AVALIAÇÃO DA IMDb
4,8/10
6,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThree wives engage the services of a private investigator after they suspect their respective husbands of infidelity.Three wives engage the services of a private investigator after they suspect their respective husbands of infidelity.Three wives engage the services of a private investigator after they suspect their respective husbands of infidelity.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
Sonam Kapoor
- Sanjana R. Malhotra
- (as Sonam A. Kapoor)
Celina Jaitly
- Maya
- (as Celina Jaitley)
Avaliações em destaque
Hail Irrfan Khan and his comic timing.
It's not thank you . it's re-entry. Just the same successful formula of 'no entry' has been repeated. While making a lol entertainer it goes beyond it realms and ridicules the sanctity of relationships and marriages. In it's account of relationships it seems to be very one sided. But an objective look at relationship can never be expected from Anees Bazmee. The movie does what was expected from it - makes you laugh real hard. A large share of laughs come for Irrfan's performance. He proves once again his mantle and versatility in acting. His comic timing is phenomenal. The kind which Akshay kumar once showed in Mujse shadi Karogi. But as it has been for quite some time his performance seems repetitive. As for others, bobby acts bad as usual, Suniel overacts as usual again. Sonam kaoor irritates with cardboard character. Reema sen surprises with her quirkiness. Celia jaitley is hardly there. Songs are just burden as usual yet again. The ending goes overboard and tries to make a pigheaded soulless movie into a serious inquisition into relationships and fails miserably. The only low point of movie comes at the end.
This movie just belongs to Irrfan's incredible comic timing and Anees Bazmee's ability to pen funny insincere jokes. A timepass. :)
It's not thank you . it's re-entry. Just the same successful formula of 'no entry' has been repeated. While making a lol entertainer it goes beyond it realms and ridicules the sanctity of relationships and marriages. In it's account of relationships it seems to be very one sided. But an objective look at relationship can never be expected from Anees Bazmee. The movie does what was expected from it - makes you laugh real hard. A large share of laughs come for Irrfan's performance. He proves once again his mantle and versatility in acting. His comic timing is phenomenal. The kind which Akshay kumar once showed in Mujse shadi Karogi. But as it has been for quite some time his performance seems repetitive. As for others, bobby acts bad as usual, Suniel overacts as usual again. Sonam kaoor irritates with cardboard character. Reema sen surprises with her quirkiness. Celia jaitley is hardly there. Songs are just burden as usual yet again. The ending goes overboard and tries to make a pigheaded soulless movie into a serious inquisition into relationships and fails miserably. The only low point of movie comes at the end.
This movie just belongs to Irrfan's incredible comic timing and Anees Bazmee's ability to pen funny insincere jokes. A timepass. :)
'No thanks' would be the proper response if someone proposes that you watch this junk. Anees Bazmee has made another garbage that's not only highly offensive to women but also an insult to people's basic intelligence. Of course, I expect this from Akshay Kumar and Bazmee (who, as it seems, is incapable of making a decent film) so I would have skipped this but some of my relatives are fans of Kumar and so it was more about spending time with the family and laughing at the awfulness of 'Thank You'. While I did predict it to be awful, I thought it would be one of those so-bad that it's funny. However, the way the woman are portrayed as weak AND stupid is unforgivable. Anyway, needless to say, the writing is horrendous. Akshay Kumar is okay where acting is concerned but he offers nothing new. Irfan Khan steals the show as he reveals his comic side once again. Of the women, Rimi Sen stands out in a non-challenging role. Bobby Deol, Sonam Kapoor and Celina Jaitly are bad. Of course, like many rich Bollywood directors, Bazmee is ashamed of India, so the film is poorly shot in Canada. The songs, like in most recent Akshay Kumar films, are dreadful.
Oh well, as a viewer, I wouldn't consider myself completely blameless as I did choose to watch this trash, expecting to at least laugh a bit and poke fun but alas! No thanks to Bazmee and his team.
Oh well, as a viewer, I wouldn't consider myself completely blameless as I did choose to watch this trash, expecting to at least laugh a bit and poke fun but alas! No thanks to Bazmee and his team.
Thank you is a funny time-pass flick,which seems as it is a sequel to No Entry by Aneez Bazmee himself.Director Anees Bazmee could not bring out any freshness to the plot and has created another feel good-go movie with some hilarious moments like No Entry.
Irrfan khan is the best among the lead with some witty one-liners and perfect comic timing.Bobby Deol has done justice to his role and creates some hilarious moments but turns angry and humorless in the second half.Sunil Shetty has proved his comical excellence once again after flicks like phir hera pheri and one two three.Akshay Kumar does a charming role with a cool persona;but lacks freshness.Sonam Kapoor looks as if she has terribly gone wrong in her makeup;but does an o.k performance.Rimi Sen is the best among the female leads and her chemistry with Irrfan is the best part of the film which could evoke lot of laughs.Celina Jaitley is absent in the film for a major part of the story and has nothing much to offer.
Music by Pritam is in tone with the theme and the songs Pyaar Do Pyaar Lo and Pyaar Mein stands out in the album.The song in the flashback scene,which is absent in the music album is melodious and soothing.
some +ves:: The flute theme of the movie,which has a magical freshness- Good choreography of the songs-Irrfan's comic timing-Editing by Steven H Bernard
some -ves:: The flashback scene in the climax which seems too senseless-Timing of the songs;especially in the second half-Similarity of story to that of many films like No Entry and other films which is based on extra-marital affairs.
Verdict::Thank you has nothing new to offer for the audience;but seems as a time-pass movie which has some hilarious moments and can evoke some laughs.Go for it if you are on a festival mood. Ma Rating::6.5/10
Irrfan khan is the best among the lead with some witty one-liners and perfect comic timing.Bobby Deol has done justice to his role and creates some hilarious moments but turns angry and humorless in the second half.Sunil Shetty has proved his comical excellence once again after flicks like phir hera pheri and one two three.Akshay Kumar does a charming role with a cool persona;but lacks freshness.Sonam Kapoor looks as if she has terribly gone wrong in her makeup;but does an o.k performance.Rimi Sen is the best among the female leads and her chemistry with Irrfan is the best part of the film which could evoke lot of laughs.Celina Jaitley is absent in the film for a major part of the story and has nothing much to offer.
Music by Pritam is in tone with the theme and the songs Pyaar Do Pyaar Lo and Pyaar Mein stands out in the album.The song in the flashback scene,which is absent in the music album is melodious and soothing.
some +ves:: The flute theme of the movie,which has a magical freshness- Good choreography of the songs-Irrfan's comic timing-Editing by Steven H Bernard
some -ves:: The flashback scene in the climax which seems too senseless-Timing of the songs;especially in the second half-Similarity of story to that of many films like No Entry and other films which is based on extra-marital affairs.
Verdict::Thank you has nothing new to offer for the audience;but seems as a time-pass movie which has some hilarious moments and can evoke some laughs.Go for it if you are on a festival mood. Ma Rating::6.5/10
It's been rather quiet on the Bollywood mainstream front given the build up and subsequent hangover with India winning the Cricket World Cup, but I suppose releases will be back on track soon, with one of the earliest off the blocks being Anees Bazmee's Thank You, a typical comedy broaching on the topic of marriage infidelity starring one of the most hardworking and overexposed stars in Akshay Kumar in an ensemble together with Bobby Deol, Suniel Shetty, Irrfan Khan, Sonam Kapoor, Celina Jaitley and Rimi Sen.
So shouldn't it sound like fun, given a bevy of stars in situational set ups about philandering husbands who fool around behind their wives' backs, and having their own support group set up as credible alibis. Bobby Deol's Raj manages to fool his wife Sanjana (Sonam Kapoor) with his sweet nothings, his boss Vikram (Irrfan Khan) overpowers his submissive wife Karthika (Rimi Sen) with unreasonable demands, probably because the latter wants to continue enjoying the high life thanks to her husband's booming luxury yacht business. Then there's Suniel Shetty as Yogi, perhaps the least skillful of the lot, being caught out by wife Radha (Celina Jaitley), and also because of the latter's engagement of a private investigator Kishen (Akshay Kumar) who she introduces to Sanjana to wake the simpleton to see beyond the wool pulled over her eyes.
Honestly, the first half of the film before the interval is the stronger portion of the story, and probably where it's most fun given the interesting battle of wits premise set, even though it was not exploited to the full extent. With Radha and Sanjana reluctantly engaging Kishen's services, the latter is adamant in exposing the three husbands in one fell swoop, but discovers that the counter-brilliance of the mastermind Vikram won't make this an easy walk in the park. Strategies get employed involving technology, divide and conquer tactics to make the guys turn on one another, and frankly the set comedic pieces hit more than missed. The complication arises when the guys also engages Kishen's services, and find out that he too is a ladies man, though his loyalties, under wraps, belong to his earlier employers.
A small romantic subplot also involved Kishen and Sanjana with a hint of a conflict of interest from the get go that was cursory at best, and the remaining saving grace of the film belonged to the chemistry between Irrfan and Bobby Deol as buddies who find their lifestyle under threat. But it all spiraled downward after the interval with plenty of melodrama being poured into it such as the tired and silly suicide attempt of Sanjana at the Niagara Falls (this was partly shot in Toronto and Vancouver), and when Kishen progresses into his next role as a pseudo-marriage counsellor out to teach the guys a thing or two about fidelity, and reconciliation. However I suspect that the jokes here were less slapstick and direct, relying on funny dialogue that got lost in translation through the subtitles, which was a pity for non- Hindi speakers like myself.
Song and dance sequences were nothing to shout about unfortunately, even with Mallika Sherawat popping up as an item girl in Razia. No subtitles came with the lyrics to the songs, so I'm left to my own devices to determine what shenanigans the characters were into. Would have been a much engaging film if the second half managed to keep pace with the eclectic first, but instead opting for a more conventional approach and finale that makes you wonder why the females can't just walk out of a relationship that is already on rocky grounds no thanks to mistrust and dishonesty, lessons learnt notwithstanding.
So shouldn't it sound like fun, given a bevy of stars in situational set ups about philandering husbands who fool around behind their wives' backs, and having their own support group set up as credible alibis. Bobby Deol's Raj manages to fool his wife Sanjana (Sonam Kapoor) with his sweet nothings, his boss Vikram (Irrfan Khan) overpowers his submissive wife Karthika (Rimi Sen) with unreasonable demands, probably because the latter wants to continue enjoying the high life thanks to her husband's booming luxury yacht business. Then there's Suniel Shetty as Yogi, perhaps the least skillful of the lot, being caught out by wife Radha (Celina Jaitley), and also because of the latter's engagement of a private investigator Kishen (Akshay Kumar) who she introduces to Sanjana to wake the simpleton to see beyond the wool pulled over her eyes.
Honestly, the first half of the film before the interval is the stronger portion of the story, and probably where it's most fun given the interesting battle of wits premise set, even though it was not exploited to the full extent. With Radha and Sanjana reluctantly engaging Kishen's services, the latter is adamant in exposing the three husbands in one fell swoop, but discovers that the counter-brilliance of the mastermind Vikram won't make this an easy walk in the park. Strategies get employed involving technology, divide and conquer tactics to make the guys turn on one another, and frankly the set comedic pieces hit more than missed. The complication arises when the guys also engages Kishen's services, and find out that he too is a ladies man, though his loyalties, under wraps, belong to his earlier employers.
A small romantic subplot also involved Kishen and Sanjana with a hint of a conflict of interest from the get go that was cursory at best, and the remaining saving grace of the film belonged to the chemistry between Irrfan and Bobby Deol as buddies who find their lifestyle under threat. But it all spiraled downward after the interval with plenty of melodrama being poured into it such as the tired and silly suicide attempt of Sanjana at the Niagara Falls (this was partly shot in Toronto and Vancouver), and when Kishen progresses into his next role as a pseudo-marriage counsellor out to teach the guys a thing or two about fidelity, and reconciliation. However I suspect that the jokes here were less slapstick and direct, relying on funny dialogue that got lost in translation through the subtitles, which was a pity for non- Hindi speakers like myself.
Song and dance sequences were nothing to shout about unfortunately, even with Mallika Sherawat popping up as an item girl in Razia. No subtitles came with the lyrics to the songs, so I'm left to my own devices to determine what shenanigans the characters were into. Would have been a much engaging film if the second half managed to keep pace with the eclectic first, but instead opting for a more conventional approach and finale that makes you wonder why the females can't just walk out of a relationship that is already on rocky grounds no thanks to mistrust and dishonesty, lessons learnt notwithstanding.
The movie is bad, and so is the script. Akshay and Sonam just don't go together and neither Sonam and Bobby. Basically Sonam was the misfit. But what I loved was Rimi and Irfaan's pair. Wish they'd done another movie together with a similar theme of a couple who hate each other or a situation where they hate each other. They were so natural. Too late now :( RIP Irfaan.
Você sabia?
- CuriosidadesAnil Kapoor was the first choice for Irrfan's role, however because the film had his daughter playing one of the leads, the makers didn't feel it right to cast him and he was replaced.
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- How long is Thank You?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Благодарю тебя
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 463.540
- Fim de semana de estreia nos EUA e Canadá
- US$ 244.183
- 10 de abr. de 2011
- Faturamento bruto mundial
- US$ 5.452.347
- Tempo de duração2 horas 5 minutos
- Cor
- Mixagem de som
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