Ethel e Ernest

This is based on British graphic novelist Raymond Briggs' parents. It's 1928 London. Ernest Briggs (Jim Broadbent) rides his bike to work every day and he catches the eye of a Lady's maid Ethel (Brenda Blethyn) in her 30s. She's surprised when he shows up at the door asking for a date. It's the start of a life long love affair.

This reminds me of the first five minutes of Up. It's a poignant portrayal of a love that is built over a lifetime. It's not a happily ever after riding into the sunset. It's a life of living together, loving together, and working together. There are personal struggles and living under world struggles. It always hits me when a husband or wife can't survive after the death of the other. It's a good tissue movie.

Having watched all Raymond Briggs films i was very surprised to find that another one was made and luckily i just managed to watch it as i did not know it was being aired within the Christmas period 2016.

I have enjoyed Snowman, The Father Christmas, When the Wind blows and more and watched when i was a child.I now watch these same films with my children. If you have watched the films before this then you know it'll be an excellent film. This film like the others offers humour,great characters and just overall great enjoyment.

I might have to say that this film is now my overall favourite out of the Briggs films. It has humour,cosy English culture but also a sad realism.Based in the era of my grand parents it was nice to see how they were back then living a similar life.As based on true events it was a sad film but very interesting as it was factual.

Overall i loved it,my partner and kids loved it.Its a great film for all ages and new and old fans of Raymond Briggs.Ill definitely be getting this on Blu ray.

I've just got around to watching this today. As a 50-year-old I could relate to so much of it and relate it to my grandparents and uncles and aunties who were around during this time. Frankly, I found the film utterly heartbreaking. I must have had tears in my eyes pretty solidly for the last 30 minutes of it. It was quite overwhelming in places especially when Raymond views a body in the morgue which was very reminiscent of something that happened to me recently. I was going to write that it was a perfect slice of life but that is not big enough as it really does pretty much cover two entire lives. My boys who are under ten it has to be said were not gripped by it and did fade in and out of watching it but for adults, I can't recommend it highly enough.

A utter delight from start to finish. Raymond Briggs ability to turn 'ordinary' people into extraordinary stories is incomparable. The story of his mum and dad living through incredible times, world war 2, particularly.

The voices of Broadbent and Blethyn are the highlight, there able to bring Ethel and Ernest to life as us the audience fall in love with these simple but very human characters. Visually as expected it's beautiful yet simplistic in its form and adult Raymond has a very poignant and educated voice which works beautifully alongside his less informed but traditional parents.

I could wax lyrically about this all night but do yourself a favor take 90 minutes out of your lives and laugh, cry and wonder how Briggs is once again able to make the simplistic fantastic!

What a wonderful thing Raymond Briggs has done. This magnificent, sensitive and funny animated film about the lives of his parents Ethel and Ernest is a triumph. It surpasses even his famous THE SNOWMAN (1982) and, I daresay, is what he will truly be remembered for. In this age in which we live at present, when the ordinary people are rising up in revolt against their snotty and arrogant politicians, in what the elites patronisingly call 'populism' (and what is wrong with the populus, then, that it should become a term of derision?), we have here the perfect paean to real life, to real people, to real hopes and to real dreams. With his subtle and loving humour, which pervades the entire film, Briggs brings to life his parents in the most intimate possible manner. He allows us to chuckle at their foibles, without ever once looking down upon their numerous limitations. The story starts in 1928 when his parents meet. Ethel is a lady's maid who waves at the jolly young man who rides past her window every day. Before long, he turns up with flowers and asks her to go to 'the pictures' with him. And soon enough they are married. But time goes by and they do not seem able to have a baby, and Ethel cries and says she is getting too old. But Fate intervenes, and Raymond is born, though the doctor warns Ernest they must not have any more, as 'it was hit and miss' and 'more children means no wife'. So they settle for the one child. We are taken through the whole of the period between 1928 and 1971 as seen through the eyes of Ethel and Ernest. Ernest reads the paper every day eagerly, and is always saying things like: 'Crikey! Hitler's just invaded Russia!' and reacting to world events in the kitchen. Ethel pays little attention and does not much grasp the significance of things. For instance, when told that the Duke and Duchess of Windsor are going to meet with Hitler, her reaction is 'He can't be too bad then.' Raymond does not hesitate to make fun of himself, mocking his own affectations as an art student and his refusal to comb his hair. Every day domesticity is elevated to the status of a mythology in this film, and Alan Bennett's eye for the details of daily life is actually surpassed here, which I would not have thought possible. This film is really a love poem by Raymond Briggs to his parents, whose own lifelong love story is so touchingly revealed to us in all of its minutiae. Rarely can anyone have paid such an intense and devoted tribute to his parents, in any art form. To do so with Briggs's magical drawing talent is so evocative and so moving that we have here what is truly a transcendent work of art. The direction by Roger Mainwood is perfect, and Jim Broadbent's voice for Ernest and Brenda Blethyn's voice for Ethel are beyond perfection. The other voices are also excellent. This film may not have the obvious attraction of snowmen flying through the air, but it soars nevertheless, higher than the air in fact, into a realm of pure love and pure simplicity. Long live real people! And may those who celebrate them always be honoured, as Raymond Briggs deserves to be for many long, long years to come.