Shame

I am truly shocked by the people criticizing this film for lack of substance. I've seen comments about how there is limited dialogue, and therefore no character development, and hardly any story. Did we watch the same film? I'm thinking we must not have.

Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.

Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.

Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.

Steve McQueen's delivers a realistic and vivid film about sex addiction, anger, self loathing, fear, loneliness, and the meaning or lack of meaning of relationships. Shame's premise is not depicted in film very often, which makes it a very unique effort as well. Micheal Fassbender's performance as sex addict is brillant, as he gives the audience his character's fear, self hatred, anger, and loneliness in full perspective. Carey Mulligan also gives a stellar performance as a needy, dependent, and affectionate musician. Steve McQueen directs this film in a laid back yet ruthless way, as Shame pits into darkness and trauma with somewhat of an elegance, while still maintaing a manic aesthetic. Narratively, Shame can get breifly lost at points, but Overall, McQueen's film is a honest and realistic depiction, with one great performance, and a good one as well. Shame is a small film, but can bring about emotions, panic, trauma, and darkness in a evocative and grim way.

Steven McQueen's sophomore effort is a powerfully compelling, unflinchingly graphic & downright disturbing arthouse endeavour that shows that something even as coveted as sex can have destructive consequences if the need for it spirals out of control. Powered by sturdy performance from Michael Fassbender, Shame does to sex what Billy Wilder's The Lost Weekend did to alcohol and Darren Aronofsky's Requiem for a Dream did to drugs.

"We're not bad people. We just come from a bad place."

The film is profoundly sad. It brilliantly depicts what is the true effect of addiction. How it sucks the life out of someone until they are forced to give in to their desire, thus becoming just a hollow shell of a person. The whole thing has an unsettling vibe to it, and the color tone and cinematography do help the story to move forward. Steve McQueen as a director really shines here. He tells the story with subtlety, like there some scenes where the characters don't say much, and he relies on visuals to do the work.

As for the acting, Michael Fassbender is insanely brilliant as he is in all of his other films. This role requires a lot from him like he has to be charismatic, also has to bring a sense of vulnerability to the character which he does amazingly. Carey Mulligan's character is sort of this broken person who clearly has a past with her brother, at least that's what I got from some of their awkward encounters.

It's kind of a tough film to sit through, so it's not recommended for everyone.

Mental Illness done with an outsider looking in. The trauma in their childhood must have been great for these two to suffer what the viewer is witnessing. Any addiction is difficult to watch. I was exhausted after watching this film. Like a hunter Brandon's thirst could never be quenched. He is existing not living. There are so many facets to this fim that are interesting: the boss David's ability to have a family and indulge in sex on the side, people's willingness to go to a bar and have sex with a stranger and then go on with their lives, unaffected. Yet Brandon, with no ties to anyone, is smoldering and suffocating in the weight of his obsession. A good study in human behavior. I don't like sex in film for sensationalism but the sex in this film was like another character, the antagonist.