Visão do Crime

In the movies, the idea of crossing spirits or visions between two people that are experiencing death is not new, but sometimes is effective like in this case. it looks like the main characters are well defined and this is not cause the script. It happens because the acting is good enough. The problem begins when a good idea have not a good development and the ending it is not well justified. Even till close to the end you can think you are watching an average movie and that it was not a waist of time. But when the justifications of almost everything you suspected are shown just with images, if you were awake, you realize that there are loose ends and that makes you feel you saw a crappy movie. The idea is good but it is not well finished. Natalie Zea is correct in her role as well as Sean Patrick Flanery. It is always a pleasure to see Veronica Cartwright's acting but her role is small. If you don't have anything else to do, look for something better than this movie.

I rarely stop watching movies in the middle, but couldn't watch this for more than 20 minutes. It's absolutely awful.

Horrible acting. The main actress is not particularly likable. Most supporting actors are even worse.

Horrible dialog lines trying to shoehorn explanations of what's going on. Unfortunately can't judge the script, since I couldn't finish watching this.

Ridiculously bad production. Random s**t covering scenes as the camera moves. Color balance jumping from bright blue to bright yellow between the scenes. Sound quality in outdoor scenes is garbage.

Do not recommend.

This movie kept me guessing throughout the entire movie. This wasn't intended to be the easy, mass-marketed schlock where you can figure it all out and they spell the ending out for you in the end, in case you don't have a brain or any imagination. This is one you want to go back and watch again to see if you can catch any more clues. It's a dark story with a generous helping of hope, decent to good acting and I have always had a thing for Sean Patrick Flannery, so that never hurts in my book. My only real complaint is that the camera-work and lighting sometimes got a little too artsy for my tastes. Oh, that and it's tough to see Juliet Landau as anyone not evil/insane.

So many things wrong with this movie. Cheap sets, boring story, mostly mediocre to poor acting, with an annoying lead character

The story is a typical Lifetime woman-in-jeopardy film. (Is this a Lifetime movie?) A nurse (Natalie Zea) touches a dying (dead?) woman, and thinks she has a psychic connection with the woman. Zea then believes that the woman was killed by someone she knew (a lover?), and not by a random mugger, as the police think.

Zea gives a dreadful performance. She's playing the heroine, yet she's wholly unsympathetic. Pushy, mouthy, and annoying. Writers will do that. They think that if their character is on the side of right, anything they do is justified. So Zea follows people, self-righteously pushing herself into strangers' lives, because she's a self-appointed crusader. (She later freaks out when the stranger pushes back into her life.) She breaks into the dead woman's apartment and steals evidence. She later haughtily tells the police, "Well, somebody has to investigate, since you're not doing your job." (Actually, they are.)

The lead detective is almost as annoying. He becomes Zea's love interest. He's a typical "bad movie" cop. He beats up and threatens a suspect AFTER he knows the suspect is innocent, simply because the suspect upset Zea. We're supposed to be rooting for the cop, because, hey, what a tough cop! And we're supposed to sympathize with him and Zea, because they're lovers seeking justice, whereas the suspect is (supposedly) a lowlife, even if he is technically innocent.

There is a "surprise" ending, but so what.

I watched this film because it had Juliet Landau in it, but she only has a tiny cameo.

(2011) In/ Sight PSYCHOLOGICAL MYSTERY THRILLER

A young lady with multiple stab wounds gets submitted into the hospital. But before she died, an ER nurse by the name of Kaitlyn (Natalie Zea) telepathically start to inherit visions from the deceased, after a defibrillator was used between them to revive her. And a portion of the movie dwells on Kaitlyn attempting to convince others about her visions, while looking after her mother at the same time who has cancer, leading to a twist that doesn't make much sense. Co-produced and directed by Richard Gabai making yet, another movie that has already been done before, but with a much lower budget.