Os Miseráveis

This film is amazing. Absolutely incredible. I don't understand what people are saying about pacing issues, I thought it flowed beautifully. The changes made worked very well. And I didn't think there was any weak link in the cast. I honestly loved Russell as Javert. He wasn't traditional by any means, but what he did worked.

The cgi was not the best, but it kind of created this fantastical other world while still being realistic and grounded.

So many of the acting choices were brilliant and subtle. For example Jackman ever so slightly altered his voice with his characters aging, which I thought was brilliant.

There is no negative thing to say about this movie. However, I do see why a critic may not like it. It's not a critic movie. There isn't a lot of impressive violence, crazy camera shots, etc. the things critics seem to love. It's more grounded in the performances and the story, which it tells extremely well.

The only thing I can point out (because I saw it with my boyfriend who knows nothing about the story) there are two or three slightly confusing plots for those who aren't familiar with Les Mis. But they are either explained later on or not important enough to dwell on.

Anyways, that's my rant. Needless to say I will be seeing it many many times and cannot wait for the DVD so I can own it and watch it even more.

Jean Valjean: "I stole a loaf of bread. My sister's child was close to death, and we were starving." Javert: "And you will starve again unless you learn the meaning of the law!"

Just as I stood at the end of the stage production of Les Miserables, I stood in my home after watching a screener copy. I was, however, concerned that I would have nothing "critical' to say about director Tom Hooper's lush film version, filled with first-rate actors believable crowds, and singing befitting non-opera types in a people's opera.

Jean Valjean (Hugh Jackman), mayor of Paris in the first part of the 19th century, promises dying prostitute Fantine (Anne Hathaway) to take care of her daughter, Cosette (Amanda Seyfried). He has been eluding the tireless policeman, Javert (Russell Crowe), after breaking parole for the crime of stealing a loaf of bread, for which he served 19 years. It's not so much the melodrama that grabs me as the inspired music that has discernibly distinct and luscious melodies and a book that straightforwardly tells story and reveals character.

Jackman, Hathaway, and Crowe are competent singers, and the better for not being opera stars, who would have compromised the Everyman feel of the musical. For an almost three hour show, Hooper and writer Claude-Michel Schonberg keep the action moving from Javert and Valjean in a battle of wits and the youths fomenting a revolution right outside the windows.

For comic relief, Sacha Baron Cohen as Thénardier and Helena Bonham Carter as Madame Thénardier run a comical whore house and do quite well as pickpockets. At times, their antics are so opposite the grand action outside as to be almost irritating. Les Mis was a thrill on stage; it is a joy on screen as the 19th century comes alive with the poor struggling against the rich and the noble, poor or rich, miserable.

As a massive film fan, my tastes are very wide-ranging, but I do have a problem with musicals. Nevertheless I was happy to take the opportunity of a private viewing of "Les Misérables" at the London office of distributors Universal - the day after the London première and a month before the UK release - because of the outstanding success of the original stage show (a run of 27 years with a total audience of over 60 million) and the surprising and impressive cast list (Russell Crowe, Hugh Jackman, Anne Hathaway, Sacha Baron Cohen, Helena Bonham Carter, Amanda Seyfried and Eddie Redmayne).

The showing was introduced by producer Eric Fellner of Working Title who underlined the commercial challenge of making a film in which all the dialogue is sung and the themes are so political and praised director Tom Hooper ("The King's Speech") for his insistence that every take was sung live.

The two main characters are presented in the opening seconds of a sweeping introductory sequence: the police inspector Javert (Crowe) and the prisoner 24601 Jean Valjean (Jackman) in post-revolutionary France. There follows over two and half hours with barely a spoken word which will not appeal to all cinema-goers, but the production is a triumph with Cameron Mackintosh's musical opened up by dramatic shooting on Pinewood's brand new Richard Attenborough stage and some historic English locations.

If Crowe and especially Jackman are excellent, Hathaway - who lost 25 pounds and most of her hair for the role - is outstanding as the destitute Fantine and Cohen and Carter almost steal the show as the comical Thénardier innkeepers.

I'm not sure how long it will take for "Les Misérables" to recoup its investment cash- wise, but it's going to win award after award and rightly so.

A well-executed and powerful musical from Tom Hooper, 'Les Misérables' stood alongside 'Skyfall' as Britain's two main entries at the 2013 Academy Awards and left with 3 Oscars. Featuring some bravura performances from an all-star cast including Anne Hathaway (Oscar winner), Hugh Jackman (Oscar nominated), Russell Crowe, Sacha Baron Cohen and Helena Bonham Carter. Set against the sweeping backdrop of 19th-century France, 'Les Mis' tells an enthralling and emotional story of passion, love and redemption, accompanied by some stunning cinematography, uplifting musical numbers and flawless direction. While it does drag on at parts, 'Les Mis' is generally an impeccably crafted musical to be enjoyed by all.

I went to an awards screening of Les Miserables and left the cinema speechless. Tom Hooper's direction and the cinematography, costumes, art design and editing are nothing short of genius.

Hooper's idea to have the actors sing live really brings a deeper emotion to the film not seen in other movie musicals. Hugh Jackman is absolutely incredible as Jean Valjean and carries the film with spectacular grace. Anne Hathaway is magnificent in her fleeting role as Fantine - the film's sequence in which she goes on a downward spiral is one of the it's best moments, and her ABSOLUTELY INCREDIBLE HEARTFELT rendition of 'I Dreamed A Dream' will win her the Oscar by itself.

Also, a great supporting turn from newcomer Samantha Barks as the heartbroken Eponine (look out for her waist - it's absolutely tiny!), who is sure to be shot into stardom. Eddie Redmayne, Russell Crowe and Aaron Tveit are also good, and there's some great comedy relief from Helena Bonham Carter and Sacha Baron Cohen.

It will leave you laughing, crying, and feeling inspired. A great watch, sure to win some major awards this year! 10/10!