Return

RETURN (dir. Liza Johnson) Linda Cardellini delivers a mesmerizing performance as a woman who returns from a tour of duty in Iraq to find that her old life no longer fits. The film is deliberately and ominously paced as she discovers the truth about her prior existence. Her job is 'a waste of time' (it is, and it was), and her husband seems to have replaced her with an 'angst free' woman. It's not so much that Iraq had changed Kelli, but more that she now realizes that life can be so much more than what is offered in her rural, small town existence. Her friends and family members think that she might have seen devastating or particularly grisly scenes of carnage, yet her most unsettling memory seems to be witnessing a jet plane completely filled with rubber gloves. Her biggest and unstated realization is how shallow and pointless all of their lives really are. When things seem like they cannot get any worse, her husband initiates a custody battle over their two young daughters, and then she learns that she has been redeployed. The film is a stark and heartbreaking portrait of a woman who has been placed in a devastatingly untenable position. MUST SEE.

Careful, subtle, artistic portrait of the inner conflicts and turmoil experienced by a woman soldier on her return home from war. From the beginning of her return to her family we see how there are things seriously troubling her that she herself can't put into words. We watch the external, behavioral effects of these psychological conflicts as she interacts with her husband and children who themselves have also been affected. Which war she returns from is not stated, clearly intentionally to show the viewer that this is not important. There is little external drama in this quiet, sensitive demonstration of the powerful psychological forces stimulated by military service in war, both in the service member and in her family. Liza Johnson gives us a movie that shows us a fictional character and her life yet has in every scene a ring of truth. This is an artistic achievement.

"This is just a giant waste of time. I can't do it anymore." After Kelli (Cardellini) returns home from the war she finds it much harder to adjust then expected. Finding life mundane and pointless she begins to drift. When her husband Mike (Shannon) leaves with the kids she is forced to deal with her problem. There have been many, many movies made about problems returning soldiers experience when trying to adjust to day-to-day life. "Home Of The Brave" is one of the more recent great ones. Like that movie this one deals with how she feels that life is so mundane and boring it begins to affect her relationships with others. The main problem with this one is that it seems to take forever to go anywhere. The acting is great and the story is good but again it is very slow and sometimes hard to stay interested in. I would compare this to the recent "Take Shelter" movie in its pacing and feel. If you liked that movie you will probably like this one too. Overall, a very OK movie that could have been better. I give it a B-.

Liza Johnson's film is a beautifully etched drama about a soldier's return from a tour of duty. The opening scenes of delight to be reunited with her husband and family are soon forgotten as the story concentrates on how Kelli, the returning soldier, must readjust to her role as mother and wife.

One notable gift Ms Johnson has is her ability to hold a quiet contemplative interlude where Kelli is thoughtful and we are too. Pretty soon we get close to Kelli's mindset and how she works, and through this we get closer to all the other characters in her life. There is a lot of hard work put into many of the scenes in which Linda Cardellini (as Kelli) has to look at herself and others in what has fast become an alien environment. A driving under influence complicates things but then do so many of the events which unfold before us.

The acting of Ms Cardellini is superb throughout playing a flawed character alongside so many others but trying to show her love of her children. Ways of changing her circumstances come and go and we see all sides of Kelli as they do. Michael Shannon is as good as he was in Shelter too.

Not everyone will enjoy this film or even rate it, which is a pity. It is not obviously a film pitched at women, or anyone in particular, but it is a story loaded with emotion, profound arguments, prisms of perspectives, and a lot of thoughtful direction.

I rate it very highly because we can see the hard work the artist has put into this work as we see it hanging in the gallery. One day perhaps it'll get the recognition it deserves. I recommend it.

A more or less unreleased little indie that, for the most part, is as generic as its forgettable title. However, it has one big thing going for it and that is the lead performance, from Freaks and Geeks star Linda Cardellini. While many of her co-stars on that one-season-wonder went on to become big stars, Cardellini has done so little. She was Velma in the Scooby Doo movies, for God's sake. She really knocks it out of the part here as a returning Iraq War veteran who can't re-adjust to normal life. Michael Shannon and John Slattery (of Mad Men fame) co-star, but neither has much to do. Cardellini owns every frame of the movie. The script is nothing special, but she makes it worthwhile. Certainly worth a look, especially if you loved Cardellini on Freaks and Geeks and want to see her shine.