As Discípulas de Charles Manson

I consider myself to be an amateur "expert" on the Manson Family/Murders. This film has some historical inaccuracies (Linda Kasabian drove the murderers on both nights). But despite a few technical errors, it is a sensitive fiction of how the women came to grips with what they had done. But before you feel sorry for the Manson Girls know these facts: Susan Atkins had an extensive rap sheet long before knowing Manson. Patricia Krenwinkel and Leslie Van Houten were street-wise acid heads prior to falling under Manson's "spell". So don't be fooled into thinking that this trio were sweet, innocent virgins. Manson ordered the killings to appear as copy-cat murders to free Bobby (who appears early in the movie and would later kill musician Garry Hinman, along with Susan Atkins) It was refreshing to see a portrayal of Charlie that was not evil incarnate. Manson was nuts, but not a 24/7 paranoid psychopath. This portrayal is probably closer to the truth. I enjoyed it immensely. But we will never know the complete truth about the two nights of mayhem in August, 1969.

"Charlie Says" (2018 release; 101 min.) brings the story of the Charles Manson murders, but this time for the perspective of the three "Manson women" involved in the killings. As the movie opens, one of the women is taking a shower, the blood coming off of her hair and body. We then go the "3 Years Later", and we see the three women in jail at the California Institution for Women, on a separated wing with just the three of them: Lulu, Sadie and Katie. A graduate student at UC Santa Cruz is given the opportunity to teach these three some classes. When then go back in time, to when Leslie (later named Lulu by Manson) arrives at the remote ranch where Mason and his entourage live... At this point we are 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest from Canadian director Mary Herron, who previously brought us the worthwhile "I Shot Andy Warhol" and, even better, "American Psycho". Here she revisits the events that are often referred to as "having ended the 60s" (the murders took place in August, 1969). The film is based on several books, including the one written by the graduate student on specifically Leslie/Lulu, but there are certainly additional source materials on the Manson women. Indeed the eternal question seems to be: are these women victims themselves? are they just part of the gang that committed these vicious killings? The movie attempts to address that, and while at times it shows promise, in the end the movie lacks depth and what we are stuck with is something that certainly isn't a bad movie, but given the underlying facts, it feels more like a missed opportunity. Leslie/Lulu is played with conviction by up-and-coming British actress Hannah Murray. Manson is played by Matt Smith as if he's Jim Morrison (check out Smith instead in that other recent indie movie "Mapplethorpe"). Beware: there is a fair amount of nudity in the film, so if that is a concern for you, better stay away and check out another film.

"Charlie Says" premiered at last Fall's Venice film festival to ho-hum reaction, and is now getting a limited US theater release. It opened at my local art-house theater here in Cincinnati this weekend for just a one week run. The early Sunday evening screening where I saw this at was attended so-so (7 or 8 people). Maybe this will find a larger audience as it is launched on other platforms. If you have any interest in the Manson murders, and in particular the women that were involved in it, I suggest you check this out, be it in the theater (unlikely), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.

This film tells the story of three women who are jailed for murdering strangers.

Instead of drilling the details of the murder, the plot concentrates on the brain washing done by Charles Manson and its devastating effects on the women. The result is an engaging story of how the women get to the brainwashed state, which most people will struggle to understand.

Based on the novel 'The Family' by Ed Sanders, this is one of three films in which Charles Manson featured in 2018, and a film about the Moors Murders would complete a trilogy by director Mary Harron beginning with 'I Shot Andy Warhol' depicting women provoked into irrational violence by an unwarranted infatuation with a weird control freak (Brady and Manson both had in common with their idol Adolf Hitler that they possessed the egotism and disdain for convention of great creative geniuses but not the actual creativity).

There's a surprising amount of God talk by Manson and his coven, and for once the current fashion for swaying steadicam photography suits the lack of balance shown by this unholy trinity of impressionable young ladies.

If you didn't already know who this guy was, what his crimes were, and what his motives were then you probably won't much of a clue as to what happened from scene to scene in this movie. So much time is spent on showing shocking things without actually explaining what is going on.

Characters are surface level.

As a plus, I thought the acting was pretty solid, especially for Manson. With stronger writing, this film could have been a lot better.