Pete e Debbie estão prestes a fazer 40 anos, seus filhos se odeiam, seus negócios estão falindo, eles estão prestes a perder a casa e seu relacionamento está ameaçando se desintegrar.Pete e Debbie estão prestes a fazer 40 anos, seus filhos se odeiam, seus negócios estão falindo, eles estão prestes a perder a casa e seu relacionamento está ameaçando se desintegrar.Pete e Debbie estão prestes a fazer 40 anos, seus filhos se odeiam, seus negócios estão falindo, eles estão prestes a perder a casa e seu relacionamento está ameaçando se desintegrar.
- Prêmios
- 2 vitórias e 11 indicações no total
Avaliações em destaque
All these people that gave this movie terrible ratings need to lighten up ! First many of the actors are also comedians! If you can't handle mature dark humor than this movie isn't for you . Real people have to deal with a lot of things on their plate . The two main characters are dysfunctional individuals trying to make sense out of their crazy lives . The only part that I thought was over the top was the reaction to the child that said negative things about their older daughter . What they said could be outright threats that could be criminally charged. But at the end of the day it is a dark comedy. I like the ending. When in crisis mode families come together.
This is 40 is a complete surprise. A straight-forward slice of life that follows its protagonists as they cross the great, unseen barrier into their fifth decade, the film is naturally funnier, more poignant, and more engaging than might be expected. With laughter coming from the both the banalities of life and its heavier moments, the film rarely sinks into caricature and keeps tone-killing silliness to a minimum.
A good rule of thumb is any movie where Jason Segal has the funnier lines probably shouldn't have been made. This seemingly endless stream of hormonal tirades was difficult to say the least. Leslie Mann pulled this off once in Knocked Up. Which was a delightful film by comparison. But in This is 40 I could not find one sympathetic thing about her character or any of the characters for that matter. Part of the problem is KnockedUp was made before this basic cast was in every other film that came out. I kept waiting for Jonah Hill to happen by and suck up what little oxygen Leslie Mann hadn't already used. I am a fan of Judd Apatow. He's a comedy geek's comedy geek. Hence the casting of the brilliant veteran comedy writer Robert Smigel as the buddy of Pete. So I settled in to watch and see what Smigel could do as an actor. But he had two scenes in this nearly two and a half hour film. Guess they cut some of his scenes to make room for some more where Leslie Mann gets angry over nothing and curses and screams for half an hour. I was also excited to see Jim Brooks as Pete's father. He receives lots of screen time and is the second least sympathetic character. I do admire Apatow for having the courage to try and combine work and home by just putting his family on screen. But why so mundane? It's compelling when a film depicts regular people in not so regular situations. This film is made up of regular people who live in southern California and drive BMW's and Lexi and complain constantly about things that happen to everyone. It's exhausting. I will not give any attention to the children in this review as it is clear that they have received far too much attention already. On a strictly "laugh o meter" scale this film is not completely devoid of humor. Like say, Funny People. In fact, Funny People makes This is 40 look like The Jerk. Paul Rudd does fine as usual,and Megan Fox is great eye candy and "hottie relief". Here's hoping that this is the end of Apatow's tacky Cassavetes period.
While I'm in my 40s I am single and childless but I hear enough stories from people around me (same age, middle class Californians) to know this movie is actually touching on what are real world situations for some people. So I didn't feel like there was much overdramatization as most critics point out. I also didn't feel like it was too long as I did enjoy the story, dialogues, etc. So I didn't think it felt drawn out. At the end of the day, most of the jokes work, plot and characters are engaging, and so there is enough to enjoy despite having nothing extremely original to rave about.
First and foremost, this is the first movie I have seen in years that actually has something to do with my life. I read through the threads, and I wasn't surprised that people found it depressing. They were probably expecting to see Knocked Up or I Love You Man. It lacks the stoner cool single guys being all zany about porn. Instead the comedy comes from things that forty somethings deal with: mortgage, kids, hormones, diet, expectations, etc. I rarely get to see a movie about people my age or having problems and solutions that don't involve guns, drugs, superheroes, cartoon birds, and people who have 8 figure life styles without ever having a job. Okay, so he's a groovy record co. guy, and she has a chic boutique.... Definitely way more California than my life, but still it is pretty real to life. I will concede that there are some gags that don't quite work, but like I said: I'm stickin' up for this one because I think it is getting a bad rap based on expectations. Thanks to Judd Apatow for making a movie about life instead of (hip jobs aside) hyper-situational life.
Você sabia?
- CuriosidadesIn one of the bedroom scenes, Paul Rudd's farts were unscripted. The crew were not amused by this but Leslie Mann stayed in the moment and improvised her outraged reaction.
- Erros de gravaçãoThe name plate for Debbie's OB GYN reads Dr. Pellegrino but the embroidery on his jacket reads Dr. Pellagrino.
- Cenas durante ou pós-créditosAfter the first half of the credits, there's an extended alternate take of Catherine ad-libbing insults during the conversation with Julie, Pete, and Debbie.
- Versões alternativasThe Blu-ray release included an exclusive extended version with three minutes of additional footage not seen in the theatrical version.
- ConexõesFeatured in The Big Review: Fall Trailer Park (2012)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- São os 40
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 67.544.505
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.579.175
- 23 de dez. de 2012
- Faturamento bruto mundial
- US$ 88.215.156
- Tempo de duração
- 2 h 14 min(134 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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