Phil Spector

I just read through the reviews (9 as of this writing) and I find reactions interesting yet predictable. Yes, we can talk about performances- Pacino is "masterful"! Mirren is "pure class"! Yes, we can talk about Mamet's writing style. I guess that, for me, these are reviews seemingly by film students and not people who paid attention to not the technical details but what the movie is about.

It is, in my mind, less about Phil Spector, and more about the legal system, about understanding society's inclination toward prejudging, presuming guilt, casting the first stone, and it's inability to distinguish between an eccentric and a psychotic.

As for the performances, did we suddenly expect poor acting from the talent of this cast? They're good actors and they delivered as expected. I don't think the reviews are helpful when they focus on such trivialities.

Anyway, I thought it was interesting, reflective... but not a "masterpiece". Absolutely recommended- I'd say 7 stars.

There are those who believe this movie should never have been made. But it remains to be seen if it will ever be used to heal a very grave wound. The film is called " Phil Spector " and it stars one of the finest actors in Hollywood, namely Al Pacino. One can only wonder why he choose to do the movie as its only redeeming feature was, it did not serve to detract from Pacino's already remarkable career. On the other hand, his performance was such, it served to convince this audience member, that Spector was shown as a controlling, demented, self-serving neurotic, who isolated himself behind a wall of Megalomaniatic, delusions. The movie itself is a collage of half-baked memories which served only to convinced the audience that Spector had splinters in the Windmills of his mind. If director David Mamet had this in mind, he succeed. If his intention was to help his defense, he succeeded in doing the opposite. Except for the performances of his defense lawyers, Linda Kenny Baden (Helen Mirren) and Jeffrey Tambor who did their best to Spin the truth. The movie serves best when the audience is drawn only for the sheer entertainment. In this Mr. Pacino did his job only too well. ***

If you're thinking this film is about the trial of Phil Spector, it isn't. It does, however, contain a lot about preparing for the trial.

Helen Mirren is Linda Kenney Baden, who reluctantly takes on the murder case of Phil Spector, who is accused of killing Lana Clarkson in his home. Spector claims it was suicide.

Baden reluctantly finds herself believing him, as she performs a series of experiments that to her prove he could not have done it. Though trying to talk with Spector is very difficult, she also finds herself liking him.

This is a good character study, if a little on the slow side. It would have been dreadful without Mirren and Pacino, however. Pacino plays Spector as a pathetic has-been who brags about his past accomplishments as he sits isolated in his home,"The Castle." He loses his temper often and goes off on tangents. "Would I have lost everything for her?" he asks Mirren about Clarkson. Because of his crazy behavior and history with guns and women, Spector is in a lot of trouble.

The film brings us through the mock trial and Baden's attempts to have Spector take the stand to see if he can do it. It's a disaster. On the day of the trial, he shows up in a huge fright wig and looks terrifying. Baden has her work cut out for her.

Mirren is wonderful as a woman with a cold that turns into pneumonia who is nonetheless vigorous in her defense. The best scene is when she receives a suggestion from an associate. To illustrate a point, she shows a young attorney the yellow piece that used to go in the middle of a .45 record - he doesn't know what it is. She shows him a .45 record and he guesses, "something for the computer?" She turns to her associate and says, "None of these people are going to know what you're talking about." Mirren is masterful.

In the end, which is not part of the movie, the first trial was a mistrial, but Baden could not take part in the second trial and he was convicted.

This HBO movie is worth seeing for the performances. It is slow at times, but then again, it's not very long.

This is a frustrating Made-for-TV-Movie. It is so short in length that it leaves the viewer with a wanting for much more. There is so much potential untapped power here. The magnetic lead Actors, the always interesting and divisive Writer/Director David Mamet and of course, the legendary Music Producer, Phil Spector.

His unique blending of multi-tracked Music into what became known as the "Wall of Sound" was so impressive and unusual that he attracted clients as diverse as The Ronnetts, The Rightheous Brothers, Tina Turner, The Beatles, and The Ramones to name a few. He was labeled a Boy Genius.

All this adulation made him into a neurotic, reclusive, abusive, megalomaniac, arrogant, show-off, but he also made the best and greatest Music that filled the much needed gap between Elvis and The Beatles with his rich and beautiful Pop Songs. He also had very few friends and quite a few jealous enemies. When asked if he liked People, he responded..."I don't know, I've never spent any time with them".

This is just a very short Movie about the weeks before the beginning of his first trial for murdering his Date. So the insights into Spector are crammed in here and what is here is interesting, but ultimately just some footnotes of a life. His guilt or not in this snapshot of the trial ordeal is fascinating. But considering all that could have been it cannot help but be nothing but a well done tempting tease.

Based on actual events that took place, PHIL SPECTOR dramatizes the court-case in which the eponymous hero (Al Pacino) is accused of murder and defended by hotshot lawyer Linda (Helen Mirren). With David Mamet as writer/director, viewers can expect nothing less than a penetrating character-study with the emphasis on great dialog and changing reactions. PHIL SPECTOR does not disappoint in this respect; a study of a once-great music producer fallen on hard times who (like Norma Desmond in SUNSET BOULEVARD) lives in fantasy-worlds of his own creation. The ever-increasingly grotesque choice of wigs Spector uses is proof of this. Sometimes it's difficult to separate truth from fiction, while listening to his lengthy speeches - which makes the lawyer's task of defending him that much more difficult. In the end Spector's pretensions are unmasked as he is literally brow-beaten into making an appearance in court: Mamet's camera focuses unrelentingly on his hands that shake uncontrollably as he listens to the evidence presented against him.

As the lawyer, Mirren acts as a workmanlike foil to Pacino's central performance. Although firmly convinced of her client's innocence, she finds it increasingly difficult to present a convincing case; the judge and the prosecution seem hell-bent on frustrating her, as well as her client. Nonetheless she shows admirable stoicism in pursuing her case.

In the end, however, PHIL SPECTOR is not really a courtroom drama, even though much of the action is set in and around the court-house. Rather it concentrates on the double-edged nature of celebrity; when you're riding high, no one can touch you, but when you're down on your luck, everyone wants to kick you. This helps to explain Spector's retreat into a fantasy-world - at least no one can touch him there.