Agente C - Dupla Identidade

Based on my experience, the distributors may have committed a terrible misjudgement for they should have made this a film for TV rather than the cinema. There were 4 people in total when we went to watch the film and that was par for the course for the week apparently. The cinema manager suggested it would be pulled pretty quickly.

Such a shame, because it is a fine film, excellent when the scenes are based in Belfast, with ALL the actors who played the Irish parts absolutely first class. You felt you were in Belfast and the tension took you there. Location scenes good.

Less so the part played by Gillian Anderson. She was OK but a bit wooden. The MI5 scenes generally did not get off the ground until near the end when there was a great twist.

Clive Owen was the biggest enigma of the film. I am still not sure if he was OK, average or weak in the part he played. First impressions were could have been done better definitely, but the low-key interpretation may have had some merit. Owen just seemed to drift through it all and when he got angry it fell flat.

I would recommend anyone to go and watch this well-directed film. It is a good story from the writer which needs all the support it can get based on our experience of row after row of empty seats.

People tend to forget their history even that happened in their lifetime. Tragic truth be told.

Throughout the years, the IRA and the 'troubles' in Northern Ireland have been a source of inspiration for countless British and Irish movies. What can 'Shadow Dancer' add to what we already know about this conflict? The answer is: nothing, really. This film isn't about the struggle for freedom, it isn't about catholics and protestants, it isn't even about right or wrong. It's only about suspense. This isn't a political movie, it's a thriller.

In fact, this movie could just as easily have been set in the context of the Italian mafia or a Mexican drugs gang. The story about a young female terrorist who, after a failed bombing attempt, becomes an informant for the authorities to escape a prison sentence, is extremely suspenseful. She lives in constant fear of being discovered, which would almost certainly lead to her execution. 'I am dead', she literally tells her contact at one point.

The film starts off with a clever flash-back, a very intense scene that explains her motivation to become a terrorist. The rest of the film is told in chronological order, with the suspense rising gradually, until the unexpected and dramatic climax.

In a subplot, we see that the British secret service is subject to the same sort of internal discussions, infighting and ego-tripping as the IRA. Clive Owen and Gillian Anderson (nice to see her again!) are fine as secret service persons, but the best acting is done by Andrea Riseborouh as the proud and independent terrorist Collette McVeigh.

The film is also excellent in recreating the atmosphere of the catholic working class neighbourhoods in Belfast (actually, it is shot in Dublin), where terrorism in the 1990's was a part of everyday life. Director James Marsh uses faded colours in many scenes to recreate the rundown streets and interiors.

This is a gripping, intelligent psychological thriller with excellent acting and a plot that will have you hooked from start to finish. I was amazed the IMDb-rating is not higher than 6.6.

This is director James Marsh's first fiction movie. He has hitherto been known as a great documentary maker, including last year's excellent Project Nim. In Shadow Dancer he has put together a film set during the Troubles period of Northern Ireland's history. In it a girl with IRA connections is coerced into becoming an informant for MI5. This leads to several compromising and dangerous situations. While the movie is set within a clear political situation, it isn't really a political film. The focus is specifically on the role of the informer in this powder keg context. At the time there were many people in similar situations and the movie tries to look at both the dangers that they found themselves in and the complex moral dilemmas that effected people on all sides of the conflict, both republicans and British intelligence. As such, Shadow Dancer is about people, as opposed to politics and it doesn't really make any subjective comment on rights and wrongs. It's clear that both sides of the fence act in sordid ways. The distrust amongst the high command on both sides is shown to be similar. Civil war is never a simple affair.

It's a well-acted and intelligently written film. It's low-key and pensive rather than a suspenseful thrill-ride. Perhaps it's a little too slow paced and sober for its own good at times but it does gather steam in the final third and things are wrapped up quite effectively by the end with a series of events that fall into place with tragic inevitability.

Shadow Dancer follows an Irish woman, who has a son. She works for the IRA in the 1990's. When she gets caught attempting to place a bomb on a London subway she must become an informant for the MI5.

Interesting story. I really had no clue about this film, I was just bored and looking for a film to watch. So you can guess I have never read the book so I do not know how closely it follows it. However the author did write the screenplay. Anyway, I thought the film itself was OK. In general, everything felt like it was neutral/ on the line. Nothing really stuck out and there was no real memorable scenes. The film also seemed very slow and dragged out.

The acting from everyone involved was good. Nothing special, but nothing terrible. However, my main complaint would have to be the characters. I didn't feel connected to any of the characters, especially the protagonist , which is the main thing really. I felt the IRA characters were too clichéd and just the same generic IRA men as in every other film with IRA men in them.

Overall, the film did not impress me. However, I wasn't expecting anything special so I suppose it balances it out. I'd give it a solid 6/10. But, gun to my head - would I recommend it? - No. Probably not.

With films like In The Name of the Father, Michael Collins, and Hunger, you really have to have a great film about the IRA to get attention. This film not only succeeds as a film that belongs with the others mentioned, but it is really an impressive film.

The lighting, scenery, costumes and photography, and background music all contribute to the film in a way that one expects of a great film about Britain in the 90s.

Andrea Riseborough (Margaret Thatcher: The Long Walk to Finchley), Domhnall Gleeson (Anna Karenina), David Wilmot (Intermission), and Brid Brennan (Dancing at Lughnasa) gave notable performances allowing us to really feel the personal dilemmas and betrayal they experienced.

Good espionage films tend to keep my interest, and this was edge-of-the- seat action.