Bottoms

Now here's a high school, that you'd love to go to, as anything goes - nothing's taboo, where two single girls, who aren't looking for pearls, start a club to find love, that gets quite misconstrued. There is punching and kicking, a shove with a push, the dialogues quite racy and might make you blush (if you're of a certain age and demographic), a battle of sexes, as pairs become exes, the romance is there, but it just isn't mush. Growing up can be tough if you're different from others, once being a woman kept you under the covers, now the rules of engagement, don't lead to enragement, and a progressive world - just will not be smothered.

The "teen movie" is making a comeback, and the latest from Emma Seligman (of 2021's Shiva Baby) is one of the funniest, wildest, and most delightfully ridiculous in recent memory.

I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)

Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.

Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.

Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.

I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.

As "Bottoms" (2023 release; 92 min.) opens, we are introduced to BFFs PJ (who has a crush on cheerleader Brittany) and Josie (who has a crush on cheerleader Isabel). After a "back to school" event, PJ and Josie decide to start a self-defense club, and Brittany and Isabel are among the girls joining the club...

Couple of comments: this is the second feature-length of writer-director Emma Seligman ("Shiva Baby"). Seligman co-wrote the script with Rachel Sennott who plays PJ. Elizabeth Banks is one of the movie's producers. The plot as it is is purposefully over the top and frankly meaningless. It just creates the excuse, as if one is needed, for zippy dialogue and satire of just about everything. I knew all of this beforehand. What I expected was a bunch of funny situations peppered with zany jokes. What I actually experience was something quite different. A smile here and there, but I couldn't really get into it, sorry. I fully realize that as a straight male I am not the intended target audience but bottom line is that funny is funny, no matter what, and this wasn't really it. This is of course a very subjective take but I can only convey what I experienced.

"Bottoms" premiered at the SXSW Festival in March, and was rolled out nationwide in theaters this Labor Day weekend. The Friday early evening screening where I saw this at my local arthouse theater here in Cincinnati was attended okay (about 10 people). For what it's worth, "Bottoms" is currently rated 95% Certified Fresh on Rotten Tomatoes. If you are in the mood for a rowdy HS comedy, I'd readily suggest you check this out, and draw your own conclusion.

This movie is an acquired taste. At first, I thought it was just silly. Then I thought it was extremely silly. Eventually I laughed my butt off. There is no scene that they don't take over the top. Whether they are mocking teen movies or parodying David Fincher or using Marshawn Lynch to comment on feminism, the entire cast completely goes for it. The humor and raunchiness are extreme, but my family laughed so much that I think we missed 25% of the punchlines. Ayo Edebiri and Rachel Sennott absolutely kill this one (no pun intended).

PSA - Just be careful watching this one with your parents or children. It is rated R for a reason.

When 'Bottoms' started I thought to myself, okay this is 'Superbad' but with women. And it kind of was for a time. Then it somehow became 'Fight Club' with women, and finished up as a film I had never seen before. This was a journey.

The film is done in quite a bizarre way. It's set in the present but everyone dresses like the 70s and there are no smart phones. Also there are almost no adults in the film and the few that there are are absolute monsters. If there's a school assembly the students are just running it, for example. You get used to it after a while but I can't remember another film like it in that sense.

The film is at its best when it is just trying to be wacky and funny. There's a period in the middle where some conflict arrises and the film gets bogged down briefly. Which is a shame because when the film is trying to be funny it is genuinely funny. There is some great dialogue in this film. I had a good time. 8/10.