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8,0/10
5,9 mil
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Relata a vida no Bar, os dilemas e problemas que os advogados de hoje enfrentam.Relata a vida no Bar, os dilemas e problemas que os advogados de hoje enfrentam.Relata a vida no Bar, os dilemas e problemas que os advogados de hoje enfrentam.
- Indicado para 1 prêmio BAFTA
- 1 vitória e 5 indicações no total
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I believe that the comments of a solicitor (see earlier reviews) are completely true and the series is far from being realistic. But am I enjoying watching House (being a doctor of medicine myself) because it is realistic? Lol. Of course not, if I would judge it from realistic side, time, diagnostic, budget and ethical constrains we have in real life, House is an annoying and superficial series, turning medicine into a tragicomic theater - but I choose to relax and enjoy the show. Same applies to Silk.
Like House, the fun of Silk lies mostly in its dialogs and, to some extent, non verbal communication and narcissistic characters (in and out of the court). Note I agree Silk lacks building of the characters. We only learn about Martha. We are becoming almost obsessed with her, as the camera frequently stays on her face for loooong time. Thus, not much place left for others or to put in some more of a story. However, I need to disagree with the previous reviewer about Clive Reader character. The comment about him was: "When he is not being a jackass, he's as nice and loyal as a puppy." Emmm .... This sounds like a stereotype of a successful alpha man and I definitely know a few like him (unfortunately not that cute to be worth making use of it).
I am a bit puzzled how some characters (Kate Brockman? - I thought she was allowed to stay?) disappear completely out of series as new ones get introduced. We miss the old ones, too. Am very puzzled over John Bright character as well. We are allowed to glance at his stunning and gorgeous appearance in almost every chapter, never to touch under surface - I wonder about his work and why is he sitting in the office ... Acting is good, but many times slightly exaggerated (theater style) - an example would be Jake Milner character. Pushing it a bit too far (but cute anyway).
The series seems underrated to me at IMDb. I promise it wont insult your intellect if you understand the concerns I raised above and have no expectations of any realism. It will give you an interesting drama, tension and sublime interactions. I love it, even though it looses its way at times. I think it is very enjoyable, much more than any other series I have seen.
Like House, the fun of Silk lies mostly in its dialogs and, to some extent, non verbal communication and narcissistic characters (in and out of the court). Note I agree Silk lacks building of the characters. We only learn about Martha. We are becoming almost obsessed with her, as the camera frequently stays on her face for loooong time. Thus, not much place left for others or to put in some more of a story. However, I need to disagree with the previous reviewer about Clive Reader character. The comment about him was: "When he is not being a jackass, he's as nice and loyal as a puppy." Emmm .... This sounds like a stereotype of a successful alpha man and I definitely know a few like him (unfortunately not that cute to be worth making use of it).
I am a bit puzzled how some characters (Kate Brockman? - I thought she was allowed to stay?) disappear completely out of series as new ones get introduced. We miss the old ones, too. Am very puzzled over John Bright character as well. We are allowed to glance at his stunning and gorgeous appearance in almost every chapter, never to touch under surface - I wonder about his work and why is he sitting in the office ... Acting is good, but many times slightly exaggerated (theater style) - an example would be Jake Milner character. Pushing it a bit too far (but cute anyway).
The series seems underrated to me at IMDb. I promise it wont insult your intellect if you understand the concerns I raised above and have no expectations of any realism. It will give you an interesting drama, tension and sublime interactions. I love it, even though it looses its way at times. I think it is very enjoyable, much more than any other series I have seen.
Really enjoyed all the series. Good cast of powerful but flawed characters. Variety of cases and situations kept it flowing. Terribly disappointed in the weak ending. I have no problem with leaving situations open and unsolved, but this was simply poor quality, cheap and lazy scriptwriting. The series deserved a better ending.
Rumpole fans already know the drill—solicitors (though we don't see much of them) deal with the clients and prepare a brief, barristers plead the case in court, either for the defense or the prosecution, and a small platoon of clerks take care of the business side. Experienced barristers who make the right moves can hope to "take silk," or be appointed to the privileged caste of Queen's Counsel (more prestigious cases, better money, even a bigger wig).
Maxine Peake is refreshingly unglamorous, with her crunchy Northern accent, and projects a wonderful intensity as one such barrister; Rupert Penry-Jones is well matched as a cynical, corner-cutting rival. This series does office politics extremely well; the first time we watched, I was blown away by a couple of brilliant scenes in which Neil Stuke, as Billy, the hard-nosed senior clerk, fights off a coup attempt and turns one of his big earners who's trying to defect. Apart from the climactic murder trial, court cases are a lot less flashy than you'd find in a show like "The Good Wife," but story lines are brisk, engaging, sometime surprising (Colombian drug mule explains why she's better off in prison); interesting that in the UK it's a criminal offense to own (or be) a pitbull. Supporting honors go to GoT's Natalie Dormer as a "spoony" (born with a silver one in her mouth, i.e.) pupil, Tom Hughes as a not-so-spoony pupil and Nina Sosanya as a mutinous junior barrister.
Here's hoping that the next few seasons will turn up before long on PBS and eventually on Netflix.
Maxine Peake is refreshingly unglamorous, with her crunchy Northern accent, and projects a wonderful intensity as one such barrister; Rupert Penry-Jones is well matched as a cynical, corner-cutting rival. This series does office politics extremely well; the first time we watched, I was blown away by a couple of brilliant scenes in which Neil Stuke, as Billy, the hard-nosed senior clerk, fights off a coup attempt and turns one of his big earners who's trying to defect. Apart from the climactic murder trial, court cases are a lot less flashy than you'd find in a show like "The Good Wife," but story lines are brisk, engaging, sometime surprising (Colombian drug mule explains why she's better off in prison); interesting that in the UK it's a criminal offense to own (or be) a pitbull. Supporting honors go to GoT's Natalie Dormer as a "spoony" (born with a silver one in her mouth, i.e.) pupil, Tom Hughes as a not-so-spoony pupil and Nina Sosanya as a mutinous junior barrister.
Here's hoping that the next few seasons will turn up before long on PBS and eventually on Netflix.
I watched this series first time round loved it so much I bought the whole thing again on amazon prime ,I maybe biased but as far as I'm concerned I would pay to watch Maxine peake do the washing up a fantastic actress and the writing and supporting cast top knot has.its a must watch
I really enjoyed watching every episodes of this series. I also watch The GOOD WIFE but at times do get very irritated with that series. Not with SILK. My son is studying law and so the interest in watching these courtroom dramas. The acting in SILK was very good, and the lead character Martha, a very likable character. This series gives you an insight into how law is practiced in the UK. It's not slick like The Good Wife, but more realistic. I can't wait for series 2. If you want to watch a really good drama with some fine acting, good realistic courtroom scenes and some office politics and intrigues then go no further than SILK. I wish the BBC would produce more fine dramas like this.
Você sabia?
- CuriosidadesAfter Maxine Peake landed the role of Barrister Martha Costello, she went to Manchester Crown Court (UK) as a casual observer to gain some insight into general courtroom procedures and activities.
- ConexõesFeatured in The Wright Stuff: Episode #15.35 (2011)
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