go movie and after some 20 minutes, movie changes its gear. After interval you find yourself so engrossed in the movie that you starts guessing What's next... and end of the movie gifts you a great satisfaction and admiration on your lips for this master piece by Subhash Kapoor.
There is nobody in the cast, who did not do justice with their role. Rajat Kapoor played his trademark NRI role mercurially. It was an effortless, flawless, natural act from Rajat. Sanjay Mishra alias Bhai Sahab is also brilliant as always. Sarcasm in his super seriously delivered jokes forces you to an inevitable smile. Oye Lucky Lucky Oye famed Bangali, Manu Rishi has also displayed perfect timing with his role. His strong desire to go to US, his English classes and watching US based news with his glittering eyes and supportive dialogs in various frames ensured that his character is strongly written like every other character of the movie. Amol Gupte as NetaJi and Neha Dhupia as Munni gangster are also very promising.
The best part of the movie is, you never loose your smile. At the same time, you guess about the next action from either Rajat Kapoor or Manu Rishi or some Gangster. The light, humorous and a little sarcastic way of presenting some of the very sensitive truths of our society is really commendable. I am overwhelmed by watching this movie and hope, it would be liked and appreciated more than those clungy, crampy, non-sense movies, which are over flowing in the bollywood these days.
There is nobody in the cast, who did not do justice with their role. Rajat Kapoor played his trademark NRI role mercurially. It was an effortless, flawless, natural act from Rajat. Sanjay Mishra alias Bhai Sahab is also brilliant as always. Sarcasm in his super seriously delivered jokes forces you to an inevitable smile. Oye Lucky Lucky Oye famed Bangali, Manu Rishi has also displayed perfect timing with his role. His strong desire to go to US, his English classes and watching US based news with his glittering eyes and supportive dialogs in various frames ensured that his character is strongly written like every other character of the movie. Amol Gupte as NetaJi and Neha Dhupia as Munni gangster are also very promising.
The best part of the movie is, you never loose your smile. At the same time, you guess about the next action from either Rajat Kapoor or Manu Rishi or some Gangster. The light, humorous and a little sarcastic way of presenting some of the very sensitive truths of our society is really commendable. I am overwhelmed by watching this movie and hope, it would be liked and appreciated more than those clungy, crampy, non-sense movies, which are over flowing in the bollywood these days.
Nothing about this movie should attract you if you are a selector when it comes to watching a Bollywood movie, but Subhash Kapoor has made a mighty big impression with this incredible story if you have or happen to be watching the ending credits. If there is something called as sensible humor, then this movie draws upon a real world theme and blends it with a tactfully written plot which only gets increasingly entertaining and curious before the perfect finish.
The movie draws the audience with true to happen, yet hard to believe state of affairs in village gangs and Anni is a character that sticks like glue right away. While the pristine performances of all not so popular actors are brilliant, the true hero here is the script. Backed by authentic, crackling, and situational dialog's, the movie paces comfortably and makes every scene enjoyable. And if that is not impressive, a few scenes like the YES WE CAN chant and the English class turn this into truly memorable movie watching. Rajat Kapoor is very himself in the role while Neha Dhupia and Amol Gupte are very good. The page turner and the star of the show is Manu Rishi (Anni) and his brilliant performance. His portrayal of aspiration, honesty and comic timing will make you watch this movie again. Sanjay Mishra is over the top again with the character of Bhaisaab.
Not plaguing this story with item numbers, unneeded songs or illogical twists makes this a "Diamond" in the golden Bollywood ring!
The movie draws the audience with true to happen, yet hard to believe state of affairs in village gangs and Anni is a character that sticks like glue right away. While the pristine performances of all not so popular actors are brilliant, the true hero here is the script. Backed by authentic, crackling, and situational dialog's, the movie paces comfortably and makes every scene enjoyable. And if that is not impressive, a few scenes like the YES WE CAN chant and the English class turn this into truly memorable movie watching. Rajat Kapoor is very himself in the role while Neha Dhupia and Amol Gupte are very good. The page turner and the star of the show is Manu Rishi (Anni) and his brilliant performance. His portrayal of aspiration, honesty and comic timing will make you watch this movie again. Sanjay Mishra is over the top again with the character of Bhaisaab.
Not plaguing this story with item numbers, unneeded songs or illogical twists makes this a "Diamond" in the golden Bollywood ring!
Outstanding! The fact that the critics haven't given this an even higher rating just proves to me that the critics have mush for brains. Watching a string of substandard Hindi movies does that, I guess. For too long, we have had formula movies parroting the same old junk. The current wave of realism in Hindi cinema brings to mind the "middle path" in Malayalam cinema, 1980s cinema which struck a happy balance between realism and entertainment.
All performances are outstanding. The thing is, it could all really happen......the BIMARU belt comes to mind.....and that is the sad part of it all, and yet the fact that a filmmaker could find a way to mock those who live like this in modern day India is heartening!
After all, someone must proclaim that the emperor has no clothes!
All performances are outstanding. The thing is, it could all really happen......the BIMARU belt comes to mind.....and that is the sad part of it all, and yet the fact that a filmmaker could find a way to mock those who live like this in modern day India is heartening!
After all, someone must proclaim that the emperor has no clothes!
The setting is 2008, when the entire world is reeling under the financial tsunami of the Wall street collapse. And the tremors of those events are being felt as far as rural India, where a group of bumbling "khandaani" kidnappers are ruing the "recession" that has made their plight pitiful – victims are offering ridiculously low ransom payments, no one is paying protection money and things are so bad that they cant afford even outgoing calls on mobiles.
Amidst this gloominess, the semi-literate member of the group Anee announces the arrival of NRI Mr Shastri to their town and the kidnappers immediately see a pot of gold with him. Unfortunately for them, other "senior" kidnappers in the area are also seeing stacks of dollars in front of them. In the midst of all this, imagine if Mr NRI is himself bankrupt and is in India only to sell off his ancestral property.
Phas Gaye Re Obama's story flows well, and a few sequences are especially memorable. Especially the organised kidnapping business, with its bank-like ransom handling facilities and a "kidnapping receipt" - which is to be shown in case of any other kidnapping attempt and is valid for 12 months :) !! There is no sag anywhere in its runtime and the laughs are generated by its quirky characters and their rustic nature (it carries the tradition from the previous gangster capers Sankat City and 99 - both of which I adore).
The "khandaani" kidnapper, Bhaisaab, played by Sanjay Mishra, is a delight to watch. And giving him company is Oye Lucky Lucky Oye's Manu Rishi – the America-worshipping, small-towner Anee – who gets his dreamer yet gullible act pitch perfect. Rajat Kapoor plays the hassled NRI effortlessly – he seems made for these kind of roles only. Neha Dhupia was the only misfit – her character too unrealistic and her performance nothing to write home about. Amol Gupte carries from where he left off in Kaminey, a natural gang leader.
The movie holds your attention well for its entire runtime and the ending is not quite what you expected – so full marks to the director for that as well. There are no songs etc to distract. A solid effort by debutante director Subhash Kapoor, but left an aftertaste very similar to Sankat City etc. If it was not preceded by the above mentioned movies, I would have rated it a little higher. And others, who haven't watched those movies will definitely have a lot of fun watching Phas Gaye Re Obama
Amidst this gloominess, the semi-literate member of the group Anee announces the arrival of NRI Mr Shastri to their town and the kidnappers immediately see a pot of gold with him. Unfortunately for them, other "senior" kidnappers in the area are also seeing stacks of dollars in front of them. In the midst of all this, imagine if Mr NRI is himself bankrupt and is in India only to sell off his ancestral property.
Phas Gaye Re Obama's story flows well, and a few sequences are especially memorable. Especially the organised kidnapping business, with its bank-like ransom handling facilities and a "kidnapping receipt" - which is to be shown in case of any other kidnapping attempt and is valid for 12 months :) !! There is no sag anywhere in its runtime and the laughs are generated by its quirky characters and their rustic nature (it carries the tradition from the previous gangster capers Sankat City and 99 - both of which I adore).
The "khandaani" kidnapper, Bhaisaab, played by Sanjay Mishra, is a delight to watch. And giving him company is Oye Lucky Lucky Oye's Manu Rishi – the America-worshipping, small-towner Anee – who gets his dreamer yet gullible act pitch perfect. Rajat Kapoor plays the hassled NRI effortlessly – he seems made for these kind of roles only. Neha Dhupia was the only misfit – her character too unrealistic and her performance nothing to write home about. Amol Gupte carries from where he left off in Kaminey, a natural gang leader.
The movie holds your attention well for its entire runtime and the ending is not quite what you expected – so full marks to the director for that as well. There are no songs etc to distract. A solid effort by debutante director Subhash Kapoor, but left an aftertaste very similar to Sankat City etc. If it was not preceded by the above mentioned movies, I would have rated it a little higher. And others, who haven't watched those movies will definitely have a lot of fun watching Phas Gaye Re Obama
Você sabia?
- CuriosidadesSubhash Kapoor had developed an idea of making a movie on recession after his first film Salaam India had a relatively low-key release. He didn't get many opportunities thereafter, leaving him "frustrated". Stating the reason for choosing the recession as the theme.
- Trilhas sonorasDollar Pound Ya Dinar
Performed by Kailash Kher, Richa Sharma, Manish J. Tipu
Lyrics by Shellee, Gopal Tiwari
Music by Manish J. Tipu
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- How long is Phas Gaye Re Obama?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- С любовью к Обаме
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 537.952
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
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