O Círculo Cromático

The movie begins with an intriguing premise that engages the viewer, but as the story unfolds, the plot gradually becomes less and less logical. The locations, distances, timeframes and relations lose coherence, culminating with a really unpredictable ending but not in a good way.

The dialogs are unnatural and annoying in their effort of being witty. The supposed estranged sibling dynamic between the main characters seems more reflective of the real-life couple portraying them. Their screenplay feels like a thinly veiled attempt to wrestle with personal insecurities and envy toward specific social groups, which detracts from the authenticity of their on-screen relationship.

From a technical perspective, the film appears to have been shot digitally and desaturated in postproduction, resulting in large, flat grey areas poorly masked by artificial digital grain. The title itself seems like another failed attempt at being clever, referencing the visuals rather than any deeper meaning.

At first glance, it may seem like a hidden gem for indie movie lovers. However, the film's lack of logic, grating dialogue, and disappointing visuals left me feeling scammed and disappointed.

I love independent films and this is one of my very favorites. I love the filmmaker, Alex Ross Perry, and have seen most if not all of his fillms. Queen of Earth is also incredible, but it's a completely different animal. This is the best low budget film I've ever seen because of the script and actors. I can't believe it's being compared to Clerks. Ugh. I've tried to watch Clerks a few times and can not get through it. The Color Wheel is darkly comedic and features the brilliant Carlen Altman. Carlen is hilarious, beautiful, and an incredible actress, whether delivering serious or comedic lines. The filmmaker, Alex Ross Perry, is also a lead and funny, as well as being a fine actor. I love the script, the look of the film and the ending. I hope Carlen continues acting in films! She is a treasure and should be a major actress! The ending made the film for me--what a shock, but in a good way. WOW. Gutsy, too. I still can't figure out how and why this ending works, but it was a brilliant move! Thanks for making this film! I absolutely loved it and have seen it at least 3 times. I'll probably need to see it once a year for the rest of my life.

By the end of viewing "The Color Wheel", I was unsure what Alex Ross Perry wanted to say about Colin and JR - the siblings at the centre of his second film. I was unsure what to think of what they had done, what they had been through, and who they are. I think some people might consider that a failing but I think it's his style. He deviates from the norm but not letting us know what we should think. He didn't forget to include the speech in the penultimate scene that would sum up the meaning of the movie. Nor did he accidentally leave out the music that would tell us how to feel about this pair. He left it up to us. And that is harder to deal with.

This is a road-trip film that follows the estranged siblings as they go to pick up JR's stuff from her professor/boyfriend with whom she has recently broken up.

They keep being thrown into situations which are awkward, cringe, and wierd. Often the people they meet are just as weird and alienating as our duo but the magic of cinema means our empathy is with the characters with whom we share the POV. We want better for them. We recognise they might be shallow, lazy, and narcissistic but that doesn't mean they don't deserve happiness. (I mean, thank God.) It's just very hard to understand what happiness might be for these two. The much-discussed climax feels both un-surprising and shocking, totally wrong but maybe the start of something like healing.

Despite this sophistication of theme and character, there are some jarring tonal mismatches that hurt the film. A scene with a motel clerk plays like a bad sketch from the 70s about backwards rural types, and there's a party scene that is aiming for a sort of chaos, but ends up feeling stilted and disconnected, and like none of the other guests are real.

These flaws are easily overlooked. This is difficult viewing, and it won't be for all, but it is smart and interesting and full of something like life.

Pretty funny black and white film follows an argumentative brother and sister combo as he drives her on a road trip upstate to try and get her things out of her ex lover's apt. While in the town she runs into some people they knew back in high school who invite her to crash a party while dragging her brother begging and pleading not to alongside her. While the movie's plot doesn't sound like too much--you get such a strong sense of the two characters personalities (and their gradual realizations about their would be lives) that just watching the two of them argue back and fourth throughout the film's running time proves to be quite funny. Watching them try to get upstate in the first half is a surprisingly funny movie in itself. The two characters'lifelike ability to work up a good rhythm with their dialog while picking on each other keeps you on your toes enough for you to really get into the movie's flow. This also keeps the movie's pace sharp and just quick enough for you to almost miss the more subtle turn the film takes in its second half. When you get to the movie's end, you might be a little jarred, but you'll have definitely enjoyed the ride there at least.

The second half does gets slightly more dramatic, but not anywhere close to really damper the breezy mood the film's already established so far. While the film will inevitably (and somewhat wrongly) get tagged with the "mumblecore" label, the fact is the strong and at times stinging dialog keeps it from being just another indie film about slackery young people talking about nothing. The two lead performances also vary a bit more then the typical non performances found in "mumblecore" type films, and the tone of the whole movie remains firmly in the director's control the entire time without ever sacrificing the humor that sometimes comes with slight character growth. It definitely helps that the slightly Tina Fey looking sister played by the very good Carleen Altman can't help but standout given the focus on her character and the depth given to her by the screenplay. This one's a much more accessible film then you'd ever imagine a mumblecore type movie to be and that could very well be its key to being seen by more people.

I like checking out independent films every once in awhile, so the CW fit the bill, especially because it was billed as a comedy. This was a Black and While film, and I usually take a star off because of that, but for some reason it worked in this case. For some reason the lower quality look gives the viewer a bit of distance they need to enjoy the film.

It resolves around a couple of adult siblings who take a trip together. The sister asks the brother to go with her to get the sisters belongings from an old boyfriends apartment. This trip involved a car ride requiring an overnight stay at a bible belt type motel which was a pretty funny scene. These two are the kind of kids that seemed like they grew up outside the popular crowd. However, I felt drawn to them and felt sorry for how the world revolved around them in cruel ways. They were kind of misfits, but they were not the type that would take crap from anybody. At least they were pretty kind to each other.

The end of the film is kind of a shocker, but it also caused me to think about the movie a lot the day after the viewing. I would recommend this film to those who are open minded. I also wanted to point out that the brother and sister looked and acted a lot like they really were siblings - great acting job. I think both of them are deserving of future success in the arts.