When the Lights Went Out

Yorkshire, 1974: the Maynard family moves into their dream house but soon discovery it is already occupied by a violent spirit.

Based on what is regarded as the most violent poltergeist haunting in Europe and not to be confused with the 'Enfield Poltergeist', from the metal bins to glass milk bottles, cigarette filled pubs, Buckaroo, Kerr plunk, wood panelled walls, seventies patterned wallpaper and 70's TV to name a few When the Lights Went Out is worth viewing for the 70s nostalgia alone.

Director Pat Holden takes some queues from some well know horrors and parts of his offering are unavoidably reminiscent of The Amativille Horror, The Exorcist and Poltergeist. Although the closing is unnecessary effects laden, the overall unassuming setting adds to the ominous and uneasy feel, this coupled with the minimal melodic music and lighting create some good tension.

With haunting figures and things going bump in the coal shed and dwelling as the family becomes more convinced their house isn't right, it becomes quite compelling viewing especially for those also familiar with the well documented alleged haunting. The creepy sound design makes the most mundane objects jumpy and menacing as the incidents escalate throughout. Along with the on location feel amongst the expertly recreated period, the everyday UK setting adds to an air of realism.

Part horror, part family drama what's interesting is the haunting events and its effect on the daughter and family and the reaction of the school and local community. It's well filmed and acted, notable are Kate Ashfield , Steven Waddington, Tasha Connor with Craig Parkinson Martin Compston and Andrea Lowe providing some good performances in supporting roles.

With a bit of artistic licence, based on The Black Monk of Pontefract, Holden gives the events context and structure to a story that's well acted amounting to a solid British haunting film.

I reluctantly began watching what seemed to be yet another Paranormal Activity ripoff but was gradually pulled into the storyline by Pat Holden's fine direction and performances. The mood was effective as was the music score and sound design. I'm a big fan of ghost films, particularly Robert Wise's THE HAUNTING and Peter Medak's THE CHANGELING. While this film doesn't reach those heights, it is so much more effective than any of the American ghost films of the last few years.

I'm also intrigued by paranormal films based on true stories, which this one claims to be, adding more creepiness to the viewing. Making a good chilling film is not nearly as easy as it seems, so hats off to the creators of this good little film.

Okay, take Poltergeist and The Exorcist then move them to seventies Yorkshire and you basically have When the Lights Went Out. It's supposedly based on a true story (but aren't they always?) about a family who encounter a particularly nasty spook in their house.

This is a film where I can find many positives and only one negative. The good things are the setting (if you ignore the occasional Sky Digital dish in the background). They do a good job of portraying seventies England. The actors are also all believable. The film centres quite a bit on two young girls. Kids in films (and especially horror films) tend to be either highly annoying, or just totally unlikeable. However, I found these two girls quite endearing and hopefully they will have a long acting career ahead of them. Also, it's quite creepy. The scares are sometimes predictable, but they're there nonetheless.

About the only thing that's negative is that - as far as story-telling goes - is that there's nothing new here. Hollywood has been churning out these sorts of films for years and all you have here is a British (period) version of one of those types.

If you're in the mood for an easy-going British horror flick, definitely give this one a go. Just don't expect anything revolutionary.

"When the lights went out," is a supposedly true story of a haunting/ exorcism that takes place in England during 1974, and seems more like a reinterpretation of New England's haunting stories of the same era. Somehow the 70's were so bad and dull that even ghosts had to find more to do.

Good: The acting was fine, not great or memorable but fine. The story is a good one, even if over used by movies and the "true story" part is always somewhat of a draw. Although I question the trueness. Being set in the 1970's wasn't too bad and I think they hit the overall 70's feel and look pretty well. The whole haunting thing is always popular as well which always makes a film alluring to watch.

The Bad: Nothing new to see here, except it takes place in England instead of the eastern U.S. "When the lights went out," is another story, supposedly based on true story, that takes place in the 1970's, oddly like another true story in the 1970's "Amityville Horror" (1979) and contains a bit of demonic possession, much like another 1970's movie "The Exorcist"(1973). How many films to the makers of this one think we haven't seen or forgot. There was also very little to cause you to jump in your seat or really fill you with fright when you really do turn out the lights.

I give it a 6 out of 10. It was interesting to watch, they did well bringing the 70's era into it, and not to much to gripe about acting wise. The originalness of the story is questionable at best, and seems to be a combination of a few older movies that came out in the era it takes place. It wasn't nearly scary, and other than a few tiny parts, provided none of the "jump" effect a movie like this needs.

Like my review? Hate em? Comments, questions, or want a DVD reviewed before you waste your time? E-mail me at : subliminal.lithium@gmail.com

When the Lights Went Out is written and directed by Pat Holden. It stars Steven Waddington, Kate Ashfield, Natasha Connor, Craig Parkinson, Jo Hartley and Martin Compston. Film is based on alleged real life events that were recorded in Pontefract, England, in 1974. After the Pritchard family moved into their new house on the Chequerfield Estate, poltergeist activity reached such a level it has been called the most violent poltergeist haunting ever witnessed in Europe.

Director Holden, who made the criminally under valued Awaydays, helms his picture with genuine love and thought for the topic. Being related to the Pritchard family he had wanted to make the film for some time, it's a noble effort even though it never achieves all that it can.

There are two main problems that will ensure the film will stay rooted on the bottom shelves of DVD stockists and collectors. Problem one is that it is uncomfortable in mixing comedy with drama, something that practically kills a key scene in the last quarter. It's useful to understand that these Yorkshire folk are made of tough stuff, ready to offer a quip in the face of adversity, but it has to be pitched right and here it negates much of the pent-up terror.

The other key issue is that it's so stunning in its period design (this really deserves the highest praise for the makers), anyone from the 1970s is guaranteed to be spending much of the film pointing out things and reminiscing. I know I was! Garish wallpaper designs, toys like Slinky and Buckaroo, rum and pep and Babycham in the smoky pubs, The Sweet singing Little Willy and a hairy Noel Edmonds on Top of the Pops, these are just some of the things to make film fans who were reared in the 70s smile during this particular horror film!

As a tale it's creepy enough, the cold backdrop of a Yorkshire council estate suits the story no end, and in spite of a bad misstep when Holden uses CGI in the finale, the shocks and unease moments are nicely handled. While the human interest factor always remains high and there's a bit of thought within the writing to off set the normal question of "why don't they just move house?".

It's also well performed by the cast, with youngster Connor really shining bright, and with Holden keeping things brisk the picture never gets bogged down with pointless scene fillers. Is it scary? Away from the flares, wallpaper and hair styles that is! Well no it isn't really, it's more an effective ghost yarn than anything else. So needless to say, the blood lust gore crowd or those expecting a battle between religion and demon, need not apply here. 6.5/10