The Trip

Utterly horrible, unfunny, uninteresting. To rich egomaniacs eating disgusting food, almost no one can afford and nobody needs. While doing that they are nagging each other being mean and nasty while doing dad jokes and bad impressions. Coogan whines the whole time about how bad his life is or he speaks on the phone with his 20 years younger girlfriend who seems fed up with him - I wonder why? How's that supposed to be funny? They made how many of those? I usually love British shows, many made by the BBC. This is just not watchable, a waste of time. I just finished watching W1A and loved the understated, subtle humour. A great parody of British mannerisms and modern times. The Trip shows a lot of what is wrong with people today without being funny and seemingly unintentionally.

This show makes me cry whenever i revisit it, i also find it incredibly funny, good show.

Since my major interests are conversation, food and scenery (And it helps that I was brought up in Yorkshire) then this hit every nail on the head.

I got hold of the DVD with all the extras, and after loving watching the series with its perfect execution of the relationship between the two main characters, then the extras provided a great insight into the amount of improvisation that was going on throughout.

It won't appeal to everyone, particularly those who have some sort of grudge against Coogan and the BBC as a whole (although how you can lump the two together is a mystery to me), but I thought that the willingness of Coogan and Brydon to caricature themselves as perceived by the media and seriously take the mick out of each other was not only brave, but quite touching.

The "To bed Gentleman, for we rise at daybreak!" scene was a highlight, as was the "Michael Caine-off" competition, for want of a better description.

But there is also pathos, as the Coogan and Brydon characters are at very different points in their respective relationships, and that's what holds the whole thing together.

Well, basically, it's brilliant.

Cheers, Will

One of the things I did enjoy about 2005's Cock & Bull Story was the relationship between Coogan and Brydon in terms of how funny their discussions were but also how informed by their own insecurities and jealousies they were. It wasn't the whole of the film of course but it was a small part of it that worked well and I was definitely interested to see that idea and that relationship explored a bit more in The Trip. Although a shorter film version exists somewhere, in the UK I saw it as the six-part sitcom on BBC2 that gained near universal praise from critics but at the same time seemed to be actively disliked by the majority of the people who casually checked it out on TV one evening. Likewise on the internet forums opinion appears to equally polarised with people thinking it brilliant or dismissing it as self-indulgent tosh. In a way I sort of see where both sides are coming from.

On one hand the potential here is to really make a smart and clever post-modern study of "fame" and success using fictionalised versions of these two men, but then on the flip side much of each episode appears to be them having the same sort of conversations driven by impressions delivered mostly by Brydon while Coogan goes increasingly impatient with him. For me both of these things are equally true but they both end up working against each other and the material doesn't even seem to be strong enough or tight enough to be able to deliver on the idea and realise the potential. Of course it is mostly improvised around an idea and this does seem to help the comedy as their messy conversations produces some good laughs, but it means that the bitterness, the awkwardness, the slight air of failure and resentment doesn't even go deeper than specific scenes on which it is painted. What I was looking for was that these aspects would be "in" the characters and always part of them in more of a way that it was – irritation and impatience during a specific conversation is not quite the same as this and it isn't really countered by making sure we end each episode with Coogan silently considering his navel in one way or another.

I didn't hate it like some did but I certainly didn't love it like others did either. The potential is there and the two actors certainly seem talented enough but it does feel like they could have done with a much tighter leash in terms of being allowed to improvise and needed clever scripted material and direction to make sure the potential in the idea came through. It is an interesting and sporadically very funny failure though – but it is ultimately a failure as the potential never comes through in real meaning or substance and the comedy is a bit too repetitive after a few episodes to be classic.

One of the TV highlights of 2010. Coogan and Brydon are superb, the oddest of couples as they bicker about their careers and try to outdo each other with impressions ranging from Al Pacino ('whatta ya got?') to Alan Bennett ('Peter and Dudley, Dudley and Peter'). It's beautifully shot with some stunning locations and also manages the tricky feat of segueing from dark comedy to oddly touching drama and back again. It could so easily have been self-indulgent tripe, and there are admittedly times when you want to reach into the screen and punch the preening, self-obsessed Coogan, but The Trip manages to walk that finest of lines, delivering a love song to the north and a funny, thoughtful meditation on fame and the ageing process. Here's hoping for a second series.