Bem-vindo aos 40

This movie has its moments, but overall its ruined by being overly long and tons of tired foul language. Highlights include the scene with Melissa McCarthy where her language is perfect, most any scene with the two actresses playing the two daughters and the Asian actress who plays one of the lead's employees. Worth a view for sure, but sad as it could have easily been a 10.

This is 40 is a complete surprise. A straight-forward slice of life that follows its protagonists as they cross the great, unseen barrier into their fifth decade, the film is naturally funnier, more poignant, and more engaging than might be expected. With laughter coming from the both the banalities of life and its heavier moments, the film rarely sinks into caricature and keeps tone-killing silliness to a minimum.

All these people that gave this movie terrible ratings need to lighten up ! First many of the actors are also comedians! If you can't handle mature dark humor than this movie isn't for you . Real people have to deal with a lot of things on their plate . The two main characters are dysfunctional individuals trying to make sense out of their crazy lives . The only part that I thought was over the top was the reaction to the child that said negative things about their older daughter . What they said could be outright threats that could be criminally charged. But at the end of the day it is a dark comedy. I like the ending. When in crisis mode families come together.

Wow, this film seems to be generating a lot of hostility: I am not quite sure what's behind it. I guess people went into this expecting a sitcom-like, snappy feel good film, like 40 Year Old Virgin? Or goofy, happy-go-lucky characters such as Seth Rogen's posse in Knocked Up? Did these people not see Funny People? I am all in favor of letting Mr. Apatow develop as a director. To be clear here: this film follows Pete and Debbie's story arc from a few years after the events in Knocked Up. The are both turning 40, and neither is handling it particularly gracefully, but they weren't handling their lives and relationships particularly well in the earlier film. I found this movie to have a Larry David Show quality to it: however irrationally and offensively our protagonists behave, there are always others who will go them one better (or worse). Yes, Debbie and Pete are defective human beings; but so, I would argue, are all the people inhabiting this world, excepting the very gentlemanly Graham Parker (and Billie Joe Armstrong). Such is the stuff of comedy. Are these caricatures? Surely, and yet they are caricatures of realities which I see every day. Is the teenage daughter given to histrionics? You bet, but that is what teenagers are like, and the fact remains that teenagers turn their parents into equally irrational and histrionic characters in that relationship; I actually found it refreshing to find a teenager in a movie, played by a teenager, who isn't a wisecracking savant commenting on the follies of her elders.

To sum up, this felt to me like a mature work from a good director. There are moments of farce, slapstick, and outrageous humor, surrounded by moments where things just happen. For people who can't handle that kind of pacing, you are welcome to stay out of movie theaters, and sit in front of your TV sets: the networks are sure to have plenty of non-challenging sitcoms that are specially designed to pander to you.

While I'm in my 40s I am single and childless but I hear enough stories from people around me (same age, middle class Californians) to know this movie is actually touching on what are real world situations for some people. So I didn't feel like there was much overdramatization as most critics point out. I also didn't feel like it was too long as I did enjoy the story, dialogues, etc. So I didn't think it felt drawn out. At the end of the day, most of the jokes work, plot and characters are engaging, and so there is enough to enjoy despite having nothing extremely original to rave about.