Titanic: Blood and Steel
- Minissérie de televisão
- 2012
- 55 min
AVALIAÇÃO DA IMDb
7,2/10
2,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe construction of the R.M.S. Titanic at the Harland and Wolff shipyard in Belfast against the background of union riots, political and religious conflicts, and a romance between a young am... Ler tudoThe construction of the R.M.S. Titanic at the Harland and Wolff shipyard in Belfast against the background of union riots, political and religious conflicts, and a romance between a young ambitious engineer and an Italian immigrant.The construction of the R.M.S. Titanic at the Harland and Wolff shipyard in Belfast against the background of union riots, political and religious conflicts, and a romance between a young ambitious engineer and an Italian immigrant.
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If you expected a faithful retelling of the actual building of the Titanic, you've come to the wrong movie - go watch a documentary or read a book or two instead. But if you want to be entertained by a well photographed, well written 'period piece' movie about the upper class corporate filthy English rich vs lower class and Irish poor who work for them, Protestant vs Catholic, England in charge of Belfast Ireland (all hoping for independence and 'home rule'), start of women's rights, and how the building of the Titanic impacted and 'directed' their lives, you won't be disappointed. Sure it bends and takes some liberties with actual facts to create the story, but so what? Veers into 'soap opera' mode occasionally, but all in all, 12 episodes provides ample time to develop at least a dozen main characters and multiple story lines, and the actors do a fantastic job.
"Titanic: Blood & Steel" proves there are still ways to approach material that has been revisited on the big and small screens in new and appealing ways. From the laying of the hull to her departure from Belfast, this is the story of the workers, businessmen, and common Irishmen impacted through the construction process of the most famous ship in history.
It's strengths are its historical figures, such as the open-minded Lord Pirrie (Derek Jacobi at his finest) and the perfectionist, driven Thomas Andrews, who is depicted as I have always imagined him to be, soft-spoken and heroic. Its weaknesses lie in its lack of understanding for the social and sexual aspects of the period, as well as its (for me) rather unlikable leading man.
When it comes to historical accuracy, it relies more on fiction than fact to tell its story but somehow this never seems too troubling. The politics of the era are explored: the struggle to unionize Ireland, the rivalries between Catholic and Protestant fractions, even a foray into the beginnings of the Irish Republican Army. The expense of the miniseries shows not only in the terrific cast but the incredible detail on the ships, their construction, the shipyards, and the lavish interiors.
Some might complain about the ambiguous ending, but I like it, since it allows the audience to make their own conclusions about the fate of the main characters. The series held my attention and gave me twelve hours spent in the company of Lord Pirrie and Thomas Andrews -- as an amateur "RMS Titanic" historian, for that, I'm grateful.
It's strengths are its historical figures, such as the open-minded Lord Pirrie (Derek Jacobi at his finest) and the perfectionist, driven Thomas Andrews, who is depicted as I have always imagined him to be, soft-spoken and heroic. Its weaknesses lie in its lack of understanding for the social and sexual aspects of the period, as well as its (for me) rather unlikable leading man.
When it comes to historical accuracy, it relies more on fiction than fact to tell its story but somehow this never seems too troubling. The politics of the era are explored: the struggle to unionize Ireland, the rivalries between Catholic and Protestant fractions, even a foray into the beginnings of the Irish Republican Army. The expense of the miniseries shows not only in the terrific cast but the incredible detail on the ships, their construction, the shipyards, and the lavish interiors.
Some might complain about the ambiguous ending, but I like it, since it allows the audience to make their own conclusions about the fate of the main characters. The series held my attention and gave me twelve hours spent in the company of Lord Pirrie and Thomas Andrews -- as an amateur "RMS Titanic" historian, for that, I'm grateful.
Titanic: Blood and Steel is an apt moniker for this period drama. It's not one of the usual titanic disaster drama by the classic cinema makers we buy into. This series delves into the pre-titanic era of Belfast: a portrayal of what happens in and around the Harland and Wolff shipyard. As described in the title, it's about the blood and sweat of young riveters who built one of the magnificent ships ever made by a man with an added fiction of steel quality being improved by a metallurgist. It depicts the shattered lives of exploited yard workers fighting for an appropriate pay rise and keenly focuses on their political, religious, and social differences.
It has a quite ensemble cast who make us wonder if it truly happened. Every actor did immerse themselves in the characters. The diplomatic convey of dialogue by Lord Pirrie(by Derek Jacobi) with the shipyard board of directors and workers is outstanding. Thomas Andrews(by Bill Carter) a well-experienced shipbuilder who had always struck a balance between the accountant and an engineer, his tranquility is infectious. Mark Muir(by Kevin Zegers) an underprivileged man who turned his circumstances into a fortune with unlimited perseverance. His indecisiveness to choose love over the task of designing the mighty floating luxury is quite heart-aching. Albeit the roles of JP Morgan(by Chris North) and J Ismay(by Gray O'Brien) was brief, their austerity was intense. The glamorous Italian lad, Sofia Silvestri(by Alessandra Mastronardi) will catch your attention, she carried the demeanor of her character with ease. Her subtle facial expressions are rich. Producers did not compromise with the costumes, they were custom made to each character based on their storyline. The screenplay never fails to impress us. The graphic representation of keel-laying ceremony and indeed the ship launching ceremony, both of them are jawdropping. I strongly believe you shall never skip the intro soundtrack, the background score is mellifluous and relevant to each subplot. I strongly urge the team to ruminate over filming a second part for this one. If not for the disaster, it should primarily focus on the aftermath of Harland & Wolff shipyard, White Star Line, last Olympic class ship Britannic. The first season was all about the rich human emotions tied to constructing a ship, likewise, the next season has many plots to cover: How did Lord Pirrie take this? Who substituted the loss of Andrews? What were the discussions and changes in the board? How did the media publish the disaster? What happened at court proceedings? Did Joanna Yaegar's photos help her german brother? How could Silvestri cope up with the loss of his both daughters? As many as 1,500 souls drowned with Titanic, how did their families repent the loss? and many more. Keeping all of the historical inaccuracies apart, from a fictional perspective this 12-episode period drama is gripping. It is wise to watch it at a slow pace to absorb the story deeply. Certainly, Titanic: Blood and Steel will stay in your memory even after the end credits roll.
It has a quite ensemble cast who make us wonder if it truly happened. Every actor did immerse themselves in the characters. The diplomatic convey of dialogue by Lord Pirrie(by Derek Jacobi) with the shipyard board of directors and workers is outstanding. Thomas Andrews(by Bill Carter) a well-experienced shipbuilder who had always struck a balance between the accountant and an engineer, his tranquility is infectious. Mark Muir(by Kevin Zegers) an underprivileged man who turned his circumstances into a fortune with unlimited perseverance. His indecisiveness to choose love over the task of designing the mighty floating luxury is quite heart-aching. Albeit the roles of JP Morgan(by Chris North) and J Ismay(by Gray O'Brien) was brief, their austerity was intense. The glamorous Italian lad, Sofia Silvestri(by Alessandra Mastronardi) will catch your attention, she carried the demeanor of her character with ease. Her subtle facial expressions are rich. Producers did not compromise with the costumes, they were custom made to each character based on their storyline. The screenplay never fails to impress us. The graphic representation of keel-laying ceremony and indeed the ship launching ceremony, both of them are jawdropping. I strongly believe you shall never skip the intro soundtrack, the background score is mellifluous and relevant to each subplot. I strongly urge the team to ruminate over filming a second part for this one. If not for the disaster, it should primarily focus on the aftermath of Harland & Wolff shipyard, White Star Line, last Olympic class ship Britannic. The first season was all about the rich human emotions tied to constructing a ship, likewise, the next season has many plots to cover: How did Lord Pirrie take this? Who substituted the loss of Andrews? What were the discussions and changes in the board? How did the media publish the disaster? What happened at court proceedings? Did Joanna Yaegar's photos help her german brother? How could Silvestri cope up with the loss of his both daughters? As many as 1,500 souls drowned with Titanic, how did their families repent the loss? and many more. Keeping all of the historical inaccuracies apart, from a fictional perspective this 12-episode period drama is gripping. It is wise to watch it at a slow pace to absorb the story deeply. Certainly, Titanic: Blood and Steel will stay in your memory even after the end credits roll.
A show about the building of the Titanic, has little to do with the building of the Titanic. It's a solid show if you're looking for Downton Abbey. I really wished they showed a lot more of the Titanic herself instead of fictional love stories and family dramas.. that being said it's well acted and the look of the series is great.
It's an OK miniseries. I like the parts of the titanic being built, because well that's the whole reason I'm watching the show. Unfortunately there wasn't as much parts like that as there were of the main character in love or trying to find his daughter. Epic fail if you ask me, people are watching this to see the Titanic, not learn about this guys life. I want to see the Titanic, show me the Titanic ! That should of been the main focus.
Você sabia?
- CuriosidadesFamous American author Morgan Robertson published a novella titled "The Wreck of the Titan" in 1898. It is a fictional story about a large passenger liner that struck an iceberg while sailing in the middle of the Atlantic Ocean. Ironically, the storyline in Robertson's book contains very striking resemblances to the events of the R.M.S. Titanic, despite it being written fourteen years earlier.
- Erros de gravaçãoAt the end of episode 12 on board the Titanic, a movie producer lights Kitty's cigarette with a Zippo lighter. The first Zippo lighter was produced in 1932 and the patent was not issued until 1936.
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- 鐵達尼號:血與鋼
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 55 min
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
- 16:9 HD
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