AVALIAÇÃO DA IMDb
4,5/10
4 mil
SUA AVALIAÇÃO
Um nerd está sendo pressionado por seu melhor e possessivo amigo a perder sua virgindade. O problema é que esse amigo quer documentar a humilhante provação.Um nerd está sendo pressionado por seu melhor e possessivo amigo a perder sua virgindade. O problema é que esse amigo quer documentar a humilhante provação.Um nerd está sendo pressionado por seu melhor e possessivo amigo a perder sua virgindade. O problema é que esse amigo quer documentar a humilhante provação.
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Avaliações em destaque
10jb121
I must say, I was really into The Virginity Hit after about the first 30 minutes. The beginning of this coming-of-age story was a little shaky (being filmed by an amateur with a hand-held camera) but eventually settled into a funny, "I can't believe that just happened" romp through the landscape of a young boy becoming a man. Matt Bennett was by far the best actor of the bunch portraying his character in a sensitive and realistic manner. Nicole Weaver and Krysta Rodriguez were very believable and likable as well. The friendship of the four male leads felt true. By the end of the movie I was feeling like I wanted to see more of the friendship. What now for the four, I wondered? I think the movie is very entertaining and encourage others to give it a chance!
Like most movies under the Ferrell/McKay brand, this one is immature, dumb, and worst of all boring. I saw it last night in Union Square in NYC, and even the usually forgiving audience there was silent through most of the movie. With the rare exception of a couple well-placed scatological jokes, there really isn't much to write home about. The archetypes from the famous teenage comedies are all there, but the film seem to borrow especially heavily from Superbad. It's shot in a Cloverfield-meets-road trip movie style, with the two main characters stuck in a Jonah Hill / Michael Cera roles, which is strange because there isn't one name actor in the bunch. It's surprising that they're pushing this for wide release, as the $2 million budget seems better suited for art houses. In all honesty, you could do a lot worse than this movie. But with 1.5 hours you could also do a lot better.
Everyone keeps trying to compare this film to the Judd Apatow-era teen comedies, or the "American Pie" franchise. Thus, they are going into this with the wrong set of expectations. This isn't *that* kind of comedy. It has a lot more heart,for one thing, and it plays by a different set of rules. Apatow & Co., and "American Pie" come from the perspective of my generation (Gen X) projected on the current generation (Gen Y? The Millenials? Whatever we're calling them). This film comes more from the sensibilities of the current generation: sharing *everything* online, no such thing as TMI, no sense of privacy.
I tried to consider comparisons to other films. It reminded me a little, in spirit, of the recent little sleeper "Bart Got A Room." I also tried to approach it from the perspective of "'Porkys' made by kids who weren't born when the original was made." All of those fell short. Ultimately, it's its own film. Just like the kids it's about, it has a different set of boundaries and priorities; but underneath, the humanity is the same.
I tried to consider comparisons to other films. It reminded me a little, in spirit, of the recent little sleeper "Bart Got A Room." I also tried to approach it from the perspective of "'Porkys' made by kids who weren't born when the original was made." All of those fell short. Ultimately, it's its own film. Just like the kids it's about, it has a different set of boundaries and priorities; but underneath, the humanity is the same.
After making a pact to lose his virginity Matt sets up a motel room and everything is ready. Zack is there to film the whole thing, then something goes wrong. This is a "mock-umentery", which uses a lot of "youtube" videos to tell some of the story. This is a totally made up movie but shot like a documentary to get the right feel they want. There was a definite "American Pie" & "Superbad" feel in some of the jokes and the way the characters act, but it's missing a quality these two had...humor. Some parts are really funny, but there are also extremely depressing things thrown in right as the movie gets rolling which grinds it to a halt and takes a while to feel like laughing again. It's not terrible but I was expecting something laugh-out-loud funny and this was not it. I think that some of the problem is that I may have outgrown this type of movie (20-somethings looking to lose their virginity), or it could just be that this one isn't funny. You be the judge. I give it a C-.
Sometimes I enjoy watching dumb comedies, but this one wasn't enjoyable at all. Just immature and boring for the most part, and there wasn't even a single funny moment in it. Now I ain't one of those types that judges movies on it's morals or anything like that, especially when it comes to comedies. But this movie just constantly gives off one negative message after another without it even being funny. Now the trailer to this movie even looked crappy, but the movie itself is even worse and has some of the most annoying characters. Especially the fat ginger kid, who is like the ultimate cock block and was irritating to just look at and is just annoying watching the stuff he does on screen rather than it being funny. I have no idea how anyone could find this movie to be hilarious, cause it really isn't. It isn't a uber terrible movie, but there really isn't anything positive to say about it either.
3.8/10
3.8/10
Você sabia?
- CuriosidadesMost of the cast recorded footage shown on-screen and ad-libbed their lines.
- ConexõesFeatured in WatchMojo: Top 10 Porn Star Appearances in Movies and TV (2016)
- Trilhas sonorasFaces in the Dark
Written by Edward Joyner (as Edward Bartlett Joyner) and Grant Widmer (as Grant Evan Widmer)
Performed by Generationals
Courtesy of Park The Van
By Arrangement with House of Hassle
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- How long is The Virginity Hit?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Virginity Hit
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 636.706
- Fim de semana de estreia nos EUA e Canadá
- US$ 301.885
- 26 de set. de 2010
- Faturamento bruto mundial
- US$ 636.706
- Tempo de duração
- 1 h 26 min(86 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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