Canibal

I have to laugh at how overly sensitive and easily triggered people are any more. My word. If you don't (or can't) appreciate a specific style of film making, then why watch such a film? So you can be triggered by a film snob? I'm thinking someone needs a life.

This is an incredible story that you can't miss if you like movies with deep emotions that will make you tremble about the idea of love and death. The actors are mysterious and the story starts with very surprising images that will make you be prepare to close your eyes for anything that could lead you a possible trauma, but nothing happen but stunning takes and surprising twists. The photography is amazing and you can't take your eyes out of the screen enjoying the views. Initially, the main character is cold and it can feel quite intimidating. But while the story keeps running forwards, you can feel even like you where in their skins. The passion between the characters may not be seen at first, but it's obvious at the end, and it can make you even cry of despair. The loneliness in this movie is very important and without it the film would be meaningless. The emotions of the people involve are represented in beautiful takes. There's few sounds of music in the background but this makes the movie more dark and realistic. This movie explain despair and the possession of the body with the most original way that you can imagine.

"Cannibal" summons to mind vague storyline similarities with Patrice Leconte's moody 1990 film "Monsieur Hire" and James Hamilton- Paterson's roman a clef "Loving Monsters."

Protagonist Carlos is a revered tailor in Granada, Spain, who murders and cannibalizes beautiful young women, and ostensibly does so in a way unencumbered by sadism or sexuality. His monotonic cannibalism is never explained, and left as metaphorical vehicle. Horror is not on offer here, and viewers are left free to imbue Carlos's predilection with personal meaning: in other ways, Carlos is fair, just, and honorable. Do even the very best among us have equally abhorrent gaping erroneous zones?

Romanian actress Olimpia Melinte's fresh-faced, highly-abled and confident screen presence work well in two roles here. Mise en scene, vistas and pacing are lovely, and the languid takes, the confident exposition, the story's ability to achieve both enormity and enormousness with an economy of lines and set-ups, make "Cannibal" well worth immersing in.

Carlos is a successful tailor and also a serial killer who eats his victims. He leads a meticulously ordered and sheltered life until he gets involved with and falls for a woman who moves into his apartment building. An interesting premise and a beautifully shot film, but ultimately this is an extremely slow and uninvolving film. The main character starts and ends the film as a complete cipher.

The movie's title isn't ironic. It isn't a metaphor. Carlos really is a cannibal. If you can get past the (few) scenes you should expect as a result, this film will reward you with layers you didn't expect.

Antonio de la Torre plays an understated Carlos. No surprise he's rather obsessive compulsive - makes for one quirky cannibal. The fact that the film doesn't lead you to how exactly he became a cannibal is fine - leaves lots of room for the imagination to work, and there are enough clues to get you started. He also does the majority of his acting without speaking - something one doesn't see a ton of in North American films, and for this I am grateful to the director and writer.

Olimpia Melinte is also very good and understated in her performance, standing up just fine to Carlos as she turns his world upside down.

Kudos to Manuel Martín Cuenca for playing every note perfectly and brilliant casting. And kudos too to Cameron Bailey for putting this in his must see list for TIFF 2013.