The Ghastly Love of Johnny X

'THE GHASTLY LOVE OF JOHNNY X': Four and a Half Stars (Out of Five)

Sci-fi musical comedy flick about a gang of deliquent misfits, from outer space, who are exiled to earth and trying to find their way home. It was produced and directed by Paul Bunnell and written by Bunnell, Steve Bingen, Mark D. Murphy and George Wagner. The film stars Will Keenan in the title role (who's probably most well known for playing Tromeo in the Troma flick 'TROMEO AND JULIET') and it also features a supporting cast which includes Creed Bratton (Creed of 'THE OFFICE' fame), De Anna Joy Brooks, Reggie Bannister (of 'PHANTASM' fame), Les Williams, Jed Rowen, Kevin McCarthy (of 'INVASION OF THE BODY SNATCHERS' fame) and veteran actor Paul Williams. The movie was made on a budget of just $2 million and was the lowest grossing film of 2012! I found it to be a pretty amusing and fun time at the movies.

The movie begins, in outer space, with Jonathan Xavier (Keenan) being exiled to Earth by The Grand Inquisitor (McCarthy). Johnny then spends his days causing trouble, on Earth, with his gang of troublemaking friends. His girlfriend Bliss (Brooks) recently dumped him and ran off with his 'Resurrection Suit'; which is a powerful uniform that can control others. Johnny will now stop at nothing to get the suit back and win back Bliss's love. Multiple musical numbers follow as the plot also involves Johnny's gang helping a music promoter (Bannister) put on a show with a dead rock star (Bratton).

I really love the style and enthusiasm of this 50s throwback sci-fi flick. Bunnell really got the mood and feel right; of the B movies from that era. I'm not from the 50s but I remember watching a lot of movies from that time period, growing up as a child, in the 70s and 80s. So even for me this movie has that magical 50s nostalgic feel. The acting is all good and the music numbers are well done and catchy as well. It's definitely not a flick for everyone, some will find it downright stupid and silly, but it should more than please it's target audience (if they ever see it).

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When I saw the trailer for this over a year ago I had to watch it. Unfortunately, living in rural America, it never came to any theaters near me. When it hit Vudu for purchase I snagged it almost immediately. Anyway, here goes.

If you love campy sci-fi humor you will love this movie. The musical aspect also give a nice touch and is well done. The choreography is also top notch.

If you appreciate odes to an era gone by where campy sci-fi flicks were plentiful then you cannot go wrong with this film. When comparing this to modern flicks in the same vein, it holds up well. While Repo The Genetic Opera remains my favorite indie musical, The Ghastly Love of Johnny X holds up well. I give it a solid 9/10 stars with zero reservations.

A decade in-the-making, The Ghastly Love of Johnny X really comes together in the details. In order to make such a concept pop, this one needed as much research as guts and gumption to see it over the line, and filmmaker Paul Bunnell has obviously invested a significant amount of time and money into making sure his film rises to its many, many sources of inspiration. I can see John Waters in here; I can see alien invasion films; I can see the big monster movies of the atomic age; I can see West Wide Story; I can see James Dean's oeuvre; I can even see a bit of Frankenstein and Re-Animator. The fact that Bunnell has managed to rope all these influences together into one cohesive package is a feat that deserves 'high five' recognition. The songs by Ego Plum and lyricist Scott Martin aren't quite that of Bacharach or Leiber & Stoller, but they're tight, finger-snapping ditties that recall the show tunes of a bygone era and ornament the film perfectly without overwhelming it. Ultimately, The Ghastly Love of Johnny X is just too unique and beautiful not to recommend. You may like it, you may not. Either way, I guarantee it will be unlike anything you have seen before.

There are a lot of issues with this oddball movie, but the first thing that should be mentioned in any review of it is the wonderful performance of De Anna Joy Brooks, who pretty much single-handedly makes this movie kind of worth watching. In a film with a serious identity crisis, she is the one person involved who seems to understand how the movie should be played, a knowledge apparently not even possessed by the director.

It's hard to know exactly what this movie is aiming for. There are elements of 50s B-movie biker flicks, Ed Wood-style train wrecks, and Broadway musicals, but there's not a sense that the director knows how to mix these together. While it has cheesy sci-fi elements, it doesn't appear to want to be a send-up of bad movies, like the brilliant The Lost Skeleton of Cadavra. The musical numbers contain some pretty good songs (notably What's Up With Johnny) but are undercut by a lack of performers who actually know how to dance (only the guy with glasses looks like he's had any training). The biker elements are neither extreme enough to be parody nor effective enough to generate much drama. The movie also suffers severe pacing problems; scenes or individual shots just go on too long, and I'd trim a half hour from the hour and 45-minute movie.

Also, the "b" movie effect they seem to be going for is undercut by really nice choreography. Yes, it's strange to fault a low-budget movie for well-framed shots and beautiful lighting, but it just underscores the sense that there is no real vision for what this movie should be.

Or I should say there would be no vision if not for Brooks. Giving a funny, sexy performance, she offers a stream of snappy patter and knowing glances that makes every moment with her on screen work. Every time she is gone, the movie turns into a muddle.

There are a few other good performances in the movie, mostly from the older, more experienced actors (I love Paul Williams' bit as a kooky talk show host). But many of the bit actors have limited acting chops, and the guy playing Johnny lacks the bigger-than-life presence needed for the role.

I hope Brooks and the cinematographer have a chance to put their talents towards a worthier project.

This film was a lot of fun. The lead lady who played Bliss (De Anna Joy) was sexy and fun, and her one-liners were playful and quirky. It was take my eyes off her once she got going. Great dancing, too.

It put me in mind of other off-beat musicals like REPO! The Genetic Opera and the Devil's Carnival and had a slick production. Very sci fi and cool. A great adventure.