Após um acidente que quase acabou com sua carreira, um dublê precisa descobrir o paradeiro de um astro de cinema desaparecido, desmascarar uma conspiração e tentar reconquistar o amor de sua... Ler tudoApós um acidente que quase acabou com sua carreira, um dublê precisa descobrir o paradeiro de um astro de cinema desaparecido, desmascarar uma conspiração e tentar reconquistar o amor de sua vida enquanto ainda faz seu trabalho diário.Após um acidente que quase acabou com sua carreira, um dublê precisa descobrir o paradeiro de um astro de cinema desaparecido, desmascarar uma conspiração e tentar reconquistar o amor de sua vida enquanto ainda faz seu trabalho diário.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 22 vitórias e 46 indicações no total
- Birdie the PA
- (as "Ioane Sa'ula")
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Avaliações em destaque
Hollywood's narrative-rich turn hasn't dulled the magic of star power, a fact "The Fall Guy" embraces wholeheartedly, reminiscent of a time when the charm of icons like Burt Reynolds was all the spectacle one needed. Ryan Gosling proves his mettle as a jack-of-all-trades, winning hearts even in the most casual settings, his performance in this film further cementing his versatile appeal.
"The Fall Guy" also champions the unsung heroes of cinema: the stunt performers. Through breathtaking feats and daredevil escapades, it pays homage to the risk-takers who've silently shaped cinematic history, although it's not without its critiques, especially in how it sidelines some of its stellar cast in the latter half.
Yet, beyond the adrenaline, there's a poignant commentary on the digital age's challenges to authenticity, making "The Fall Guy" a vibrant counterpoint to the prevailing trends of faceless, CGI-dominated blockbusters. It's a film that doesn't just want to entertain; it wants to remind us of the value of genuine connection, both on the screen and in the stunts that make us hold our breath. In doing so, it doesn't just invite audiences to have fun; it demands it, championing the kind of cinema that's been overshadowed by the gravitas of today's tentpoles.
Ryan Gosling achieves new levels of perfection by merging the reserved stunt man character of Drive with his natural Kenergy. His version of Colt is just so lovable, especially because he's completely unafraid to be open in his vulnerability which makes him more relatable whilst being really funny. His comedic timing continues to be faultless, proving he can make any joke land.
Emily Blunt thankfully also gets a lot to do. Any scene she shares with Gosling is effortlessly charming and she has her own brand of bona-fide movie star charisma. Winston Duke is a great movie referencing support to Gosling, Aaron Taylor-Johnson does a hilarious McConaughey impression and Hannah Waddingham's cartoonishly over the top producer really works.
David Leitch's direction plays squarely to his strengths and after the disappointment of The Gray Man, it's extra satisfying to see Gosling be given some actually good fight scenes. Stunt designer Chris O'Hara and the whole stunt team really accomplished some breathtaking feats that are only made more impressive by seeing how they shot them during the credits.
Was kinda surprised by Aaron Taylor-Johnson though. Have always thought of him as a great actor but never realized he can be good at playing a silly cartoonish and very stereotypical character also. He was hilarious! !
Overall it's not to my personal taste at all but this is an okay movie. If you're looking for a no-brainer fun movie you can go for it but don't expect too much.
I'm a fan of the original television show and while this is it's own thing it definitely gives a nod here and there to the 80's. The casting is great, the stunts are brilliant, the plot is fairly thin but hey, it's a popcorn movie. Not everything has to be Oscar worthy.
I'd really love to see more movies like this released. Very little CGI, good stunts and just fun. The homage to the stuntmen at the end of the movie was a really nice touch too. Job well done.
This was a really fun movie to watch, and I wish I got to see it in theaters. The visual effects and stunt coordination were out of this world, Gosling and Blunt's performances were brilliant, and the writing of the film made this the perfect summer blockbuster. What they did more than anything else was give a voice to all the stuntmen and stuntwomen who are underappreciated and undervalued in the industry. We see this almost immediately when Colt (Gosling) suffers a near deadly injury and the next thing he knows, he has been easily replaced and is now working valet. This movie also sheds more light on something that we already knew a little bit about which is that being a stunt person is extremely dangerous. Because of this movie, whenever I see an action film moving forward, I am going to be paying closer attention to the action sequences to appreciate the stunt work.
The original theatrical version along with the extended directors cut are both streaming on Peacock. I recommend checking out the director's cut as it features bonus content.
Você sabia?
- CuriosidadesRyan Gosling has a fear of heights, but still did the 150-foot fall at the beginning of the movie.
- Erros de gravaçãoColt is seen leaving the hotel room where Henry is later found dead, and this is used as proof he killed Henry, but he already had brought the police there right after leaving the room and they didn't find a body, so the video can't be used as proof.
- Citações
[from trailer]
Jody Moreno: You are literally the last person on Earth I wanna see. I'd slap the shit outta you. I really could.
Colt Seavers: And I'm open to that in a safer environment.
- Cenas durante ou pós-créditosDuring the closing credits the left side of the screen is dedicated to stunts done for the movie. And then an additional scene, that includes cameos.
- Trilhas sonorasI Was Made for Lovin' You
Written by Desmond Child, Vini Poncia (as Vincent Poncia), Paul Stanley
Performed by KISS
Courtesy of Island Records
Under license from Universal Music Enterprises
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Profesión Peligro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 130.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 92.900.355
- Fim de semana de estreia nos EUA e Canadá
- US$ 27.747.035
- 5 de mai. de 2024
- Faturamento bruto mundial
- US$ 181.073.291
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1