AVALIAÇÃO DA IMDb
5,8/10
3,1 mil
SUA AVALIAÇÃO
Don é um crente da Igreja Batista, até que ele estuda em uma universidade não tão religiosa, onde se tornará um cara mais liberal.Don é um crente da Igreja Batista, até que ele estuda em uma universidade não tão religiosa, onde se tornará um cara mais liberal.Don é um crente da Igreja Batista, até que ele estuda em uma universidade não tão religiosa, onde se tornará um cara mais liberal.
- Direção
- Roteiristas
- Artistas
William McKinney
- Jordan
- (as Will McKinney)
Jeff Obafemi Carr
- Dean Bowers
- (as jeff obafemi carr)
Jeffrey Buckner Ford
- James Larkin
- (as Jeffery Buckner Ford)
Joshua Childs
- Bookstore Manager
- (as Josh Childs)
Avaliações em destaque
First of all, I have to be honest. I found this film scrolling down Tania's filmography. I was curious (and still am) what she was like before Goliath.
Now, While watching the film I've learned it's a book. Since I didn't read it I'm judging the film as a film from a standpoint of viewing experience. And even that was hard because I'm struggling to find the source of my dissatisfaction.
Regardless how the film is a book's reincarnation seems, as a film film it gives you a hard time in finding something amongst all the storylines to stick your mind to. What is the film about is it about loosing faith, or is it about finding faith? Is it about Reed College, ahh, wait, wait, no it's clearly not. But it sure seemed that in the beginning. Is it a coming-of-age film? Well, the dude is a grown-up man. Where else you need to "come" of this "age"? Ok, maybe it's a love story? Well, sure the screen time isn't dedicated to the love story.
Paraphrasing the quote from the film. This film is like a bad jazz tune. It can't find its theme to improvise on, instead it's just rambling around like a young musician that just learned a couple of scale-runs.
Can't give it anything lower than 6. It's not a b-film. Casting is good. Music selection is very very good. Probably because they didn't have a budget and they chose all the obscure indie band which tilt the film into this earth Stumptown vibe very neatly. Locations are good. Cinematography does its jobs. I didn't see anything groundbreaking but clearly they put some thought into it. Sound recording should be also taken into consideration. It's comfortable to watch and it doesn't sound like a radio play. Editing is pleasing, it helps to tell the story, however messy it might be.
I'm not going to discuss the characters. It's a slippery slope. We tend to do all crazy stuff in real life. It's hard to argue what is realistic and what is not. On a personal level I don't sympathize with the main character. He's dumb. But we need stories about lost souls too.
Now, While watching the film I've learned it's a book. Since I didn't read it I'm judging the film as a film from a standpoint of viewing experience. And even that was hard because I'm struggling to find the source of my dissatisfaction.
Regardless how the film is a book's reincarnation seems, as a film film it gives you a hard time in finding something amongst all the storylines to stick your mind to. What is the film about is it about loosing faith, or is it about finding faith? Is it about Reed College, ahh, wait, wait, no it's clearly not. But it sure seemed that in the beginning. Is it a coming-of-age film? Well, the dude is a grown-up man. Where else you need to "come" of this "age"? Ok, maybe it's a love story? Well, sure the screen time isn't dedicated to the love story.
Paraphrasing the quote from the film. This film is like a bad jazz tune. It can't find its theme to improvise on, instead it's just rambling around like a young musician that just learned a couple of scale-runs.
Can't give it anything lower than 6. It's not a b-film. Casting is good. Music selection is very very good. Probably because they didn't have a budget and they chose all the obscure indie band which tilt the film into this earth Stumptown vibe very neatly. Locations are good. Cinematography does its jobs. I didn't see anything groundbreaking but clearly they put some thought into it. Sound recording should be also taken into consideration. It's comfortable to watch and it doesn't sound like a radio play. Editing is pleasing, it helps to tell the story, however messy it might be.
I'm not going to discuss the characters. It's a slippery slope. We tend to do all crazy stuff in real life. It's hard to argue what is realistic and what is not. On a personal level I don't sympathize with the main character. He's dumb. But we need stories about lost souls too.
My preconceptions about what a Christian movie would be like were happily proved wrong with this movie. I thought it would be another poorly acted, cheesy feel-good film of the us-versus-them variety like so many Christian films are. But it wasn't.
This story of a college student trying to escape his Bible Belt upbringing at a godless campus deals with universal themes that will appeal to people from many walks of life.
The actors gave solid performances, breathing humanity into the characters. The writers balanced the heavy soul searching with a sense of humor. The producer delivered a final product that rivals studio films with much greater budgets.
An entertaining film that makes you think.
This story of a college student trying to escape his Bible Belt upbringing at a godless campus deals with universal themes that will appeal to people from many walks of life.
The actors gave solid performances, breathing humanity into the characters. The writers balanced the heavy soul searching with a sense of humor. The producer delivered a final product that rivals studio films with much greater budgets.
An entertaining film that makes you think.
I am a huge fan of the book "Blue Like Jazz" and was so looking forward to the movie. I felt this was a great opportunity to produce a Christian film that would be authentic, could show what Christianity really could be, something based on an authentic relationship with Jesus, something really quite beautiful.
To say I was disappointed with the movie is an understatement. For those of you who have read the book and really loved its essence, its soul, how relationships with the key characters were developed, how his relationship with Jesus was developed and experienced, you will be disappointed too.
The thing about the book was it was so authentic, so real, so honest. The movie is none of those things. To say it is a loose interpretation of the book is giving this movie too much credit. It is not an honest and authentic portrayal of the book.
I feel like in some ways Donald Miller sold out - that is, he allowed a movie to be produced that is not an accurate depiction of how he got to Reed college, his key "struggle" is fabricated, acts of deviance are fabricated, the whole movie is really a fabrication.
I was so sad. What a great opportunity missed.
To say I was disappointed with the movie is an understatement. For those of you who have read the book and really loved its essence, its soul, how relationships with the key characters were developed, how his relationship with Jesus was developed and experienced, you will be disappointed too.
The thing about the book was it was so authentic, so real, so honest. The movie is none of those things. To say it is a loose interpretation of the book is giving this movie too much credit. It is not an honest and authentic portrayal of the book.
I feel like in some ways Donald Miller sold out - that is, he allowed a movie to be produced that is not an accurate depiction of how he got to Reed college, his key "struggle" is fabricated, acts of deviance are fabricated, the whole movie is really a fabrication.
I was so sad. What a great opportunity missed.
When I heard Donald Miller's book was being made into a movie, I was half elated, half skeptical. While the book-- that sold over 1.2 Million Copies-- is one of my favorites, it doesn't really lend itself well to a movie screenplay.
Or so I thought.
The movie follows a young kid named Don as he grows up in a Southern Baptist church in Texas, the only child of a uber-religious single mother and absentee deadbeat dad he refers to as "the hobo." Don is about to graduate from High School and is headed to Bible College. He's then faced with a situation that shakes him to his core. He ends up at Reed College, a liberal college in Oregon. The stories that follow show us the author's real struggles with faith and how he comes to grips with his own spirituality aside from the oppressive, rigid religious home he was raised in.
In addition to the screenplay, the director of photography does an impeccable job bringing the characters to life. The characters in the book, though not completely identical to the ones in the movie, become so personally vulnerable and familiar through equal parts can't-look-away awkwardness and close, tight, clean camera work that by the end of the film I found myself angry at myself for not interpreting the characters in the book more accurately even though they were in fact the real people.
BLJ is a movie that is desperately needed in the Christian art scene. The stunning dialog surrounding the film and the idiotic, egocentric way it has been received by many evangelical groups and churches clearly illustrate how needed films like this are. It earns its PG13 ranking in earnest, and there's no Kirk Cameron anywhere to be found. People talk about loving Jesus while drinking a beer, and not everyone who professes to follow Christ walks about with a pious attitude praying out loud and thumbing their Bibles incessantly. They make mistakes, hurt each other, and even cuss! In other words, it's real.
Kudos to Miller, Taylor and company. BLJ has, if nothing else, made in-roads for other non-craptastic movies with a Christ-centered message.
Thank you, God.
Or so I thought.
The movie follows a young kid named Don as he grows up in a Southern Baptist church in Texas, the only child of a uber-religious single mother and absentee deadbeat dad he refers to as "the hobo." Don is about to graduate from High School and is headed to Bible College. He's then faced with a situation that shakes him to his core. He ends up at Reed College, a liberal college in Oregon. The stories that follow show us the author's real struggles with faith and how he comes to grips with his own spirituality aside from the oppressive, rigid religious home he was raised in.
In addition to the screenplay, the director of photography does an impeccable job bringing the characters to life. The characters in the book, though not completely identical to the ones in the movie, become so personally vulnerable and familiar through equal parts can't-look-away awkwardness and close, tight, clean camera work that by the end of the film I found myself angry at myself for not interpreting the characters in the book more accurately even though they were in fact the real people.
BLJ is a movie that is desperately needed in the Christian art scene. The stunning dialog surrounding the film and the idiotic, egocentric way it has been received by many evangelical groups and churches clearly illustrate how needed films like this are. It earns its PG13 ranking in earnest, and there's no Kirk Cameron anywhere to be found. People talk about loving Jesus while drinking a beer, and not everyone who professes to follow Christ walks about with a pious attitude praying out loud and thumbing their Bibles incessantly. They make mistakes, hurt each other, and even cuss! In other words, it's real.
Kudos to Miller, Taylor and company. BLJ has, if nothing else, made in-roads for other non-craptastic movies with a Christ-centered message.
Thank you, God.
As a big fan of the book the movie is based on, I went in thinking there was no way that the movie could compare with the book.
While it is very hard to translate a series of essays into a story with a flowing plot, the creators of Blue Like Jazz the movie did an exceptional job.
The film is unique in that there is no way to compare it to any other Christian film. The message of Jesus isn't heavily preached, and instead, a truthful representation of a boy brought up in the Southern Baptist religion is presented. It also leads to a discussion on what it means to be a true follower of Christ.
While there is language, alcohol, and drug use, the movie has integrity and heart, and I highly recommend it!
While it is very hard to translate a series of essays into a story with a flowing plot, the creators of Blue Like Jazz the movie did an exceptional job.
The film is unique in that there is no way to compare it to any other Christian film. The message of Jesus isn't heavily preached, and instead, a truthful representation of a boy brought up in the Southern Baptist religion is presented. It also leads to a discussion on what it means to be a true follower of Christ.
While there is language, alcohol, and drug use, the movie has integrity and heart, and I highly recommend it!
Você sabia?
- CuriosidadesThe movie was made possible by the efforts of fans who refused to see the project die. A campaign on KickStarter was started after a September 16th blog post by Donald Miller that the project was dead due to the lack of backers. By the end of the funding period on October 25th, Save Blue Like Jazz had raised $345,992 (276% of the original $125,000 goal) from 4495 backers. This earned the project a Hall of Fame ranking on KickStarter as the highest funded project ever.
- Erros de gravaçãoDon tells his mother that there are no roommates in the dorms at Reed college, but Lauryn tells a story about her "first year roommate".
- Citações
Donald Miller: He told me jazz was like life, cause it doesn't resolve.
- Cenas durante ou pós-créditosThe names of over 1,500 people were listed as Associate Producers of the movie.
Principais escolhas
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- How long is Blue Like Jazz?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Blue Like Jazz
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 595.018
- Fim de semana de estreia nos EUA e Canadá
- US$ 261.190
- 15 de abr. de 2012
- Faturamento bruto mundial
- US$ 595.018
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