A Noite do Dia 12

This movie follows a police crew trying to figure out a gruesome murder that happens for no obvious reason or motive.

The build up and atmosphere are great, keeping us engaged and wondering - who killed that young, charismatic girl? Acting is superb and the suspense keeps you on your toes till the very end with a climax that is adequate and realistic.

I am doing my best not to give away the whole plot or the ending so I'll just leave it at that.

Really worth checking out.

9 out of 10 from me.

Dominik Moll's talent is no longer to be demonstrated. Only The Animals (2019) was an impressive film with its dramatic structure and rich story. Here with The Night Of The 12th, the dramatic line of the film is more direct, traditional. With a femicide, the investigation, the suspects, the cops and their problems. The film is embodied by its characters, that is to say by its actors who give the required forms, first of all, to the policemen with Bastien Bouillon all in power, Bouli Lanners rather in nominal mode (he makes the same character in many films), but also and especially the complementary actresses, all of them characters who exist and bring a lot of emotions in a natural way. This natural way gives a documentary patina to the film, which we imagine well documented.

The tone of the film, all in objective description of the reality and emphasizing the human nature, is what makes the film exciting in spite of its subject, dark, just like the photography of the film. In particular this photography is dark and grainy. It embodies the climate, the darkness, the horrific fact, and the dark story, especially in the content of the end and the frantic search for the culprit very difficult to identify.

The crime film is dramatic, as is this story when we learn how this story ends. Moreover, one of the challenges of the film is to revive it with the character of the judge played by Anouk Grinberg. A character that did not exist before in the film, but that makes it even more hypnotic.

French filmmakers are the kings of realistic cop films. Here's another story of a detective haunted by a difficult case. The resolution is spoiled in the very first credits, so the expectations are clearly set from the start. That doesn't make the investigation process any less interesting, with good characters, good dialogues and an enthralling pace that resembles the drifty focus of a detective working overtime.

It had me glued to the screen. Then, suddenly, after some timely reflections on male violence, several female characters appear out of nowhere and become the ones with the good ideas, the initiative, the answers, the ones in control of their emotions... it's not subtle at all. There are several allusions to the ineffective police work of male detectives specifically. At first it didn't bother me because the script is intelligent, on the whole, and not at all the usual Hollywood schmaltz, but this abrupt shift in content, tone and style is off-putting, the narrative becomes blatant, as if it was written by someone else. These scenes are added to the more or less fictionalised account of real events, I don't know, it certainly feels like something "added" to find a solution to the plot.

This does not affect the point they're making though, it's a strong one, presented here as in no other film I know of, with a case that speaks for itself. At the heart of the violence there is also a place for the police, and they're both full of men. It elevates the film, regardless of one's opinion on the late, abrupt loss of subtlety.

When I first saw the trailer of this movie, I thought it would just be a typical and by the books thriller film. Safe to say that I was wrong.

The movie was able to keep me interested in general as the plot was immersive and really well put together. The film manages to be unpredictable at times and from the get-go it is creating a very tense and bittersweet ambience. It has been such a long time since a movie made me feel genuinely anxious and worried about characters.

The cinematography was amazing. This movie was shot in the region of Grenoble, a French city surrounded by mountains and they really used the landscapes to their advantage to create a beautiful and colourful movie. The scenery is sometimes breathtaking. Even indoors scenes were amazing.

The acting is great. From small appearance to main character, every actor gives a believable and strong performance.

Unfortunately the movie gets a bit tedious in the last 20 to 30 minutes with less rhythm and believable dialogues to me.

It is still an amazing thriller that keeps you gripped and intrigued for its vast majority. If the last 20 to 30 minutes were handled in a better way, I would give it an 8/10.

This is a fictional interpretation of an actual crime that sees newly promoted "Vivés" (Bastien Bouillon) take his team of Grenoble detectives to a small town to investigate a grisly murder. Walking home from a friend's house the previous morning, "Clara" (Lula Cotton-Frapier) is confronted by a stranger who throws a combustible liquid over her and then sets her alight. What the Police Justiciare have to work with is a ghastly sight. Their investigations quickly reveal no shortage of potential attackers. This girl had lived a "lively" life - unbeknownst to her parents - and her boyfriends ranged from the nerdy to the opportunist to the downright bad boy "Caron" (Pierre Lottin). Thing is, loads of suspects don't add up to loads of evidence and tempers amongst the team begin to fray as their lack of actual progress becomes frustrating, exasperating and personal. Although this has elements of a whodunit to it, it is essentially quite an interesting "fly-on-the-wall" style drama that illustrates the difficulties faced by an under-resourced team of officers who cannot but become involved in the heinous crimes they must try to solve. This film looks quite intensely at their own personal relationships and is frequently peppered with some dark humour and with contrary views on the victim that occasionally make it difficult for an on form Bouillon to handle. Bouli Lanners is effective here as his passionate sidekick "Marceau" - himself having his own share of domestic disasters, and as the narrative pans out we, too, are offered nothing concrete in which to hope! I didn't love the ending scenarios. The casualness, desperation even, seemed to fly in the face of so much of their previously meticulous police-work, but the lead performance is good, the cinematography potent and this is definitely worth a watch.