Norwegian Dream

After the opening scene of the movie, I thought this was going to be a niner (9/10) movie! Very interesting situation, unusual place, maybe the scenery was going to be great, and the love story was going to be very original. A black Norwegian, a fishery in the kings of oil of Europe, a gorgeous young polish gay worker, this was going to make a sparkling mix.

Well, then, first, I felt uncomfortable with the use of English as the main language. In some parts, they speak English between Polish workers. Then there was not much scenery, not much Norwegian cultural stuffs, nor polish. For the journey in the northern kingdom, one will have to watch something else.

Then there's the union story, and the conflict wasn't really developed. I do know that Norway isn't in the EU, it's possible that work regulation might be weird, but that contract story was not depicted well enough to get us involved. I even felt it very fake. Such as workers applauding each other at the union meeting, which is so American. Is Norway and Poland so far from European social behavior ? This is not at all my first Nordic movie, I traveled several times up there, and I'm sure there's something wrong.

A 5 minutes scene with a punk grandma did not unlighted much the very flat plot.

I started to check my watch after 45mn.

There's the love story. If there was something great left in the movie, it should be the love story, so I expected big drama, sensual first encounter, first kiss, forbidden love heat, and great ending and coming out at the face of the polish workers known to be superconservative roman Catholics.... There's a conflict, but they just forgot to play it angry. So, big things expected... that you'll never get. Even a good music or play list choice to support it, is missing.

I didn't see any depth in the characters. Worse, I felt Hubert Milkowski (Robert) uncomfortable acting gay. No chemistry between the two. No tenderness. Even the first kiss is extremely fake, they barely touch lips ! If we had to compare with Clark Gable kissing Vivien Leigh in ...E o Vento Levou (1939), or Ashton Sanders kissing Jharrel Jerome in Moonlight: Sob a Luz do Luar (2016), this movie should be rated 1.

It's well known that young boys wait a long time before doing serious things (!?). Well, when they finally (finally!) are going to have sex, they fake a French kiss, and it's very badly simulated. They even keep distance between their chests. And, not much more sensual to see, the love scene is cut by Robert laying down in the grass looking at the sky ! It could be to pass the Polish film censorship, if it's ever screened over there. Even in a Japanese gay themed movie, where censorship is way stricter, there's much more warmth.

There's also a very fake scene when he dives into the sea and plays like it's freezing. But this is summer : at the beginning of the movie, in the car, it's 5pm on his cell phone, and it's daylight, and, it's night at night, so they are not up north on the Arctic, it's the North Sea, and it is not that cold at all.

What's the point of the movie? Foreign workers in Norway? Homophobic Polish? Love separated by two cultures? It's only 88 minutes long. The moviemakers did not make a choice, and neither matter is well-developed.

The end credit says dedicated for those who fight for the right to love, but I didn't see such fight in this story. Parents are finaly somewhat okay, I mean compared to my own experience. The movie skipped truly homophobic stuffs. Not to hurt ? If you're not aware that the Polish government is superconservative about gay rights along with the Polish church, you just don't get what this movie is about.

And where's the end ? Right after watching this film, because of this end, I was ready to rate it 2. It's a french arthouse movie ending. You're aware.

This movies tries to cover too many stories, all being loosely strung together by the story of two central characters. It does not work. The script lacks continuity and context and assumes that viewers know about the exploitation and mistreatment of Polish workers in the Norwegian fishing industry. Nothing is explained and the choppy editing doesn't help explain much. The acting is really bad and one gets the impression that the producer hurries the plot and narrative along before the funding runs out. Overall, it could have been better if time were taken to explain the event and the movie did not try to cover so many extraneous events that have little to do with the central plot!

Norwegian Dream

Once you got through the bleak and miserable setting this movie came together in a fairly decent way.

Some of the basic propositions stretched credulity, these workers have come from Poland to Norway to earn money that they cannot earn in Poland. This means you have to put up with a lot to establish a life and get on, and thus it was so. The whinging and moaning about everything is not consistent with getting on.

It is a bizarre story line that Ivar keeps pushing Robert to come out of the closet and/or acknowledge him in public when surely just to have met someone be having fun together is the main thing. To be revealed in this place and at that time would have been the end of everything.

We had some committed acting however subtitles always make things seem more profound than they are. Robert is 19 I can't see the need for the script to rush his story it didn't add anything.

I'm giving this a 6 outta 10 I was well worth watching.

I could watch Hubert Milkowski in just about anything and he doesn't disappoint here! This story explores an immigrant's experiences in a bleak and dreary setting in Norway gutting and slicing fish all day long. He's the sole bread winner in his home, a troubled relationship with his mother, and his burgeoning sexual awakening for a black queer man. While both actors did a great job, Hubert's facial features and forlorn looks truly brought something "extra" to this film. I'm truly happy to see this new wave to gay storytelling across racial, ethnic, cultural and socio-economic lines. This film is worth a watch.

Coming out stories have become a staple of LGBTQ+ cinema over the years, and, through the years, these offerings have increasingly come to distinguish themselves by incorporating greater and more specific details about the circumstances under which these tales unfold. Adding such context has significantly helped these films establish themselves as stories that go beyond being works of fundamentally basic gay-themed cinema. However, by including these additional narrative elements, it's become incumbent on the creators of these pictures to seek to harmoniously integrate these supplemental aspects into their stories to make them more complete offerings. Such appears to have been the intent behind director Leiv Igor Devold's third feature outing, the story of a closeted laborer (Hubert Milkowski) who leaves his native Poland to take a job in Norway, hoping that he'll find a more tolerant way of life compared to the bigoted attitudes prevalent in his homeland. Upon arrival, however, he finds adjustment difficult, partly because he's unaccustomed to his newfound freedom and partly because of other challenges faced by immigrant workers, such as the bald-faced disrespect often inflicted on them, issues related to the difficulty involved in union organizing and seeking ways to balance his life in Norway with that of relatives back in Poland. All of these story threads have merit, too, but this release struggles to find an effective degree of integration, prompting the narrative to frequently wander as if lost in the Scandinavian woods. That's unfortunate, given that all the makings of an engaging story are present here, but they never quite gel into a cohesive whole, leaving viewers wondering exactly what the filmmaker and script writers were ultimately going for. Granted, the film shines a bright light on the widely held illusion of a "Norwegian dream," one that sadly seems to mirror its equally illusory American counterpart, but, that consideration aside, this tale ultimately raises more questions than it answers, leaving viewers as unsatisfied as its disillusioned protagonist. Indeed, staying put might not be the wisest decision for someone in need of making a change, but then an alleged panacea might not be the answer either. As ambitious as it might be to try to convey that notion cinematically, some things just don't work out in the end, as this film illustrates.