Dil Toh Baccha Hai Ji
- 2011
- 2 h 23 min
AVALIAÇÃO DA IMDb
5,9/10
4,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThree roommates are in search of true love. They each find a girl with whom they fall head over heels in love with. Now they just have to get the women to reciprocate.Three roommates are in search of true love. They each find a girl with whom they fall head over heels in love with. Now they just have to get the women to reciprocate.Three roommates are in search of true love. They each find a girl with whom they fall head over heels in love with. Now they just have to get the women to reciprocate.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Shraddha Das
- Gungun Sarkar
- (as Shradha Das)
Shruti Haasan
- Nikki H. Narang
- (as Shruti K. Haasan)
Dhruv Bhandarri
- Chris Pascal
- (as Dhruv Bhandari)
Avaliações em destaque
Madhur Bhandarkar, a national award winning director, is well know for his hard hitting movies such as "Fashion" and "Chandini Bar", and that's why you have to give him lots and lots of credit for going out of his comfort zone.
The performances by all 3 of the leading males (Ajay Devgan, Emraan Hashmi and Omi Vadiya) are good. The character development makes up the story; hence, we get to know more about the personalities of the three characters as the film progresses. Their respective stories are all different so the theme of love, of course, is thoroughly explored.
The cinematography is good as you would expect, as is the screenplay.
Music has been nicely incorporated; there are no songs that don't 'fit in'.
Verdict: a nice, funny and romantic movie that shouldn't be missed. 8/10.
The performances by all 3 of the leading males (Ajay Devgan, Emraan Hashmi and Omi Vadiya) are good. The character development makes up the story; hence, we get to know more about the personalities of the three characters as the film progresses. Their respective stories are all different so the theme of love, of course, is thoroughly explored.
The cinematography is good as you would expect, as is the screenplay.
Music has been nicely incorporated; there are no songs that don't 'fit in'.
Verdict: a nice, funny and romantic movie that shouldn't be missed. 8/10.
It's been a while since I've seen something as boring as Madhur Bhandarkar's 'Dil Toh Baccha Hai Ji'. With this movie, the director has attempted to do something different from what he's usually comfortable with and he steals the title from one of last year's most popular soundtracks 'Ishqiya'. Anyway, the movie focuses on the lovelife of three housemates that include a divorcée banker, a promiscuous gym instructor and a virgin who works at a wedding agency.
It tries to be bold by addressing themes about the relationship between an older man and younger woman, an older women and a younger man etc etc. The script lacks spice and slow. Most of the jokes fall flat despite desperately trying to be witty and clever. The characters do little to hold interest and I could hardly care whether they would get the girl or not. Moreover, the movie moves at an incredibly slow pace.
Where acting is concerned, Ajay Devgan is passable in a dull role. Emraan Hashmi is irritating. Tisca Chopra stands out as the trophy wife/ cougar. Shruti Hassan is adequate. Shradha Das has poor diction. Shazahn Padamsee is competent. Rituparna Sengupta is wasted. Omi Vaidya steals the show.
In the end it's film toh boring hai ji.
It tries to be bold by addressing themes about the relationship between an older man and younger woman, an older women and a younger man etc etc. The script lacks spice and slow. Most of the jokes fall flat despite desperately trying to be witty and clever. The characters do little to hold interest and I could hardly care whether they would get the girl or not. Moreover, the movie moves at an incredibly slow pace.
Where acting is concerned, Ajay Devgan is passable in a dull role. Emraan Hashmi is irritating. Tisca Chopra stands out as the trophy wife/ cougar. Shruti Hassan is adequate. Shradha Das has poor diction. Shazahn Padamsee is competent. Rituparna Sengupta is wasted. Omi Vaidya steals the show.
In the end it's film toh boring hai ji.
Having so many strong, bold and issue based movies in his kitty, Madhur trying his skills in a comedy actually had me in doubts initially. But with DIL TOH BACCHA HAI JI, the talented director surprises the industry as well as the viewers, revealing a new undisclosed dimension of his personality, which is light, fresh and enjoyable. Thankfully following the comedy genre of Hrishikesh Mukherjee or Basu Chatterjee and not Aneez Bazmee, Priyadarshan or Rohit Shetty, Madhur comes up with a nice, feel good realistic comedy which also tackles the mid life crisis problem of men in a delightful manner.
Revolving around the three one sided love stories of Ajay, Emraan and Omi, the film has an entertaining first half and a realistic second one with some regular comic touches inserted smartly to keep the viewer smiling. Plus DTBHJ also has the Madhur Bhandarkar we all are familiar with, evidently visible in few sequences dealing with the rich socialites and office colleagues. In its first hour the film keeps on moving at a pleasant pace introducing all its characters in no time and moving into their individual love stories effectively. And just before the intermission, Madhur brings on a surprising twist in the script which further adds a new dimension in the movie and one expects to see a much more exciting second half coming up.
But post intermission, as usual the pace drops a little with all the emotional drama coming in and that does make you feel restless for a while. However, Madhur hits back again in the last half an hour and gives you a completely unpredictable climax which makes the viewer feel light and refreshing with a smile on his face. Still, as I see it, the post interval part of the movie could be much better with a faster edit and a better selection of supporting actors. In fact the choice of actors by Madhur Bhandarkar in DTBHJ remains quite strange and questionable keeping in mind the fact that he could easily have roped in much better and known actors for some important roles in the script.
The merits of the movie include its fresh and cool, story-telling style which is very close to the one seen in Hrishikesh Mukherjee and Basu Chatterjee movies. So for that Madhur indeed deserves his praises considering the fact that he has never ever tried this genre before in his career. The other major merit is the way the film tackles the issue of mid life crisis in both men and women. At one side Ajay Devgan is shown fighting with his divorce and new one sided love life together in a hilarious manner and on the other is Tisca Chopra dealing with her middle age after having a successful career as a famous model and former Miss India. Along with that the film has a very soothing presence of Shazahn Padamsee, who looks very pretty, bubbly and ravishing on the screen.
The weaker points of the movie include the same old or monotonous kind of role given to Emraan Hashmi who plays a Casanova in the film as seen several times before in his previous films. And second is the not so great kind of character given to Omi Vaidya who is now hugely famous after 3 Idiots. Though both Emraan and Omi have done full justice to their assigned roles but their fans may feel disappointed as there are no specifically enjoyable scenes featuring both the actors. In addition to this, I found the casting of Shruti Hassan not up to the mark as she looked very heavily over confident in her role of a rich socialite. In other words I found Tisca Chopra much better and impactful in comparison.
Actually it's the main story of Ajay - Shazahn and the scenes of all the three friends Ajay, Emraan and Omi together, which keeps the ball rolling and you don't mind the other minor hiccups in the second half. Ajay Devgan once again proves his versatility with a brilliant performance which simply shows that he can equally perform well in both Hrishi Da style and Rohit Shetty kind of comedies made in Bollywood. Emraan Hashmi has got nothing new to do but still he looks charming and inviting in his lover boy role. Omi Vaidya underplays his part well and impresses but his fans may not find what they were looking for in his shy character of a poet. Shazahn as stated before looks great and acts well too but Rituparna Sengupta and Shraddha Das are just OK. Shruti Hassan overacts whereas Tisca Chopra is simply superb in her scenes with Emraan.
Musically I liked the track "Abhi Kucch Dino Se" instantly after a long time and also "Tu Khwaab Hai Ya Koi Jaadugari" playing in the background. So Pritam once again gives you something to cheer about in his soundtrack. But I couldn't understand why 'Abhi Kuchh Dino Se" was not used and promoted in the film's promotions. Cinematography is pretty descent with an eye catching art direction along with some enjoyable dialogs from Sanjay Chhel. But after watching DTBHJ I really wondered why the Censors gave the movie an 'A' certificate. May be they just gave the rating by only seeing the name of Madhur Bhandarkar in the credits without even seeing the movie entirely.
Summing up, if you want to have a good time in the theater with nothing loud or over the top, keeping your comedy expectations on hold, then the chances are that you might like the movie on the whole and would enjoy it with a smiling face. In all its a nice, welcome changeover from the serious and bold director.
Revolving around the three one sided love stories of Ajay, Emraan and Omi, the film has an entertaining first half and a realistic second one with some regular comic touches inserted smartly to keep the viewer smiling. Plus DTBHJ also has the Madhur Bhandarkar we all are familiar with, evidently visible in few sequences dealing with the rich socialites and office colleagues. In its first hour the film keeps on moving at a pleasant pace introducing all its characters in no time and moving into their individual love stories effectively. And just before the intermission, Madhur brings on a surprising twist in the script which further adds a new dimension in the movie and one expects to see a much more exciting second half coming up.
But post intermission, as usual the pace drops a little with all the emotional drama coming in and that does make you feel restless for a while. However, Madhur hits back again in the last half an hour and gives you a completely unpredictable climax which makes the viewer feel light and refreshing with a smile on his face. Still, as I see it, the post interval part of the movie could be much better with a faster edit and a better selection of supporting actors. In fact the choice of actors by Madhur Bhandarkar in DTBHJ remains quite strange and questionable keeping in mind the fact that he could easily have roped in much better and known actors for some important roles in the script.
The merits of the movie include its fresh and cool, story-telling style which is very close to the one seen in Hrishikesh Mukherjee and Basu Chatterjee movies. So for that Madhur indeed deserves his praises considering the fact that he has never ever tried this genre before in his career. The other major merit is the way the film tackles the issue of mid life crisis in both men and women. At one side Ajay Devgan is shown fighting with his divorce and new one sided love life together in a hilarious manner and on the other is Tisca Chopra dealing with her middle age after having a successful career as a famous model and former Miss India. Along with that the film has a very soothing presence of Shazahn Padamsee, who looks very pretty, bubbly and ravishing on the screen.
The weaker points of the movie include the same old or monotonous kind of role given to Emraan Hashmi who plays a Casanova in the film as seen several times before in his previous films. And second is the not so great kind of character given to Omi Vaidya who is now hugely famous after 3 Idiots. Though both Emraan and Omi have done full justice to their assigned roles but their fans may feel disappointed as there are no specifically enjoyable scenes featuring both the actors. In addition to this, I found the casting of Shruti Hassan not up to the mark as she looked very heavily over confident in her role of a rich socialite. In other words I found Tisca Chopra much better and impactful in comparison.
Actually it's the main story of Ajay - Shazahn and the scenes of all the three friends Ajay, Emraan and Omi together, which keeps the ball rolling and you don't mind the other minor hiccups in the second half. Ajay Devgan once again proves his versatility with a brilliant performance which simply shows that he can equally perform well in both Hrishi Da style and Rohit Shetty kind of comedies made in Bollywood. Emraan Hashmi has got nothing new to do but still he looks charming and inviting in his lover boy role. Omi Vaidya underplays his part well and impresses but his fans may not find what they were looking for in his shy character of a poet. Shazahn as stated before looks great and acts well too but Rituparna Sengupta and Shraddha Das are just OK. Shruti Hassan overacts whereas Tisca Chopra is simply superb in her scenes with Emraan.
Musically I liked the track "Abhi Kucch Dino Se" instantly after a long time and also "Tu Khwaab Hai Ya Koi Jaadugari" playing in the background. So Pritam once again gives you something to cheer about in his soundtrack. But I couldn't understand why 'Abhi Kuchh Dino Se" was not used and promoted in the film's promotions. Cinematography is pretty descent with an eye catching art direction along with some enjoyable dialogs from Sanjay Chhel. But after watching DTBHJ I really wondered why the Censors gave the movie an 'A' certificate. May be they just gave the rating by only seeing the name of Madhur Bhandarkar in the credits without even seeing the movie entirely.
Summing up, if you want to have a good time in the theater with nothing loud or over the top, keeping your comedy expectations on hold, then the chances are that you might like the movie on the whole and would enjoy it with a smiling face. In all its a nice, welcome changeover from the serious and bold director.
There are three parallel running stories in movie dil toh baccha hai ji. Of the three stories I liked Ajay Devgan's story the most. It may be because of my ethics. Only thing I would like to tell about the two other stories is yes it happens and its not my cup of tea. My rating(7.5/10) is only for Ajay Devgans story.
Direction, Screenplay, Cinematography: It was good.
Tone: Love life of three pairs has been captured well.
Music: It was above average.
Acting: It was good, especially June Pinto.
Direction, Screenplay, Cinematography: It was good.
Tone: Love life of three pairs has been captured well.
Music: It was above average.
Acting: It was good, especially June Pinto.
Madhur Bhandarkar's new venture, before he had directed serious movies and by this he had tried new genre. I would say first half is enjoyable as there is enough punches to make you laugh with the dose of some clumsy lines but its acceptable.
But in second half it loses its track and most of the scene looks to be imposed in movie. The Emraan Hashmi's track is half baked and also some scenes are not fitted nicely. But I would say for the some entertaining parts I enjoyed this. Although there are some of amateurish performance by supporting cast but it is leading male actors who done well also Tisca Chopra. And at last I liked the ending of the movie.
But in second half it loses its track and most of the scene looks to be imposed in movie. The Emraan Hashmi's track is half baked and also some scenes are not fitted nicely. But I would say for the some entertaining parts I enjoyed this. Although there are some of amateurish performance by supporting cast but it is leading male actors who done well also Tisca Chopra. And at last I liked the ending of the movie.
Você sabia?
- CuriosidadesMadhur Bhandarkar wanted to go Hrishikesh Mukherjee way to direct comedy film after making realistic films.
- Trilhas sonorasAbhi Kuch Dino Se
Written by Neelesh Misra
Composed by Pritam Chakraborty
Performed by Mohit Chauhan
Courtesy of Super Cassettes Industries Limited (T-Series)
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 5.323.307
- Tempo de duração
- 2 h 23 min(143 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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