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IMDbPro

The Greatest Movie Ever Sold

  • 2011
  • PG-13
  • 1 h 30 min
AVALIAÇÃO DA IMDb
6,6/10
15 mil
SUA AVALIAÇÃO
The Greatest Movie Ever Sold (2011)
 	A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement
Reproduzir trailer2:26
1 vídeo
30 fotos
ComédiaDocumentário

Adicionar um enredo no seu idiomaA documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.

  • Direção
    • Morgan Spurlock
  • Roteiristas
    • Jeremy Chilnick
    • Morgan Spurlock
  • Artistas
    • J.J. Abrams
    • Peter Berg
    • Paul Brennan
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    15 mil
    SUA AVALIAÇÃO
    • Direção
      • Morgan Spurlock
    • Roteiristas
      • Jeremy Chilnick
      • Morgan Spurlock
    • Artistas
      • J.J. Abrams
      • Peter Berg
      • Paul Brennan
    • 48Avaliações de usuários
    • 115Avaliações da crítica
    • 66Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 5 indicações no total

    Vídeos1

    The Greatest Movie Ever Sold
    Trailer 2:26
    The Greatest Movie Ever Sold

    Fotos30

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    Elenco principal14

    Editar
    J.J. Abrams
    J.J. Abrams
    • Self
    Peter Berg
    Peter Berg
    • Self
    Paul Brennan
    • Self
    Noam Chomsky
    Noam Chomsky
    • Self
    Jimmy Kimmel
    Jimmy Kimmel
    • Self
    Rick Kurnit
    • Self
    Mark Crispin Miller
    • Self
    Ralph Nader
    Ralph Nader
    • Self
    Brett Ratner
    Brett Ratner
    • Self
    L.A. Reid
    L.A. Reid
    • Self
    • (as Antonio Reid)
    Morgan Spurlock
    Morgan Spurlock
    • Self
    Quentin Tarantino
    Quentin Tarantino
    • Self
    Donald Trump
    Donald Trump
    • Self
    John Wells
    John Wells
    • Self
    • Direção
      • Morgan Spurlock
    • Roteiristas
      • Jeremy Chilnick
      • Morgan Spurlock
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários48

    6,615.3K
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    Avaliações em destaque

    JohnDeSando

    I'm not sold.

    It's time for me to downsize my adoration of Morgan Spurlock, director of the Greatest Movie Ever Sold. His Supersize Me introduced me to the horrors of too much fast food, although I suspected that were so anyway. In Greatest, I learned nothing new about product placement in movies.

    Despite his vigorous pursuit of companies to sponsor his film totally in product placement, I knew it all from the beginning. Much revenue is derived from an actor holding a Coke or a Pepsi. But then I knew that the minute I heard of the idea decades ago, and Spurlock adds zero insight, such as what marketing agencies or manufacturers really think about the idea other than their fear of Spurlock trashing them.

    I did learn that Morgan Spurlock is as much the center of attention as Michael Moore. Spurlock seeks it out, guaranteeing his premier place by doing the film himself and showcasing his highly-developed sales skills.

    OK, maybe I learned something else: In Sao Paulo outdoor advertising is banned. Although I thought I would be pleased, the city looked strangely vacant, something out of a horror flick. Maybe it's not the advertising I dislike—maybe it's just Morgan Spurlock's advertising himself that turns me off.
    valleyjohn

    It's not a movie

    Morgon Spurlock is the director famous for the documentary about McDonalds . This time he tackles the issue of product placement in the movies. By doing so he get's companies to pay for the making of this film by cramming it with their own product placement brands.

    The problem i have is that this is not a film at all. It's not even a documentary really. It compromises itself from the start and therefore it has absolutely no cutting edge. Sure , it gives you some insight into what goes on with companies and how much they are willing to pay to get their products on screen but that is not enough to keep an audience engaged.

    Spurlock has a likable air about him but I'm not convinced he is movie maker at all. The title should be reported to the trade descriptions people as it's not great and it's not a movie and i certainly never bought into it.
    8JustCuriosity

    A Brilliant Satire of Product Placement

    Morgan Spurlock has delivered a fascinating satire of the process of placing products into movies and the ubiquitous nature of advertising in our society. He takes us inside the process by showing us what it takes to make a movie and to gain corporate sponsorship for it. He allows us to see the process by getting corporations to underwrite his movie about product placement. He uses humor – as he did with fast food in Super Size Me - to point to the insidious way into which advertising has slipped into film-making and become a major part of its profit model of film making. He isn't the first one to do this, of course. Feature films like Thank You for Smoking and The Truman Show have pointed out this phenomenon. Steve Colbert has also does so regularly on his show. Still by putting it into a documentary form, Spurlock has taken the critique to a new level. The sponsoring companies will likely benefit through their association with his humorous critique of corporate America. The movie-going public will benefit if they become more cognizant of the pervasive nature advertising in films. Spurlock has shown us yet again that it is much easier to get the public to listen to critiques our economic system if they are delivered with a good-natured sense of humor.
    7gizmomogwai

    I'll buy in

    Futurama had an episode that submitted in the year 3000 advertisers will be able to send signals in the air that put commercials into people's dreams. Funny that Ralph Nader mentions sleep as the last place you can go to escape ads. In today's world, they're pervasive. It's a good topic for an amusing and entertaining filmmaker (Morgan Spurlock, who previously had success with his anti-fast food pic Super Size Me). Much as with Super Size Me, Spurlock pulls a stunt; this documentary is funded by product placement.

    There are certain limitations inherent in such a project. Make a film against product placement, and the worst offenders will not want to help it. In the end he mostly finds businesses I've never heard of (Ban, Sheetz). So we don't see how the bigger corporations go about product placement. That said, we see a bit of how it works, as Spurlock's sponsors send him contracts making various demands.

    At times it seems this movie is more about itself than product placement generally, but we do have some good discussions spread throughout the film. It is true blatant advertising is insulting, yet the film poses the question of whether subtle advertising is more dangerous. The presentation is funny, including with the Mane 'n Tail material. (Why didn't that company pay for the publicity? They even got a Wikipedia page because of this movie). The film has some good music and I can testify that it looks great on Blu-ray. The Greatest Movie Ever Sold may not be the greatest documentary, but it's worth a look.
    6ferguson-6

    Where's the Beef?

    Greetings again from the darkness. This is billed as "a documentary about branding, advertising and product placement that is financed and made possible by branding, advertising and product placement". My issue with the movie is that it's not really ABOUT anything! It's really more of a "How To Raise Money For Your Movie By Selling Advertising". And that does have some funny scenes and provide a glimpse into how the leaders of companies think.

    Morgan Spurlock hit the big time in 2004 with his Oscar-nominated "Super Size Me", in which he filmed himself eating only McDonalds food for a full month. The difference in that movie and this one is that previously, he did much research and explained to the viewer the significance of cause and effect. In this most recent film, he promises insight into the abundance of product placement in the entertainment world, but really we get only a mish-mash of images and scenes.

    The segments can be divided into these categories: conference room presentations, celebrity talking heads, industry experts, and Mr. Spurlock's own ruminations. Each of these segments are entertaining ... heck some are laugh outloud funny ... but in the end, we are left holding an empty bag. We have no more understanding of product placement than when we started. What we do have is a better feel for how desperate companies are to find new ways to advertise their products.

    Some of the products featured in the film are: Hyatt, Jet Blue, Mini Cooper, Merrill shoes, Sheetz (gas and convenience) and of course, Pom Wonderful - the 100% pomegranate juice whose President and Owner ends up spending $1 million for above the title sponsorship. Some of the talking heads include Ralph Nader, Noam Chomsky, Paul Brennan and Donald Trump. We get brief chats with film directors Peter Berg, Brett Ratner and Quentin Tarantino. Throw in a couple of lawyers, musicians and some industry experts and you get the impression that Spurlock did his homework.

    I have spent some time thinking about this and I will stick to my conclusion. What the movie doesn't do is provide any insight or detail into what drives product placement in entertainment. However, the movie does a decent job showing us how presentations are made to advertising managers at companies, and it leans heavily on Mr. Spurlock's often-hilarious viewpoint of situations (Mane & Tail shampoo). When you get right down to it, isn't this just a glimpse at one segment of capitalism? When you have a product to sell, you are constantly looking for the most effective way to advertise that product to potential customers. Sorry, that's not insight, that's just Marketing 101.

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    Enredo

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    • Curiosidades
      The city of Altoona, Pennsylvania was paid to change its name to Pom Wonderful Presents: The Greatest Movie Ever Sold, PA for 90 days. The money went to the city's Police Department budget. The connection to the movie and the city is from a local convenience store chain (Sheetz) from Altoona appears in the movie as one of Morgan Spurlock's sponsors for the film.
    • Citações

      Morgan Spurlock: Is there such a thing as truth in advertising?

    • Cenas durante ou pós-créditos
      During the end credits, their is a phone conversation between Morgan Spurlock and an artist discussing how he will be the "only person with a photo in the end credits"....and he is.
    • Conexões
      Featured in Maltin on Movies: Water for Elephants (2011)
    • Trilhas sonoras
      Cameras
      Written by Matt Johnson (as Matthew Johnson) and Kim Schifino (as Kimberly Schifino)

      Performed by Matt & Kim

      Courtesy of Matt & Kim Inc. under exclusive license to Fader Label

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    • How long is The Greatest Movie Ever Sold?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 24 de agosto de 2011 (Islândia)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • POM Wonderful Presents: The Greatest Movie Ever Sold
    • Empresas de produção
      • Snoot Entertainment
      • Warrior Poets
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.800.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 638.476
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 118.294
      • 24 de abr. de 2011
    • Faturamento bruto mundial
      • US$ 698.249
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 30 min(90 min)
    • Cor
      • Color

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