Kalevet

Rabies, despite the title, has nothing to do with rabies, I think it is supposed to represent how infectious the violence was between the characters as they found themselves in a fight for survival and being paranoid about each other's intentions. Rabies, however, is a really creative, different & entertaining film that I thoroughly enjoyed. It all starts with a female, Tali who has fell down a trap in the woods and her brother, Ofer who is trying to get her out. We learn that the trap was set up by a crazed killer who plans on torchering and killing her. as soon as Ofer goes to try and get help to get his sister free, the madman returns and begins his assault on Tali. This is not a formulaic slasher film where a killer in the woods kills off a group of young 20 somethings one at a time, in fact the killer plays a very small part in the movie and acts more as a catalyst for a series of events that lead to interactions between other characters that stumble into and around the woods.

In addition to Tali, Ofer and the killer, there is also a group of 4 friends on their way to a tennis match who get lost - they end up hitting someone on the road which is how they get involved in the plot & descent into the woods, 2 cops who are called to help the 4 friends and a man who is hunting and surveying the land in the woods with his dog. He also has a girlfriend who we meet at the beginning.

I would definitely recommend this movie. The story line has many unpredictable twists and turns and overall the acting was solid although the girl playing Shir, played by Yael Grobgas was the one weak link. I think her wooden, blank performance was supposed to be a result of her character being in shock but she was just as wooden, blank and unnatural before any bloodshed occurred so I think she's just a horrible actress. That would be my one complaint in this film.

8/10 = rating

Rabies isn't just the first Israeli horror film, a country most people living outside of it mistakenly think suffers from horror on a daily bases, but is also a slasher film with no real slasher. The fact that there isn't one killer, just makes the horror more intense and real: when the going gets tough, the tough (and gentle) get murderous; And when all happens in an enclosed part of the woods known as "Fox reservoir" - it's hard for anyone to escape the part of the man (or woman) with the gun (or ax,knife and anything around). The film follows a brother and sister that flee to the woods to hide their forbidden secret. But in the woods other people hide secrets; a psychopath killer sets traps all over the woods and the sister falls into one of them. The brother seeks for help and is hit by a car with two couples of tennis players that got lost on the way to a tennis tournament. He drags the two men in two the woods to help him and leaving the girls alone on the road. From this point on everything that might go wrong goes worst and involves a forest ranger, two cops and more. What strikes me most about the film is the way in which it lets human nature do its thing without needing any special incentive: everything that happens is just people loosing restrains on their civilized manners. The films seeks to show that movies don't need any super natural killer or a psychopath with a plan - just let people forget the way they were brought by, and anyone can kill. It is both a genre film and a comment about the genre and human beings. The woods is most likely the most important character in the film, and Aharon Keshales and Navot Papushado in their directorial debut along with their cinematographer Guy Raz meticulously crafted its appearance as to look like the place where all hell can break loose, though it is usually a nice place to have a picnic. Blending in horror and comedy, the film puts (after more then 60 years) Israel on the map of horror films and hopefully will not just open doors for other young Israeli film makers to make other horror, Sci-fi and even musicals - all genres that have been almost completely forgotten in the history of Israeli cinema, but will also mark the beginning of an ongoing career for the two young directors.

RABIES is the first Israeli slasher film ever made, and it starts off as your typical slasher flick: A group of teens are driving on a shortcut through the woods. However, even this early in the film, it starts to veer off in a different direction when we are introduced to other characters, which includes the killer himself, two cops, a ranger and his dog, and siblings. As expected, an incident occurs that sets off a chain reaction that ultimately makes RABIES one of the weirdest and most original slasher flicks I've ever seen. All the ingredients of a slasher film are here, but they go against the conventions of a slasher film. Think of it like this: RABIES is the product of what the Coen brothers would do if they ever decided to do a slasher film. Saying anything more would ruin the experience, so I'll just leave it at that.

RABIES separates itself from other slasher flicks in many ways, including the fact that the entire film takes place in daylight and that most of the characters are fleshed out. Even the teens seem like real people, not dumb victims who make idiotic decisions to get them killed off. The film also has surprising levels of comedy and drama that's mixed with the horror, which is influenced by Korean horror films in the past few years. It also has something to say about the nature of human beings, so not only is RABIES an atypical slasher flick, but there's also an underlying commentary running through the film.

Because of how RABIES bend the slasher genre, I can see that it might not work for everyone. Some die hard slasher fans may be disappointed seeing that it doesn't follow a lot of the slasher conventions while others may open up their arms willingly to what the film has to offer. Although it doesn't revolutionize the slasher genre, I found it to be entertaining and weird overall, and I appreciate the originality put into it. I'd also keep my eyes on directors Aharon Keshales and Navot Papushado and on their next film, which is a murder mystery. Hopefully, this film will also open a lot of doors to what Israel can offer to the rest of the world in the future. And lastly, there's already talks of an American remake so watch this ASAP.

Plot

A brother and sister who run away from home find sanctuary in a deserted nature reserve. When the sister falls into the trap of a psychopathic killer, the brother sets out on a race against time to find help. In a twist of fate the rescue of the sister becomes inadvertently intertwined with the lives of a group of young tennis players, a ranger and his dog, as well as a team of policemen

Cast

A surprisingly competent cast, Yael Grobglas and Ania Bukstein were great here.

Verdict

Israel's first horror movie? Well that was my first Israeli movie ever, I watched it to get my Top 10 Israeli movies going but this is not the best start.

For a start there's no reason for this to be called Rabies, not sure if it's a metaphor for something but let's be clear that's not what the film is about.

It's a bungling horror movie that grabs hold of every American horror liche and doubles down on them with every tired trope and then some. You'd think for the first Israeli horror they'd try to forge their own identity instead of relying on what has worked for others to excess.

Rabies is a truly dire film, it's boring, it's soulless, it's by the numbers.

Rants

Of all the tired horror tropes it's the pet death I'm so very very tired of. Enough already, I can confidently say I've never met anyone who likes it so why does every horror filmmaker insist on doing it. Kill people, leave the pets alone. At this stage it damages a movie, it's predictable and it's simply in bad taste.

The Good

Cast are mostly competent

The Bad

So unoriginal Really quite boring Plot is just an amalgamation of better movies.

Fresh, inventive, fast paced - this film was like going on a fun roller coaster. Never a dull moment and you do not know exactly what will happen next. Just when you think it is going to follow a formula the bottom drops out. Never having seen any of these actors before added to the experience. At first it may seem there are too many characters but it all blends together at the end. If feels like the directors took the theme of the old movie "After Hours" and paired it with the comedy of "Shaun of the Dead." Then gave it a Cohen brothers twist. I really enjoyed this film and the previous effort (Big Bad Wolves). There are gory scenes (and I dislike gore) but it did not seem excessive or gratuitous.