Segredos de Sangue

I read many of the reviews on this site before deciding to watch this movie. And since I really like slow moving psychological thrillers I gave this move an honest chance. That should not be given.

The movie is well shot, well acted, yet utterly uninteresting. The story does not build up in any straight direction, you never know what is real and what is not and there is just so much confusion in the storytelling that I never really knew where I was standing. I began to wonder if there would be some grand twist in the end, and was waiting for it through one pointless scene after the other, just to realize the ending could be seen a mile away and all that confusing storytelling really amounts to absolutely nothing.

I would recommend this movie only to people who can sit through two hours of something they are not exactly sure whether it is what you are watching. Just terrible in my opinion. The entirety of the story could be summed up in 30 minutes and it would make for a wonderful short movie. But as it is - it is tedious and unrewarding.

Stoker, celebrated Korean director Chan-wook Park's English-language debut, is a dark, disturbing and diabolical film about an introspective young girl named India who witnesses the loss of innocence following the sudden and untimely death of her beloved father. In Stoker, Park's fixation for the bizarre and the morbid is once again on full display. But, he is clearly a bit more cautious than usual. He seems to keep his characters on a tight leash for a much longer duration, and this makes the movie's first half appear much slower and less hyper than a typical Park film. But, once the dust settles down, the viewer is treated to sheer mastery of Park's craft.

In Stoker, Park pays homage to the master of suspense, Alfred Hitchcock. Those who have seen Hitchcock's 1943 thriller Shadow of a Doubt wouldn't find it hard to draw parallels. Park limns a colorful canvas like only he can and his characters tread it like spirits caught in a limbo. While the characters are highly emotional, their strangely selfish actions make it difficult for the viewers to sympathize with them. Chung-hoon Chung's alluring cinematography gives the movie a hypnotic feel. The acting of movie's three lead characters viz. Mia Wasikowska, Nicole Kidman, and Matthew Goode is quite brilliant and in that order.

Overall, Stoker is an intriguing work of cinema that despite managing to stoke the fire of curiosity may still leave any keen-eyed, intelligent viewer high and dry. Those accustomed to watching the quintessential Hollywood product are likely to find Stoker very strange and deeply disturbing. But, if you are looking for something different to break your monotonous daily routine then Stoker will surely not disappoint you. 8/10

For more, please visit my film blogsite:

http://www.apotpourriofvestiges.com/

This is the first English language film from South Korean director Chan-Wook Park. He is probably most famous for the intense psychological thriller Oldboy. With his American debut he reigns in the extremity somewhat but does retain the visual inventiveness that is also one of his trademarks. In many ways Stoker is a modern update of Alfred Hitchcock's Shadow of a Doubt (1943). Like that one, this film has a mysterious uncle re-emerge into the life of a family after many years of absence. Before long it becomes pretty clear that all is not as it seems with this man and he is in fact extremely dangerous. The main character is an 18 year old girl called India Stoker played by Mia Wasikowska who was recently in the not very good but very popular Alice in Wonderland. She leads the film very well and carries off the bookish character effectively. There is also able support from Nicole Kidman as her mother.

The look and feel of Stoker is impressive. The atmosphere is well sustained throughout. If I had a criticism it would simply be that the story ultimately isn't all that original and there aren't really a lot of surprises. What it does do though is to take a fairly standard psychological thriller story and make it interesting by way of cinematic techniques. It isn't a movie that is exactly going to break the mould but it is pretty accomplished nevertheless and is a pretty good first English language feature from its director.

I had missed this movie when it came out a few years ago. I recently did a search on "best movies" of various years and came upon it for the year 2013.

Instead of trying to give a summary I will just say that what seems to be the situation at the beginning of the movie isn't valid, and as the movie goes along, all the way to the final scene, additional surprises come at you.

It involves the untimely death of a husband and dad, Mr Stoker, followed immediately by the showing up of dad's rarely seen brother Charlie. His appearance happens to be on the daughter's 18th birthday and that was not a coincidence.

All the parts are very well portrayed by the various actors, the story and its nuances are disturbing but the movie is so well done that it is totally worthwhile.

"Stoker" is a beautiful, twisted, hypnotic trance - it's meant for an audience not overly concrete in it's thinking but who have an open imagination and are able to take the plunge into the darkly poetic vision of it's director. "Stoker" doesn't exist in a normal, everyday reality - it's more of an alternative dream reality, hyper-aware and sexually charged. The three principle actors are superb, but Mia Wasikowska really gives the film a beating heart, as she emerges from her innocence into her latent self - a mesmerizing performance. This movie is filled with images that are as disturbing as they are lyrical and open to endless interpretation (along with a subversive wit). I've seen the film multiple times and find that my impressions change with each viewing and that it has really haunted my imagination. "Stoker" is one of those unique and mysterious masterpieces that I'm sure I will be returning to frequently over the years - there's much to drink in, as the well runs deep.