A próxima geração da família Ewing, os primos John Ross Ewing e Christopher Ewing, lutam pelo negócio do petróleo e pela vasta fortuna da família.A próxima geração da família Ewing, os primos John Ross Ewing e Christopher Ewing, lutam pelo negócio do petróleo e pela vasta fortuna da família.A próxima geração da família Ewing, os primos John Ross Ewing e Christopher Ewing, lutam pelo negócio do petróleo e pela vasta fortuna da família.
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I started watching "Dallas" in the fall of 1978; frankly, I couldn't pass up the opportunity to watch Victoria Principal rise up out of the pool, practically bursting out of a black swimsuit. I quit watching "Dallas" the season after the death of "Jock Ewing" (the late, great Jim Davis). The show was never the same after Davis' death and the scripts began repeating themselves; only the characters involved changed ("JR" and "Bobby" nearly die in a plane crash; "Dusty Farlow" is crippled in a plane crash; "Pam's mother" dies in a plane crash. Give me a break.) However, I couldn't keep myself away from watching the "Dallas" reunion a few years back; I was pretty shocked how bad Victoria Principal looked, though she still had that heart-stopping figure. Anyway, I was curious to see how the updated version would be; and I have to admit, I am pleased. While the epic dramatic tension and warmth has not yet appeared (and none of the women can hold a candle to the young VP), the plot machinations are, if anything, better than the original show. Clearly, "John Ross" and "Christopher are MUCH more complex characters than "JR" and "Bobby," and "Elena" (Jordana Brewster) promises to essay a much stronger woman than "Pam Barnes (Victoria Principal)and clearly won't be saddled with the "Goody Two-Shoes" passivity which, I am sure frustrated Principal and led to her dramatic departure from the show. It is clear much of the dramatic conflict of future episodes will revolve around the "lover's triangle" of "Elena," "John Ross" and "Christopher," and that is a good thing. This trio promise to become compelling enough to eventually carry the show as "Bobby," "Sue Ellen" and "JR" leave by attrition. After all, Larry Hagman is 80 years old and has been in poor health.
On a less positive note, I am really disheartened that David Jacobs, who created "Dallas," has been, reportedly, very badly treated by the new show's producers. I believe that is a mistake, as I read Jacob's book, "Dallas," which was published shortly after the premiere of the original show, and he is a VERY good writer. The book was much too raunchy for the 70s or 80s, but would past muster on any cable network now; though, even now, Jacobs' "Dallas," would probably feel much more at home on FX than TNT. No bother; the raunchy elements were not what made "Dallas" compelling; Jacobs ability to create memorable characters and situations was. I'm sure he could still teach these new producers a thing or two about creating compelling television. That being said, "Dallas" 2012 shows great promise and is off to a very good start. I give it a "7".
On a less positive note, I am really disheartened that David Jacobs, who created "Dallas," has been, reportedly, very badly treated by the new show's producers. I believe that is a mistake, as I read Jacob's book, "Dallas," which was published shortly after the premiere of the original show, and he is a VERY good writer. The book was much too raunchy for the 70s or 80s, but would past muster on any cable network now; though, even now, Jacobs' "Dallas," would probably feel much more at home on FX than TNT. No bother; the raunchy elements were not what made "Dallas" compelling; Jacobs ability to create memorable characters and situations was. I'm sure he could still teach these new producers a thing or two about creating compelling television. That being said, "Dallas" 2012 shows great promise and is off to a very good start. I give it a "7".
Based on the original Emmy award-winning CBS show of the same name, the new series of Dallas, currently showing on Channel 5 in the UK, follows the lives of JR and Sue Ellen's son John Ross, and Bobby and Pam's son Christopher, as they battle it out over whether to drill for oil on the South Fork ranch, or look for more "green" energy sources in Texas.
That's the official blurb, now let's look at some of the fine detail. It's ironic that it's Larry Hagman who's been fighting with cancer off-screen, while it's Patrick Duffy's character Bobby who's battling with the disease on-screen – making it tempting to side with JR's team right from the off. Meanwhile poor old Larry is clearly struggling to learn his lines – reading every word painstakingly through bloodshot eyes from an off-camera autocue.
Do we care? No. We're so damned pleased to see JR back on our TV screens we wouldn't mind if Hagman played every scene with his script written in lipstick on the heavily botoxed forehead of Sue Ellen.
Should we be concerned that all the 20-something male actors in the cast look so similar to each other that it's often difficult to tell them apart and keep track of who's zooming who? Not really. And who gives a heck if Victoria Principal is too busy to do the gig at all, and Cliff Barnes can't even be bothered to show up until episode three? Dallas got as popular as it did in the UK partly because Terry Wogan talked about it so much on BBC radio. It was he who coined such immortal phrases as "The Poison Dwarf" and catapulted the series to the cult status it enjoys today. Thanks to Terry, the Brits learned to love Dallas like we love the Eurovision Song Contest. Because it was so bad it was good. Well, it's still bad, and it's still good.
In this new incarnation we can additionally enjoy JR's massive eyebrows. It is rumoured that they have already been offered a spin-off series of their own. But best of all, we can hungrily devour such classic lines as, "I was gonna tell you about the earthquake, dad. Really I was." Long live Dallas. Now that it's in High Definition we can more clearly see the irony.
That's the official blurb, now let's look at some of the fine detail. It's ironic that it's Larry Hagman who's been fighting with cancer off-screen, while it's Patrick Duffy's character Bobby who's battling with the disease on-screen – making it tempting to side with JR's team right from the off. Meanwhile poor old Larry is clearly struggling to learn his lines – reading every word painstakingly through bloodshot eyes from an off-camera autocue.
Do we care? No. We're so damned pleased to see JR back on our TV screens we wouldn't mind if Hagman played every scene with his script written in lipstick on the heavily botoxed forehead of Sue Ellen.
Should we be concerned that all the 20-something male actors in the cast look so similar to each other that it's often difficult to tell them apart and keep track of who's zooming who? Not really. And who gives a heck if Victoria Principal is too busy to do the gig at all, and Cliff Barnes can't even be bothered to show up until episode three? Dallas got as popular as it did in the UK partly because Terry Wogan talked about it so much on BBC radio. It was he who coined such immortal phrases as "The Poison Dwarf" and catapulted the series to the cult status it enjoys today. Thanks to Terry, the Brits learned to love Dallas like we love the Eurovision Song Contest. Because it was so bad it was good. Well, it's still bad, and it's still good.
In this new incarnation we can additionally enjoy JR's massive eyebrows. It is rumoured that they have already been offered a spin-off series of their own. But best of all, we can hungrily devour such classic lines as, "I was gonna tell you about the earthquake, dad. Really I was." Long live Dallas. Now that it's in High Definition we can more clearly see the irony.
Finally after years of god awful reality TV shows, bad remakes of classic shows and other stuff, we finally have a real popcorn television show with Dallas, a continuation based on the 1978-91 prime time soap opera about a wealthy family in oil and cattle ranch in Dallas Texas, this time it's main focus will be on john Ross (scheming son of the man everybody loves to hate J.R. Ewing) played by Josh Henderson and bobby's son Christopher played by former passions star Jesse metcalfe and of course the three legends played by Larry hagman, Patrick Duffy and Linda Gray, although they are some flaws in this one, but the rest are just so good, including the emotional scene featuring bobby talking to J.R. at a nursing home about the Ewing legacy and how john Ross and Christopher should not follow the same mistakes that they made in the past, Jordana Brewster is also good as john Ross's love interest and Julie Gonzalo is also pretty good as Christopher's now wife Rebecca, and Larry hagman's back in top form as the man everybody loves to hate J.R. Ewing and so is Patrick Duffy as bobby, Brenda Strong (who was so good in the discontinued desperate housewives) is very strong in her role as bobby's new wife Ann.
Although I Have problems with the southfork ranch though, the HD is beautiful and the kitchen is nice, but it needs a feel to be home, still despite that, this is a very good version of a classic, something most TV shows lack today.
and I'm giving it a B+
Although I Have problems with the southfork ranch though, the HD is beautiful and the kitchen is nice, but it needs a feel to be home, still despite that, this is a very good version of a classic, something most TV shows lack today.
and I'm giving it a B+
Who'd have thought it? It looked doomed to disaster, but in fact it's great. It has exactly the same crazed atmosphere and bizarre plot twists as the original series. I never thought they'd crack it.
There's lots to love: Linda Gray seems to have metamorphosed into an anorexic animatronic puppet, with the skin precariously stretched over her face bones. You feel she might shatter at any moment - but she is still strangely attractive and fascinating to watch. She can still pack a punch as Sue Ellen. Admittedly in season two she undergoes a complete mentality switch in no time flat, but, hey, it's Dallas. Bobby and J R are still very good (though J R's just died here in the UK run).
Perhaps more importantly the two cousins are very good actors. Josh Henderson is great as John Ross. The make-up and hair department have let him down a little by overdoing the sleazy look - who'd buy a gallon of anything from this man? Jesse Metcalfe is the perfect counterfoil. He has a more difficult part to play as the goodie, since in drama is notoriously harder to make a goodie interesting. The young women are only so-so. Elena is just a younger and less interesting skeleton than Sue Ellen and Pam just pouts most of the time. Neither of them can hold a candle to Victoria Principal in her prime, or to Linda Gray. However, Brenda Strong is excellent and has the best acting ability on the set, at least among the women.
Don't cancel it, TNT. We want to see it here in the UK, despite the ridiculous time slot Channel 5 has given it.
There's lots to love: Linda Gray seems to have metamorphosed into an anorexic animatronic puppet, with the skin precariously stretched over her face bones. You feel she might shatter at any moment - but she is still strangely attractive and fascinating to watch. She can still pack a punch as Sue Ellen. Admittedly in season two she undergoes a complete mentality switch in no time flat, but, hey, it's Dallas. Bobby and J R are still very good (though J R's just died here in the UK run).
Perhaps more importantly the two cousins are very good actors. Josh Henderson is great as John Ross. The make-up and hair department have let him down a little by overdoing the sleazy look - who'd buy a gallon of anything from this man? Jesse Metcalfe is the perfect counterfoil. He has a more difficult part to play as the goodie, since in drama is notoriously harder to make a goodie interesting. The young women are only so-so. Elena is just a younger and less interesting skeleton than Sue Ellen and Pam just pouts most of the time. Neither of them can hold a candle to Victoria Principal in her prime, or to Linda Gray. However, Brenda Strong is excellent and has the best acting ability on the set, at least among the women.
Don't cancel it, TNT. We want to see it here in the UK, despite the ridiculous time slot Channel 5 has given it.
Almost 20 years since last time i saw Dallas. John Ross & Christofer kicks off where Bobby & Jr left back in 1991. I really liked the new Dallas, John Ross & Christofer fits their role. Nice to see Jr & Bobby again. I was a huge Dallas fan back in the days. And I really looks forward to see more. They are older but so I'm I.. But feel that Dallas 2012 will focus on John Ross battle with Christofer and SF ranch rights. John Ross has secretly drilling for oil on SF, and struck huge finding. But as miss Ellie claimed, NO drilling on SF. There's the twist. There is also some back feuds coming up to the surface regarding John Ross & Christofer. Hell, like father like son.
Cant wait to see more..
Cant wait to see more..
Você sabia?
- CuriosidadesAlthough Larry Hagman appeared in seven episodes of season two, the actor passed away during filming of the fifth episode. The producers managed to keep J.R. alive for two more episodes by rewriting the script and stretching out the footage he filmed with the help of some dialogue reused from earlier episodes.
- Cenas durante ou pós-créditosJesse Metcalfe and Josh Henderson switch first billing in the opening credits every episode. Josh Henderson gets first billing in the even, Jesse Metcalfe in the odd episodes.
- ConexõesFeatured in Chelsea Lately: Episode #6.102 (2012)
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- How many seasons does Dallas have?Fornecido pela Alexa
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- Tempo de duração42 minutos
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- 16:9 HD
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