Truque de Mestre

"Now You See Me" came out of nowhere and became the sleeper hit of 2013, getting good word of mouth during its theatrical run. Having seen the movie for myself, I am kind of puzzled by its popularity. Certainly, the movie is far from the worst movies I have ever seen - it's colorful, and doesn't have a dead spot despite running almost two hours long.

But there were some things about the movie that annoyed me enough to prevent me from liking it. The biggest problem is with the characters. Except for Freeman's character, there is not one likable character in the movie. The law enforcement agents investigating the magicians are loud and obnoxious, and the four magicians come across as extremely smug. (Also, there is no attempt to give the magicians real and separate personalities - they all act alike.)

The characters were the main reason why I didn't like this movie, but there were other problems as well. One other major annoyance is the depiction of the magic acts. They have been jazzed up with CGI and other special effects so they don't feel like REAL magic acts - they come across as artificial. Also, as the movie progresses, the various feats the magicians pull off slowly become more unbelievable (and not fully explained) that eventually I wanted to cry out loud, "Oh, COME ON!" Less slight of hand and a more realistic approach would have been a much better approach.

(Note to Michael Caine fans: His role is really just an extended cameo appearance.)

At this time, there are already 530 reviews for "Now You See It", so I'll try to be brief. The film is about a group of four magicians and mentalists who have been given a brilliant plan by an unseen genius. Again and again, the quartet perform seemingly impossible stunts and always seem many steps ahead of the police. And, in the process, they do HUGE magic tricks that are pretty much impossible. The presentation is VERY smooth and very slick and the overall production looks great. It has great music and effects. But, on the negative side none of this really makes a lot of sense and there is no way you can enjoy it if you think. This is especially true at the end (where there is a profession of love that comes from absolutely no where!!)--which is a gigantic cliché and made no sense whatsoever. The bottom line is that if you turn off you brain and enjoy it on a very superficial level, you'll enjoy it. If you try to make sense of it all, your head will explode. 'Nuff said.

This is an interesting concept, surely not a genre played out much in Hollywood. The cast is jam packed with all stars giving great (but not their best) performances. The missing piece of the puzzle? Character development.

That's not to say that there is any lack of interesting characters, each of the four horsemen bring a very unique style to the movie (besides Henley, she's rather weak as a character), and the sheer amount of Talent present in each scene guarantees that you'll be entertained.

10/10? Hardly. But definitely a solid 8 for me. Entertaining, fun, and definitely a concept worth exploring on the big screen. Just remember, the closer you look, the less you'll actually see.

Overall a showman of a film. Flashy, loud with bells and whistles and big personalities, an exciting premise... illusionists rob banks using (supposed) magic but the four horsemen are just puppets in a game, but the hype is more than the substance of the film itself.

You'd expect suspense, twists, intelligent plot misdirection and all sorts of thrilling viewing? No. This film tries to be a lot more intelligent than it actually is. Like Atlas (Eisenberg) says, "Always be the most intelligent person in the room" or something similar, this film thinks it is being intelligent but actually it's not challenging enough. It gives too much away, isn't as unpredictable as it should be (really, you couldn't see that ending coming?) and just isn't as clever as it promises. The tricks I really wanted explaining weren't... the ones that were more obvious, were explained. The ending actually isn't a denouement, as it's been laying clues all along - and anyone who's seen a lot of films can see the "twists" coming a mile away. I focus on the twists and reveal because as a heist movie, the end is the big reveal. But, unlike Oceans Eleven, for example, it has more or less handed it to you on a plate already.

The actors were good. Morgan Freeman and Woody Harrelson stealing the show, of course, with Dave Franco doing a bang up job with some incredible physical acting, stunts and so forth. I'm afraid Jesse Eisenberg didn't convince in his character and was annoying after a while, Franco rather underutilised really. Isla Fisher was good but clearly the "glamour" rather than a serious character, which was a shame as she was good.

This was supposed to be a big blockbuster film, big back drops, epic stunts and huge crowd scenes, but it failed to deliver. As heist/magic genre films go it's not that great, and The Prestige was far more cerebral and gripping. Entertaining to a point but I got a bit bored, and some of the scenes were too long - chases etc. If you are a fan of heist films or magic you'll enjoy it, or are a fan of particular actors, or will just enjoy it for what it is and don't want to be challenged intellectually, it's a great film. I think Hollywood endings are just too commonplace. 6/10 for me.

There are a lot of reviews already for this movie, so it is unlikely anyone will read mine. But I feel like I have to weigh in on this movie.

This is the most fun I've had watching a flick in a very, very long time. This movie is a riot! It isn't quite as clever as it thinks it is. Most of the surprises weren't terribly surprising; off the top of my head I can identify at least three that I saw coming. But I don't care.

It was fun! It was funny and engaging and I found myself simultaneously rooting for both sides. There is no shortage of action, the dialogue is peppy, and - unlike almost everything else I've watched lately - it's never boring.

Do yourself a favor and don't analyze. Just sit back and enjoy the ride. Movies don't have to be life-altering.