Warrioress

In Warrioress, two warrior women in skimpy outfits chase after a McGuffin, sorry, super important twin swords, and take turns dishing out beatdowns to fulfill a prophecy.

Right off the bat, there's an arena fight of "the best of their generation", though judging by these clowns, that generation must've been a total bust. And the "arena" is just a glorified 15-foot-wide circle with maybe 10 spectators sitting on tree trunks. Yeah, it all looks pretty pathetic.

Warrior Boudiccu defeats significantly bigger, bulkier dudes and gets chosen to wield the twin swords, which were definitely ordered off Wish. As the "Chosen One," she's supposed to embark on a quest and compete in more dumb arena fights - except she immediately loses the rusty katanas along the way. Yikes.

The other warrior, White Arrow, also hits the road and kicks major ass along the way. The women in this film go all out in the fight scenes. The punches and kicks look skilled and powerful, with acrobatic flips and all the bells and whistles. The men? Just cannon fodder.

What else do we get? Wehrmacht gear, random musical numbers, assassins, wannabe ninjas, and one guy seriously waving around a Bat'leth. A nice piece of fantasy post-apocalyptic trash to cleanse your brain in between.

WARRIORESS misses out on a higher rating due to production shortcomings and an overdose of goofiness, but I can't help enjoying this film. If it's your purpose as a filmmaker to create a pseudo-medieval action flick with an air of cheesiness on a micro budget, this film ought to be your model. What it does right, it does better than many flicks with ten times its budget.

The story: In a post-apocalyptic future, a mighty warrior (Cecily Fay) embarks on a quest to fight a prophetic duel.

If nothing else, I am glad that the movie exists because it provides such an ample platform for lead star Cecily Fay, who is definitely among the top ten unsung film fighters of this decade. As an actress, she's passable, but as an on screen combatant, she positively stands out from her cinematic peers and forbearers. As the lead of most of the 19 fights, she and her unique fighting style stand out in both hand-to-hand brawls and swordfights – displaying impeccable coordination and flexibility. At worst, these matches are passable for their sheer physicality, but at their best, they shine for their long takes and ambitious choreography. Kudos also goes to costars Joelle Simpson and Helen Bailey for their own mighty contributions to these brawls.

I'm pleased that this film has so much fighting to its credit, as it distracts us from its shortcomings. Despite being shot well enough, the flick has that cheap B-movie quality to it, with occasionally interesting locations that are nevertheless clearly public property. Everyone looks a little too clean for this setting, particularly Cecily in her impractical, Frank Frazetta-inspired costume. Dramatic performances are on the good side of hammy. The film features several odd artistic decisions – including the frequent breathy voiceovers – and is clearly set up to accommodate a potential sequel, with the effect that the main villain (Will Brenton) can remain oddly detached from everything else happening in the story.

Nevertheless, the filmmakers successfully impose their own infectious energy on the movie, making it palatable to martial arts fans and lovers of indie niche. I can't recommend this to nearly everybody, but I have a feeling that the people who do like it will *really* like it.

Cecily Fay leads a cast of hugely talented UK martial arts performers on a Roger Corman-esque low-budget fantasy adventure shot on the gorgeous island of Guernsey. The fight scenes are exciting, fast-paced and plentiful. Cecily also provides the compelling score to the film.

Downloaded and watched this last night - in a hurry and couldn't find anything better.Read the IMDb reviews first so had an idea what to expect.I don't mind this sort of film usually - the trick is to lower your expectations and try to meet it on its own level.There will always be something to enjoy - some interesting scenery,amusing dialogue,a very pretty girl,a good bit of action or a story which holds the attention but oh dear what a dog's breakfast. Rotten dialogue,unintelligible plot,primary school nativity play acting,seedy production and direction.I just managed the first half and spent the rest of the evening staring at the wall and enjoying the relief.Cecily Fay is a champion in the Indonesian martial art of Pencak Silat and she was 35 when this film was shot.She "wrote" it as well and obviously it was designed to be a vehicle for her to show off her skills and nothing else (and to be fair there was nothing else so it succeeded on that front and for that reason I gave it a 3) Surely people in the film industry (and presumably there must have been one involved in this debacle) must by now realise that you cannot make a medieval/fantasy/martial art type film with a molecular budget- it is never going to work.This is a film that should never have been made.

You have to go into this with low expectations. It's not a great movie by any stretch of imagination. It's a low-budget B movie with an unoriginal story and pretentious dialogue. The acting looks bad mostly due to the fact that it's hard to pull off this kind of dialogue without looking silly.

While fighting in most B movies is usually ridiculous, it actually looks real and functional here. Sometimes you can see the actors are too obviously avoiding hurting one another, but for the most part, it looks good. The little warrioress Cecily Fay (143 cm) certainly knows how to move around and fight. And that's what this is all about. The whole movie is just an excuse to see Cecily fight, and fortunately there's quite a lot of that in the movie.

I won't get into the story, because there's really nothing new there. A warrioress, a quest, an ancient prophecy, blah, blah... It's all a bit silly and predictable.

If you want to watch a good movie, skip this one. But if you like fantasy, medieval-ish setting, and fighting with swords, and if you know what you can expect, it's not too bad.