Lola Contra o Mundo

At it's core, this is almost as entertaining as a Romantic Comedy should be. But, the setting for this story about a narcissistic, big-city, gen-Y girl seemed 'off'. I can imagine that girls in many places around the world get a sense of dread for that approaching 3-oh, but it's just not true for women, especially in many urban areas, where serious romance, and courting happens not only before 30, but after. I just can't imagine a girl living in a socially sophisticated place like New York City with a sense of foreboding that age is a limiting factor to finding the one she really should be with. The story also meandered a bit, as it tried to develop a clear direction, but while it was scattered, it finally found a direction at the end.

Lola (Greta Gerwig) is 29 years-old and happily engaged to Luke (Joel Kinnaman). But 3 weeks before their big day, Luke cancels. Lola is left with the wreckage of her relationship and must struggle to find happiness. Zoe Lister Jones stars as the best friend.

Director Daryl Wein co-writes this with long-time writing partner Zoe Lister-Jones. This is another 20-something sophisticated girl who can't get her act together. She's a smart girl who is acting stupid. Zoe has some funny lines. Greta is playing her stock character. I like the actors, but it's too bad that there isn't anything new.

Already feeling old on her 29th birthday, a perky PhD student who ponders over keeping things exactly as they are but believes that change is inevitable prophesizes that her life will soon be turned upside down. It of course is when her longtime artist boyfriend pops the question, but then her world is shattered when he ends their relationship just weeks before the big date. Now, she has to adjust, or rather evolve (with great difficulty) to living the life of a single woman in the big city as she prepares to enter her thirties; needless to say that the results are quite messy. The characters may be believable but are mostly unappealing, the script is jumbled with awkward lines resulting in ham-fisted attempts at humor, and the frequent emotional outbursts feel forced and out of place. While the setup may be real and relatable there isn't much insight or poignancy to go along with it, and even though Gerwig is somewhat of a bright light, many of the actors aren't really given their due. **

I may understand why Lola Versus is being so underrated, because it's an atypical romantic comedy. A simple, subtle and sometimes naive one when showing a character struggling to repair herself after a traumatic breakup 3 weeks before her wedding with the man she planned to build her entire life with.

So it's completely normal go thru hard times after a situation like that, and always find ourselves in between moments of euphoria and distress, typical symptoms of the dysthymia suffered by any one after the end of a relationship. Her friends, Alice (Zoe Lister Jones) and Henry (Hammish Linklater), will do anything to support her and show other perspectives about the new situation, but every single help seems not enough and will be going thru all the pain that she will finally get self redemption.

After the subtlety of (500) Days Of Summer (2009), people rediscovered what a good romantic comedy means. Lola Versus does not have the same warm appeal or a character that arouses so much compassion like Marc Webb's movie, but it follows the same style when showing human suffering in its purest way, and also the mistakes and flaws attached when overcoming a great disappointment in life. We all had Lola's days and have already been versus the world too at least once in our lives, and this movie couldn't be any more sincere when simply showing all those mixed feelings when you have been caught by surprise like she has. It's easy fall for sympathy for the character and all her anxiety, anguish, confusion and that constant heart pain that is never physically felt but is there somewhere.

It's an uncommon movie and completely different from what we usually see, that's why it may seems uninspired or out of the line, but only who knows what it takes to get the pieces together may understand all the process Lola is going thru, her recovering, her back and forth, and griefs drowned into alcohol and meaningless sex.

A motivating, heartwarming and inspiring movie that develops itself together with the character's step by step progress, with an amazing soundtrack, great dialogs and charismatic characters that are unintentionally funny. For sure is not a movie that will make people talk a lot about or fully understand it at first, but certainly a faithful reproduction of the inner pain, confusion and how people can be so foolish wasting energy trying to repair something that only time heals.

Better appreciated by those who someday were against the world too and exactly know how Lola feels.

Lola (Greta Gerwig) has a hard time finding her place in the world. So does the film. What starts out as a romantic comedy-styled drama, turns into a sex comedy, and then tries to find its way as a character study. But the character of Lola will turn off some before the film gets going and bore others who have already solved her life's problems.

It has taken me a long time to warm up to Gerwig but she's surprisingly cute and likable here despite how narcissistic, self-destructive, self-involved, and sullen Lola can be. The opening of the film sees Lola in love, Lola getting engaged, and then Lola getting dumped just three weeks before the wedding.

Cancelling a wedding to a man you were in love with after everything is paid for, would be torture to go through. But Lola didn't have to do that. Lola's mother (Debra Winger) cancelled the wedding for her while she cried in bed. Lola's mother and father (Bill Pullman) were likely the highlights of the film as I did laugh at the majority of their lines.

The writing isn't bad. As the film ventures into sex comedy territory, the writers were going for bold, catchy lines. I disagree with the point of being quotable just for the sake of being quotable, and there are way too many examples of that in this film, but some are funny and some will likely resonate with the target audience.

The target audience is not the 29-to-30 year-olds who are trying to find their place in this world. "Lola Versus" is meant for the mid-twenty-somethings who watch the HBO series "Girls" in between their meaningless, hate-filled sexual flings and their self-loathing obsessions about not having a career. For the majority of the film, that is what Lola and her friends are like. Lola describes herself as a "slutty but good person". Her best friend Alice is even worse who makes jokes about oxycodone giving her orgasms.

Her ex-fiancé, her best friend-turned-boyfriend and her potential suitor were decent characters played by decent actors. Joel Kinnaman as the ex-fiancé Luke wasn't given much to do, which is a good thing for the film, as otherwise we probably would have sided with him instead of Lola.

Lola came to some decent, if unimpressive, observations by the end of the film, that it probably would have served them better if "Lola Versus" was meant as a character study all along. But as is you have to suffer through a lot of moaning which most young heroines are too smart for.