A Fonte das Mulheres

The sing-song politics of North Africa was beautifully used to express the position of the rebel women. They dressed up in their traditional outfits, danced and sang to let their men "have it" about not getting it. I loved this soulful picture, with no cars, no electricity and completely ethnic village surroundings. It was hilarious when, half-way through, the senior character was seen riding her mule (with a foal in the basket) and talking on a mobile phone in the middle of the desert. There was also a mobile phone in the yard of Leila's house, but it only worked in one place, and hung on a line with nobody allowed to move it. Top marks to this team for their writing, directing and acting, combining to make a powerful and yet charming film. I hope I get to see his next work.

Beautiful film screening, the actors' performances were genuine, real and beautiful. the movie conveys a message that is going in the whole middle east and north africa, the reality that blends traditional ideas and connection, with the demand of democracy, equal rights and a rebellion on parts of this same tradition, love, rebellion, attachment to the homeland, and the detachment at the same time, all was beautifully expressed in this story, in a funny, interacting way. Recommended :)

A brilliant, delicate, delicious & poetic movie. The music (composed by Armand Amar) is superb. Radu Mihaileanu knows to picture the tragedy with a big touch of love and hope. The movie denounces the injustices that live the majority of women in the Arab countries, with a touch of beauty and comedy. Radu Mihaileanu shows us that to change the reality without violence is still possible in this violence world. Another jewel from this amazing director who surprised us in the past with incredibly beautiful and powerful movies such as "Train the vie" (1998), "Va, vis et deviens" (2005) and "Le concert" (2009). Antonia Tejeda Barros (Madrid, Spain).

In a remote and primitive patriarchal village between the North of Africa and the Middle East, the land has dried and the women traditionally brings water from a distant fountain to their houses while the idle husbands drink tea in the bar.

The educated Leïla (Leila Bekhti), who is the wife of the local teacher Sami (Saleh Bakri), begins a sex strike movement among the women, supported by the elder Vieux Fusil (meaning old flintlock) (Biyouna), to force the men to bring water to the village. There is a strong reaction from the brutal men, but they resist until the brave women achieve their goal.

"La Source des Femmes" is another brilliant film by Radu Mihaileanu about a group of women of courage that are capable to protest against the status quo of their village through sex strike.

Like other films of this magnificent director, the story is a combination of drama and comedy in precise doses to make the viewer think, and exposes the situation of women not only in Muslin countries but also in poor worldwide areas where ignorance still prevails.

The beauty of the actresses is impressive specially Leïla Bekhti and Hafsia Herzi. My vote is eight.

Title (Brazil): "A Fonte das Mulheres" ("The Women's Fountain")

The Source is an excellent Arabic movie about the social modernization of the Maghreb back country, that westerners can easily associate with.

The good. Powerful subjects. Extremely compelling story, touching and full of emotions. Tightly built scenario. Nice B and C stories. Very realistic characters. Actual setting, nothing fake.

The bad. Nothing.

The ugly. Nothing.

The result. Many can enjoy this flick, but highly recommended to anyone who like social justice, grass root non-violent movements, or tales set in a simple village. Not recommended to those who like slick movies.