Adicionar um enredo no seu idiomaA terminally-ill man descends into madness when he learns his best friend and roommate is leaving for a new job in the morning.A terminally-ill man descends into madness when he learns his best friend and roommate is leaving for a new job in the morning.A terminally-ill man descends into madness when he learns his best friend and roommate is leaving for a new job in the morning.
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10mnhc
AA was definitely an experience... One of the most unique art films I've seen. At times it reminded a lot of American Psycho and Requiem for a Dream. Some parts seemed a little over the top and melodramatic but overall I thought it was a very interesting and well done film. It was also interesting to make the connections with the various movie nods within the film itself (for example: Gangs of New York).
Whenever I consider writing a screenplay I always want it to center around a main character whose mental health is questionable but he can't be called outright crazy, I think that the writer/director/star Matt D'elia did a superb job of it in the film and it made for a very entertaining and layered story that seemed somewhat one dimensional at first.
Whenever I consider writing a screenplay I always want it to center around a main character whose mental health is questionable but he can't be called outright crazy, I think that the writer/director/star Matt D'elia did a superb job of it in the film and it made for a very entertaining and layered story that seemed somewhat one dimensional at first.
Is this a quality production? It sure feels like a low-budget film, and often these are some of the best. In fact, the man playing Jimmy directed and wrote it too. He does quite a good job with the impressions and the crazy behavior. Whether you have the patience to get through the more serious scenes depends on your taste in what are called "art films", which I guess this one is. It starts out as a crazy comedy, but that just can't continue.
The other actors do a good job.
The classical music does make this more pleasant than some movies which can't get along without today's hits.
I saw this on broadcast TV, but I could tell the language had been cleaned up A LOT.
Is it good? I've certainly seen worse.
The other actors do a good job.
The classical music does make this more pleasant than some movies which can't get along without today's hits.
I saw this on broadcast TV, but I could tell the language had been cleaned up A LOT.
Is it good? I've certainly seen worse.
10ews091
Words like "wild" and "madness" are cliché, but there's really no other way to describe American Animal. Just like Jimmy's (Matt D'Elia) more straight-laced roommate James struggles to voice his own concerns, ambitions, and feelings in the face of Jimmy's relentless energy; it's hard to describe the film as anything other than completely mad. Ultimately this is what made it so challenging at times, but also so engaging. This is no holds-barred madness that refuses to be channeled in a single vein, and the film jumps from one bizarre scene to the next; each a different manifestation of Jimmy's deranged psyche brought to life. Jimmy is Fight Club's Tyler Durden reinvented; half as violent and twice as zany, obsessed with Hollywood actors and costumes instead of Project Mayhem and underground boxing.
But like Tyler Durden, Jimmy fights what he perceives to be the conformist indoctrination of the masses with his own extreme doctrine and is mercilessly intolerant of his friends' more "normal" views. He leaps before he looks. He acts, then asks for forgiveness, or doesn't. The film drags and is at times overly dramatic, but the whole thing builds and builds until it spirals out of control. It offers some severe gut-checks amidst the chaos, offering clarity in the confusion, and it gives the film the uncompromising point it searches for.
But like Tyler Durden, Jimmy fights what he perceives to be the conformist indoctrination of the masses with his own extreme doctrine and is mercilessly intolerant of his friends' more "normal" views. He leaps before he looks. He acts, then asks for forgiveness, or doesn't. The film drags and is at times overly dramatic, but the whole thing builds and builds until it spirals out of control. It offers some severe gut-checks amidst the chaos, offering clarity in the confusion, and it gives the film the uncompromising point it searches for.
American Animal is a very strange and thought provoking film that portrays the life of two best friends, Jimmy and James, who live in a bubble. They both have all the money they will ever need from their parents, and thus they have nothing to do but eat, sleep, have sex, and squalor. The juxtaposition between their life outlooks however keeps you sucked into the movie and wondering where each of these characters will end up. Jimmy, the drugged, animalistic, jobless, and idealistic friend, who has a severely skewed perception of reality, lives in a world with no rules. James however, is the character that represents someone who wants to have a job, give back, and make something out of his life by being an active participant in society. James's discontent with Jimmy's brain-dead outlook and stagnant life creates an immense amount of friction between the two, causing the viewer to stop and think, what is life all about? If you had all the money in the world would you remove yourself from reality and selfishly enjoy false physical pleasures, or would you give back to the world that gave you so much and keep trying to become a better person? As twisted as American Animal is, these valuable questions are necessary for you to contemplate in your evolution as a human being.
In the low-budget indy genre, a lot can be forgiven, less than perfect acting, rough effects, poor lighting, touchy at times sound, shaky camera-work, all sorts of things can be overlooked if need be, but the cardinal sin is overwrought, uninspired, navel gazing writing. Jesus Christ, man, you're going to spend thousands of dollars because you have a story to tell, and THIS is it? Perhaps, one should consider that just because we can, doesn't always mean we should. If I had to use one word to describe this film, I think I'd go with, 'wasteful.' Not like, it wasted time (which it did) but like the fact that it was made is a wasted of time, money, resources, storage space on someone's macbook pro, and in their hard drive, needless hours of use on a poor poor camera that had to sit through the whole thing for god knows how long. Jesus. Just, Jesus.
Você sabia?
- CuriosidadesThe Netflix and iTunes versions of the film have been censored to obtain an 'R' rating from the MPAA. The original cut (which is director Matt D'Elia's original and only cut of the film) was rated 'NC-17'. D'Elia's original version is the cut that was released in theaters. As of now, the only way to view D'Elia's original version is to view the DVD, which contains the original, uncensored, NC-17 version.
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.928
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.928
- 20 de mai. de 2012
- Faturamento bruto mundial
- US$ 5.928
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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