Dil Toh Baccha Hai Ji

There are three parallel running stories in movie dil toh baccha hai ji. Of the three stories I liked Ajay Devgan's story the most. It may be because of my ethics. Only thing I would like to tell about the two other stories is yes it happens and its not my cup of tea. My rating(7.5/10) is only for Ajay Devgans story.

Direction, Screenplay, Cinematography: It was good.

Tone: Love life of three pairs has been captured well.

Music: It was above average.

Acting: It was good, especially June Pinto.

This is a Hindi movie with a difference! Yeah, I expected something from the promos and well, I got exactly what I was expecting. But I said it is different, because unlike many Hindi romantic comedies I have watched, it does not portray love as stupid.

The characters in the movie are pretty detailed and distinct. The first half of the movie takes a bit time introducing the protagonists, which is a good thing, so that we actually give a damn about the characters! The title is so apt because the 3 lead characters are so different in character, but they all have a common attribute - falling in love. And their love for the girls, why they fall for them and the incidents following that, make up the story.

I don't wanna reveal anything. I am posting this review here because I have found some negative reviews here. I don't understand why! Hats off to Madhur Bhandarkar for making this movie! He had done a good job..Guys, don't miss this movie! Its kind of an eye opener too, because of some unpredictable stuffs followed by a strong climax. Awesome!

After watching Once Upon A Time In Mumbai, seeing an Ajay-Emraan duo was exhilarating only because of their stellar performances in the previous movie. If you are like me and watch this movie after that, you can notice the significant difference in the acting abilities of Ajay Devgan. With Emraan however, there is a common pattern in his character. He never plays a saint, and his reactions and playboyish charm is almost anticipated. The third guy was great too in his awkwardness and did remind me of the nerd from Three Idiots. Unfortunately, the women are overshadowed by the men in their performances. Still, you cannot detect any mistakes in their part.

Going to the storyline, it is a modern tale of three bachelors who look for love. Even though Ajay is a middle aged divorcée, Emraan is a playboy, and Omi is the naive salesman with no prospect for future, they all follow the same trends of luck and failures around the same time. This is evident as they celebrate together, mourn together, and share together. However, the saving grace of this movie is not the comedy which is barely existing, but rather the sweet day to day lives of average people without love who many can relate to.

Overall, it is a good watch if only you can watch it once. There are some sexual jokes, but nothing that might put you in a position of sheer embarrassment (unless your parents are really intolerant and strongly religious). There are no sex scenes even though there are implications. Emraan himself managed to stay away from any boldness even though he is wooing both mother and daughter at one point. Overall, it is a sweet movie for all the loveless bachelors, but could have benefited with a February 14th release day to really get the spirit flowing. It is a good watch for family too as it is not really as predictable as other Hindi movies. A good watch for a quiet night, but unfortunately nothing out of the ordinary.

In a departure from his regular fare of reality inspired films, Madhur Bhandarkar indulges in the comic world with Ajay Devgan, Emraan Hashmi and Omi Vaidya in this light hearted, refreshing entertainer, that is 'Dil toh bachha hai ji'. Accompanied by Pritam's pleasant tunes and good performances by all three actors, the film narrates the love seeking journeys of the room-mates while revealing their idiosyncrasies. Unlike his previous works, this one is hardly bold or bitter and it doesn't even prove his versatility in story telling. However, it succeeds in providing those laughs that come out of genuinely funny dialogues if not innovative situations.

Naren (Ajay Devgan), a divorcée and an executive, finds his new room-mates in the form of Abhay (Emraan Hashmi) and Milind Kelkar (Omi Vaidya) who are two opposite individuals. While Abhay is the jobless playboy who lives on the favours of his one night stands, Milind, who works at a marriage bureau, believes in marriage only after love and sex only after marriage. Naren has an innocent crush on his new secretary who is 17 years younger but finds it difficult to blend into her lifestyle. While his age-gap challenges his feelings, Abhay's audacity with a rich model of yesteryears enriches his own life with the perks that come along. Then we have Milind, playing the sincere simpleton for whom, his love exceeds all limitations and his perseverance, all his budgets. Each of them have a love story in the making but they just cannot seem to make it come their way. Through their experiences, we get some giggles and some laughs while Bhandarkar refrains from adding any seriousness that would weigh the otherwise thin plot down.

Pritam's melodious score keeps the mood subtle and hummable. Tu khwab hai ya jaadugari comes a little too often but is melodious nevertheless. Tere Bin is a good come back for Sonu Nigam with some real singing while all the attention falls upon the beautiful Shruti Haasan on whom it is partly picturized. The film's outstanding song Abhi Kuch dino se is performed by Mohit Chauhan who continues his unstoppable run.

The actors do more justice than what the script and story asked for and Devgan leads the pack impressively with his innocent performance showing teenager like attributes while avoiding the over-the-top 'Golmaal' comic avatar. Omi Vaidya excels at his tailor-made role which he gets absorbed into. We would love to see more of him this year and hopefully, in more comedies. Emraan Hashmi has come a long way with his acting and after 'Once upon a time in Mumbai', he proves yet again, that it's not only the music in his films, but his performance too, deserves appreciation. Shazahn Padamsee has the cheesiest dialogues that are overdone. Tisca Chopra is good in her role but it is Shruti Haasan's beauty (credited to Sarika) and bold persona that captures one's attention.

Madhur Bhandarkar wasn't making a comedy like 3 idiots. It was not meant to be a didactic experience, nor was there any guidance to real living. But by avoiding ridiculous situations and corny dialogues that are the basis of most comedies, he ensures that there isn't a boring moment in the film, no matter the lack of nuance and originality.

7.63 on scale of 1-10.

Having so many strong, bold and issue based movies in his kitty, Madhur trying his skills in a comedy actually had me in doubts initially. But with DIL TOH BACCHA HAI JI, the talented director surprises the industry as well as the viewers, revealing a new undisclosed dimension of his personality, which is light, fresh and enjoyable. Thankfully following the comedy genre of Hrishikesh Mukherjee or Basu Chatterjee and not Aneez Bazmee, Priyadarshan or Rohit Shetty, Madhur comes up with a nice, feel good realistic comedy which also tackles the mid life crisis problem of men in a delightful manner.

Revolving around the three one sided love stories of Ajay, Emraan and Omi, the film has an entertaining first half and a realistic second one with some regular comic touches inserted smartly to keep the viewer smiling. Plus DTBHJ also has the Madhur Bhandarkar we all are familiar with, evidently visible in few sequences dealing with the rich socialites and office colleagues. In its first hour the film keeps on moving at a pleasant pace introducing all its characters in no time and moving into their individual love stories effectively. And just before the intermission, Madhur brings on a surprising twist in the script which further adds a new dimension in the movie and one expects to see a much more exciting second half coming up.

But post intermission, as usual the pace drops a little with all the emotional drama coming in and that does make you feel restless for a while. However, Madhur hits back again in the last half an hour and gives you a completely unpredictable climax which makes the viewer feel light and refreshing with a smile on his face. Still, as I see it, the post interval part of the movie could be much better with a faster edit and a better selection of supporting actors. In fact the choice of actors by Madhur Bhandarkar in DTBHJ remains quite strange and questionable keeping in mind the fact that he could easily have roped in much better and known actors for some important roles in the script.

The merits of the movie include its fresh and cool, story-telling style which is very close to the one seen in Hrishikesh Mukherjee and Basu Chatterjee movies. So for that Madhur indeed deserves his praises considering the fact that he has never ever tried this genre before in his career. The other major merit is the way the film tackles the issue of mid life crisis in both men and women. At one side Ajay Devgan is shown fighting with his divorce and new one sided love life together in a hilarious manner and on the other is Tisca Chopra dealing with her middle age after having a successful career as a famous model and former Miss India. Along with that the film has a very soothing presence of Shazahn Padamsee, who looks very pretty, bubbly and ravishing on the screen.

The weaker points of the movie include the same old or monotonous kind of role given to Emraan Hashmi who plays a Casanova in the film as seen several times before in his previous films. And second is the not so great kind of character given to Omi Vaidya who is now hugely famous after 3 Idiots. Though both Emraan and Omi have done full justice to their assigned roles but their fans may feel disappointed as there are no specifically enjoyable scenes featuring both the actors. In addition to this, I found the casting of Shruti Hassan not up to the mark as she looked very heavily over confident in her role of a rich socialite. In other words I found Tisca Chopra much better and impactful in comparison.

Actually it's the main story of Ajay - Shazahn and the scenes of all the three friends Ajay, Emraan and Omi together, which keeps the ball rolling and you don't mind the other minor hiccups in the second half. Ajay Devgan once again proves his versatility with a brilliant performance which simply shows that he can equally perform well in both Hrishi Da style and Rohit Shetty kind of comedies made in Bollywood. Emraan Hashmi has got nothing new to do but still he looks charming and inviting in his lover boy role. Omi Vaidya underplays his part well and impresses but his fans may not find what they were looking for in his shy character of a poet. Shazahn as stated before looks great and acts well too but Rituparna Sengupta and Shraddha Das are just OK. Shruti Hassan overacts whereas Tisca Chopra is simply superb in her scenes with Emraan.

Musically I liked the track "Abhi Kucch Dino Se" instantly after a long time and also "Tu Khwaab Hai Ya Koi Jaadugari" playing in the background. So Pritam once again gives you something to cheer about in his soundtrack. But I couldn't understand why 'Abhi Kuchh Dino Se" was not used and promoted in the film's promotions. Cinematography is pretty descent with an eye catching art direction along with some enjoyable dialogs from Sanjay Chhel. But after watching DTBHJ I really wondered why the Censors gave the movie an 'A' certificate. May be they just gave the rating by only seeing the name of Madhur Bhandarkar in the credits without even seeing the movie entirely.

Summing up, if you want to have a good time in the theater with nothing loud or over the top, keeping your comedy expectations on hold, then the chances are that you might like the movie on the whole and would enjoy it with a smiling face. In all its a nice, welcome changeover from the serious and bold director.