Adicionar um enredo no seu idiomaCambridge, England, 1921 - or so it seems. A brilliant young scientist becomes obsessed with finding a way back to his past - no matter what the cost.Cambridge, England, 1921 - or so it seems. A brilliant young scientist becomes obsessed with finding a way back to his past - no matter what the cost.Cambridge, England, 1921 - or so it seems. A brilliant young scientist becomes obsessed with finding a way back to his past - no matter what the cost.
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First things first! Do not take the negative reviews of this movie and dodge watching this!! Unless you are a close minded fool who can't use an imagination this movie is great. If you cannot open up to sci-fi fantasies such as this do yourself a favor and quit watching sci-fi.
With that said...
This movie is an excellent thought provoking film that really gets the gears turning. It does a great job of putting theoretical time travel into perspective while doing so in a way that isn't too geeky or brain melting.
It was actually better than I had expected and deserves a better score than it got. Don't expect lots of action scenes or crazy super futuristic technology that blows your mind but rather philosophical theories of time and space and the personal implications that they have on relationships.
This movie is definitely not one where you can anticipate whats coming next and has a few twists that keep it very interesting.
Overall an amazing film that should have received much more attention that it got. Being an avid movie lover that has blazed through netflix and other movie services I was surprised to have not seen or even heard of this one until fall 2014.
With that said...
This movie is an excellent thought provoking film that really gets the gears turning. It does a great job of putting theoretical time travel into perspective while doing so in a way that isn't too geeky or brain melting.
It was actually better than I had expected and deserves a better score than it got. Don't expect lots of action scenes or crazy super futuristic technology that blows your mind but rather philosophical theories of time and space and the personal implications that they have on relationships.
This movie is definitely not one where you can anticipate whats coming next and has a few twists that keep it very interesting.
Overall an amazing film that should have received much more attention that it got. Being an avid movie lover that has blazed through netflix and other movie services I was surprised to have not seen or even heard of this one until fall 2014.
Science fiction is a finicky thing. Depending on your approach and your tastes and background, this flick can either be 1 to 10. I encourage the reader to read the reviews as a form of entertainment in itself, I would also ask the reader to refrain from critiquing this movie as if it had a limitless budget and was hell bent on employing the best special effects possible. In other words, a Hollywood movie. Sadly, too many of our young are trapped there.
It has been my experience that the best SciFi allows you to use your imagination. You read SciFi and imagine great things that Hollywood couldn't begin to portray. "The Time Machine", 1960, must be one of the greatest movies in this subject. It has roots in H.G.Wells' 1895 "The Time Machine" novel. Interesting point, the character in the movie shares a similar name with the author of the book. The acting may not be the best, the special effects not out of this world and the script could use more "airing". Your imagination, however, takes over and fills in the blanks to make it a very interesting movie to this date. If the script and story line can allow your imagination to flourish, then at the end of the movie you find yourself thinking. Although the movie ended.... you're still going.
It's nice to see special effects to replace your imagination every now and then but I find it's best when it is left to the imagination. This is why most stories that try to make the transition from book to movie fail.
On acting.... you may have an idea how a soldier would reacted when facing a platoon of the enemy on his own. We can draw from our limited experience. But has anyone ever met an alien? How does one act when stepping into a time machine? How does one act when they fall in love with someone who wishes to step into a time machine. You can have a whole movie on that alone. Acting in this instance should allow some leeway for the viewer to fill in with their imagination. On the other hand, acting may be what saves the scene such as the end scene to Casablanca with a fake aircraft with little people or La Marseillaise scene sung in defiance to the Germans. In this movie, although the genre was SciFi, the secondary theme was love. Another, loss. Yet another, jealousy. This requires fine acting, not supper acting, and I think it was done adequately well. Not great but well. To tell you the truth, my heart broke for one of the characters.
Lets use our imagination on one angle of the movie.... sound. If you wish to employ frequencies in your experiment and need a fundamental series of frequencies, the piano is an interesting choice. And it's calibrated to some standard. Believe it or not, there are a few established standards in piano calibration and tuning. The piano can be a scientific instrument in every sense of the word. So it wasn't a screwball idea to use a piano. But a piano is also musical. It has Rhythm and beats and bars. Now, imagine an infinite number of future threads to an event. In a song, we may have four beats to a bar. Every four beats you repeat. And repeat. And repeat. Almost as if it is infinite. It generates a Rhythm that explores a theme, or event. Changing notes in one bar with just four beats (4/4 for example) could change the entire theme of the song. Mapping out the future of Victoria's event in the well and navigating it successfully with a sound signature (so may beats to a bar) is an interesting connection to the piano. We can now layer other life experiences to music, such as falling in love, as was the case when they danced through the time map to music, expanding the parallelism to a theme or song. Interesting? How about dancing to music when the old man removed their masks in the beginning of the movie? How about our young hero dancing with the blindfold on in front of the well after removing the welded well cap at the start?
In my experience, I have found that the best attributes to enjoying good SciFi is the person's ability to imagine. Overload the person with special effects and at the end of the movie the person may experience relief (and to beat the crowd out of the theater) instead of thought provocative mesmorization as your view the credits.
Enjoy this movie and see what happens to you at the end.
It has been my experience that the best SciFi allows you to use your imagination. You read SciFi and imagine great things that Hollywood couldn't begin to portray. "The Time Machine", 1960, must be one of the greatest movies in this subject. It has roots in H.G.Wells' 1895 "The Time Machine" novel. Interesting point, the character in the movie shares a similar name with the author of the book. The acting may not be the best, the special effects not out of this world and the script could use more "airing". Your imagination, however, takes over and fills in the blanks to make it a very interesting movie to this date. If the script and story line can allow your imagination to flourish, then at the end of the movie you find yourself thinking. Although the movie ended.... you're still going.
It's nice to see special effects to replace your imagination every now and then but I find it's best when it is left to the imagination. This is why most stories that try to make the transition from book to movie fail.
On acting.... you may have an idea how a soldier would reacted when facing a platoon of the enemy on his own. We can draw from our limited experience. But has anyone ever met an alien? How does one act when stepping into a time machine? How does one act when they fall in love with someone who wishes to step into a time machine. You can have a whole movie on that alone. Acting in this instance should allow some leeway for the viewer to fill in with their imagination. On the other hand, acting may be what saves the scene such as the end scene to Casablanca with a fake aircraft with little people or La Marseillaise scene sung in defiance to the Germans. In this movie, although the genre was SciFi, the secondary theme was love. Another, loss. Yet another, jealousy. This requires fine acting, not supper acting, and I think it was done adequately well. Not great but well. To tell you the truth, my heart broke for one of the characters.
Lets use our imagination on one angle of the movie.... sound. If you wish to employ frequencies in your experiment and need a fundamental series of frequencies, the piano is an interesting choice. And it's calibrated to some standard. Believe it or not, there are a few established standards in piano calibration and tuning. The piano can be a scientific instrument in every sense of the word. So it wasn't a screwball idea to use a piano. But a piano is also musical. It has Rhythm and beats and bars. Now, imagine an infinite number of future threads to an event. In a song, we may have four beats to a bar. Every four beats you repeat. And repeat. And repeat. Almost as if it is infinite. It generates a Rhythm that explores a theme, or event. Changing notes in one bar with just four beats (4/4 for example) could change the entire theme of the song. Mapping out the future of Victoria's event in the well and navigating it successfully with a sound signature (so may beats to a bar) is an interesting connection to the piano. We can now layer other life experiences to music, such as falling in love, as was the case when they danced through the time map to music, expanding the parallelism to a theme or song. Interesting? How about dancing to music when the old man removed their masks in the beginning of the movie? How about our young hero dancing with the blindfold on in front of the well after removing the welded well cap at the start?
In my experience, I have found that the best attributes to enjoying good SciFi is the person's ability to imagine. Overload the person with special effects and at the end of the movie the person may experience relief (and to beat the crowd out of the theater) instead of thought provocative mesmorization as your view the credits.
Enjoy this movie and see what happens to you at the end.
It's a Time Travel Story. And it's listed as Science Fiction, thereby.
But Be Advised: It's NOT 'The Time Machine'. Nor is it your standard Hollywood Special Effects wagon-train.
No Splashy special Effects. No Journeys to the end of Time. No Monsters. No Weird Paradoxes. No Dinosaurs either.
It DOES has an element of Time Travel...but that's all. The rest of the Movie is a distillation of a very nice work of emotional Fiction. It's a Love story about Three Childhood friends in 1920's era England. Once you settle into the measured, dialogue driven pace of the story. I found it elegant, touching and memorable.
Totally Girlfriend Friendly, BTW.
But Be Advised: It's NOT 'The Time Machine'. Nor is it your standard Hollywood Special Effects wagon-train.
No Splashy special Effects. No Journeys to the end of Time. No Monsters. No Weird Paradoxes. No Dinosaurs either.
It DOES has an element of Time Travel...but that's all. The rest of the Movie is a distillation of a very nice work of emotional Fiction. It's a Love story about Three Childhood friends in 1920's era England. Once you settle into the measured, dialogue driven pace of the story. I found it elegant, touching and memorable.
Totally Girlfriend Friendly, BTW.
Another example of me being happy I ignored a rather low overall IMDB score and trusted in the more generous reviews. Beautifully shot movie with beautiful music. Natural performances all round. I am interested in movies to do with time/ universe travel - Back to the Future, Time Traveller's Wife (book not movie though) Somewhere in Time with Jane Seymour and Christopher Reeve, Groundhog Day, Everything Everywhere All at Once. I try not to live in the past anymore but my heart breaks for past times and lost love. But things happened as they did and they couldn't have happened any other way. Maybe there are many universes. Maybe we can come into alignment with the one we most desire. Maybe there's some truth in Neville Goddard's imaginal and law of assumption theories. Affirming that it is already done. I have the life and the love of the life I want etc. Maybe it's for the best that such a machine doesn't exist.
The strong points of the film: Excellent production design, excellent costumes, excellent acting and excellent music. All combine to an esthetic whole which is much better than the sum of its parts.
The storyline is similar to one of the HG Wells novels, especially the Time Machine. But in this particular instance, the Time Machine is only able to bring someone a few years into the past. It is a limitation which encapsulates the entire plot, as there are several limitations put upon the film because of its low budget. Set in a Great Gatsby-like setting in the early 1920's, the film could easily have been one of HG's lesser-known stories.
Fortunately for this reviewer, the Director is savvy enough to understand her limitations, and to keep the film utterly under control for the entire length of time it takes to unravel the mystery that is set up in the opening scene, when an old man arrives in the middle of a garden party and begins the education of the guests in the physics of the 4th Dimension.
As the plot progresses, a young genius named Steven is beside himself with a mission to right a wrong that happened in his childhood, and is obsessed with finding a method to return to the past to do so. We suspend our disbelief at his feeble but well-intentioned attempts, and when one of the experiments backfires, we wonder if Steven will give in to his demons and descend into madness. It almost happens--if it were not for "the love of a good woman".
So that there are no spoilers in this review, I will summarize by saying that there is a final resolution which neither disappoints nor does it fail to engage our deeper intellect. Since I encourage anyone tired of the mall-screen movies of the 2000's, (with their overblown heroes and ridiculously unrealistic plots and absurd bombastic gun combat and fight scenes), to take a breath and let themselves be drawn into a meditative state as they sail down a lazy river and be contented with the calm, thoughtful work of art that was so effectively made into this film.
The storyline is similar to one of the HG Wells novels, especially the Time Machine. But in this particular instance, the Time Machine is only able to bring someone a few years into the past. It is a limitation which encapsulates the entire plot, as there are several limitations put upon the film because of its low budget. Set in a Great Gatsby-like setting in the early 1920's, the film could easily have been one of HG's lesser-known stories.
Fortunately for this reviewer, the Director is savvy enough to understand her limitations, and to keep the film utterly under control for the entire length of time it takes to unravel the mystery that is set up in the opening scene, when an old man arrives in the middle of a garden party and begins the education of the guests in the physics of the 4th Dimension.
As the plot progresses, a young genius named Steven is beside himself with a mission to right a wrong that happened in his childhood, and is obsessed with finding a method to return to the past to do so. We suspend our disbelief at his feeble but well-intentioned attempts, and when one of the experiments backfires, we wonder if Steven will give in to his demons and descend into madness. It almost happens--if it were not for "the love of a good woman".
So that there are no spoilers in this review, I will summarize by saying that there is a final resolution which neither disappoints nor does it fail to engage our deeper intellect. Since I encourage anyone tired of the mall-screen movies of the 2000's, (with their overblown heroes and ridiculously unrealistic plots and absurd bombastic gun combat and fight scenes), to take a breath and let themselves be drawn into a meditative state as they sail down a lazy river and be contented with the calm, thoughtful work of art that was so effectively made into this film.
Você sabia?
- CuriosidadesAlthough the first and last scenes appear to be identical, there are lots of small differences as they are actually only similar events in two different timelines.
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- How long is Dimensions?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Dimensions: A Line, a Loop, a Tangle of Threads
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 100.000 (estimativa)
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Proporção
- 2.35 : 1
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