Na guerra entre os humanos e monstros do mar, um ex piloto e um estagiário se juntam para tentar salvar o mundo.Na guerra entre os humanos e monstros do mar, um ex piloto e um estagiário se juntam para tentar salvar o mundo.Na guerra entre os humanos e monstros do mar, um ex piloto e um estagiário se juntam para tentar salvar o mundo.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 7 vitórias e 48 indicações no total
Robert Kazinsky
- Chuck Hansen
- (as Rob Kazinsky)
Ellen McLain
- Gipsy Danger AI
- (narração)
Avaliações em destaque
Part of the reason I have started completely sitting out the summer blockbuster season is that I just got fed up going to crowded noisy cinemas to be disappointed by films that promised much but deliver just basic effects and little else. With Pacific Rim though, it is hard to feel this way because it is a film that has never pretended to be anything other than a Japanese inspired monster movie where big robots hit big aliens in a way that pretty much never makes much sense when you think about it. The plot is explained very quickly at the start of the film and we then jump into the future where the war we just learned about is reaching a peak. From here we have some doubt, some lessons to learn, barriers to overcome but really what we have are big special effects punching each other. And it works.
It is easy to wring one's hands and say that blockbusters are the death of film, but all things have a place as long as they are done well and this is at least an honest and fun film. I say honest because it has no pretension to it – it is plain and simple a monster movie with a very big budget behind it. The effects are good, with good monster design and generally a sense of fun and energy to the deliver. Of course it is just effects hitting other effects but it works for what it is and at least does this well – unlike other films that would aspire to more but yet can't even do this with any skill. The action sequences are large and fun throughout and the soapy drama doesn't get in the way at all. The film is loaded with references which I mostly got – the voice of GLaDOS being my favorite one.
The cast are not particularly famous but it doesn't matter since the effects are the stars here. That said I thought they did a good job, in particular I enjoyed seeing Elba, Day, Collins, Kikuchi and others in their various roles. Del Toro continues his love of all things geeky with this film and in terms of direction it looks good, with plenty going on but never not being clear and engaging.
It isn't a brilliant film by any means but it is a straightforward one that is honest with the viewer. Robots punching monsters – that is all that is promised and on that it very much delivers. If this sounds like your thing then this will hit the spot no problem.
It is easy to wring one's hands and say that blockbusters are the death of film, but all things have a place as long as they are done well and this is at least an honest and fun film. I say honest because it has no pretension to it – it is plain and simple a monster movie with a very big budget behind it. The effects are good, with good monster design and generally a sense of fun and energy to the deliver. Of course it is just effects hitting other effects but it works for what it is and at least does this well – unlike other films that would aspire to more but yet can't even do this with any skill. The action sequences are large and fun throughout and the soapy drama doesn't get in the way at all. The film is loaded with references which I mostly got – the voice of GLaDOS being my favorite one.
The cast are not particularly famous but it doesn't matter since the effects are the stars here. That said I thought they did a good job, in particular I enjoyed seeing Elba, Day, Collins, Kikuchi and others in their various roles. Del Toro continues his love of all things geeky with this film and in terms of direction it looks good, with plenty going on but never not being clear and engaging.
It isn't a brilliant film by any means but it is a straightforward one that is honest with the viewer. Robots punching monsters – that is all that is promised and on that it very much delivers. If this sounds like your thing then this will hit the spot no problem.
Unlike some, I had no problem with the high concept of the piece: Transformers vs Godzilla. It had a lot of potential. And when the movie concentrates on what we are all here to see (giant creatures and robots beating on each others with oil tankers and smashing through skyscrapers) it is very successful. But when things get quiet... less so. Too much time spent on "Top Gun" like fighter pilot shenanigans. Not enough nuance in the characterizations. An ultra linear plot with few attempts to confound expectations. The acting isn't bad - and isn't required to be great in this sort of film - but it is nothing special either. Sort of universally "meh". Good for a Blu Ray rental.
Entertainment is not just a story. It is not just drama or social commentary. It is not something that can be measured by terms like "latest and greatest" or "cutting edge". This movie is not Man of Steel or Star Trek into Darkness where there is a child-like obsession with being "taken seriously" by adding grotesque violence or depressing overtones. This is not Transformers 3 or the Hobbit where special effects and action scenes are a cluttered mess of ADD rave parties that try to up the excitement with jumpy editing. THIS IS A SINCERE MOVIE.
Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.
This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.
I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).
This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.
Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.
This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.
I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).
This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.
Lately movies that claim to be monsters and action have proved a complete failure, and, to be honest I thought this was not going to be the exception.
Any change to see a real action movie with almost unstoppable battles monsters, and a dose of special effects so amazing you just leave you with your mouth open.
Of course, not everything is good, but entertaining plot is somewhat similar to that of other films: The hero gets a big pain that leaves the battle, then when the world needs the triumphant return finds the love of his life between the two due to the bad, the nearly died, and finally live happily ever after (like a soap opera).
We must clarify that thanks to special effects, battles, and good performances, the plot is not uncomfortable. I really think it's worth watching.
Any change to see a real action movie with almost unstoppable battles monsters, and a dose of special effects so amazing you just leave you with your mouth open.
Of course, not everything is good, but entertaining plot is somewhat similar to that of other films: The hero gets a big pain that leaves the battle, then when the world needs the triumphant return finds the love of his life between the two due to the bad, the nearly died, and finally live happily ever after (like a soap opera).
We must clarify that thanks to special effects, battles, and good performances, the plot is not uncomfortable. I really think it's worth watching.
I usually don't watch action films. They just aren't my sort of thing. However, my daughter insisted that I watch "Pacific Rim" and I was feeling absolutely horrible when I watched the film, as I had just gone through some painful surgery that morning. So, to take my mind off my aches, I gave it a try. And, thankfully, it turned out to be exactly the sort of tonic I needed--entertaining and crazy fun. While I didn't see it in the theater (the best way to see this type of movie), I did see it on a very large screen at home and watching it on a small screen is practically a waste of time. For once, I loved that a film has eye- popping visuals, explosions and action--and it manages to deliver an entertaining experience without leaving you feeling dumb for having enjoyed it--a problem too often associated with movie of this style. Well worth your time.
Você sabia?
- CuriosidadesApproximately a hundred Kaijus and a hundred Jaegers were designed, but only a fraction of them appeared in the film. Every week, the filmmakers held a vote for their favorites.
- Erros de gravação(at around 1h 14 mins) Gipsy Danger is said to be immune to an EMP because it is "nuclear powered" and therefore "analog". This would be nearly impossible as the two have nothing to do with one another. Most nuclear reactors have many digital parts and computers controlling them. Furthermore, the cockpit of Gipsy Danger is filled with what appear to be digital computers.
- Citações
Stacker Pentecost: Today. Today... At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are *canceling* the apocalypse!
- Cenas durante ou pós-créditosAt the end of the closing credits, a Kaiju roar is heard.
- Versões alternativasIn the North American release, the scene where Mako is introduced has her and Raleigh speaking in Japanese. Some international releases have this scene dubbed in English - not in Denmark and Norway though, where the Japanese is intact. To the exception of France where all Japanese dialogs are subtitled even in french dubbed versions.
- ConexõesFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- Trilhas sonorasJust Like Your Tenderness
Written by Liang Hong Zhi
Executive Produced by Ivy Wang and Mathew D
Performed by Luo Xiaoxuan
Courtesy of R2G Music/Coden Music
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Titanes del Pacífico
- Locações de filme
- Papenburger Meyer Shipyard, Lower Saxony, Alemanha(Factory, where the Jaeger are built)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 190.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 101.802.906
- Fim de semana de estreia nos EUA e Canadá
- US$ 37.285.325
- 14 de jul. de 2013
- Faturamento bruto mundial
- US$ 411.002.906
- Tempo de duração2 horas 11 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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