AVALIAÇÃO DA IMDb
6,2/10
42 mil
SUA AVALIAÇÃO
Segue dois irmãos que decidem se defenderem na sequência de um assalto a um cassino e sua improvável reunião durante a celebração do Dia de Ação de Graças de outra família.Segue dois irmãos que decidem se defenderem na sequência de um assalto a um cassino e sua improvável reunião durante a celebração do Dia de Ação de Graças de outra família.Segue dois irmãos que decidem se defenderem na sequência de um assalto a um cassino e sua improvável reunião durante a celebração do Dia de Ação de Graças de outra família.
Avaliações em destaque
This movie I saw at the New Hampshire Film Festival in Portsmouth, NH and it was my favorite of the weekend. The writing was excellent and Bana gave yet another great performance as a violent man who was crazy and funny and charming and human. Writer Zach Dean combined the Western, crime, thriller, sports and family genres to tell a story about three dysfunctional families that are brought together by the trauma of childhood abuse. I knew where the story was going and yet in the end Dean was able to surprise me with how he got there. He did a masterful job pulling together his threads in a way that reminded me of Paul Haggis's work in Crash. Dean's story set in the modern West even included an Indian chief in what was one of my favorite scenes. Afterwards I reflected on Bana's work and wondered if he will ever reach the pinnacle of achievement we saw in the fantastic Australian film Chopper. That role allowed Bana to use all of his gifts in a way that I will never forget and which makes him for me one of the greatest actors working today.
Deadfall (2012)
** (out of 4)
On the eve of Thanksgiving, brother and sister Addison (Eric Bana) and Liza (Olivia Wilde) head off into different directions in blizzard conditions after a failed robbery. While he's running around causing more mayhem, Liza meets a boxer (Charlie Hunnam) recently released from prison. The two strike up a friendship and head off to his parent's (Sissy Spacek, Kris Kristofferson) house where the brother has also found his way to. DEADFALL is a thriller from director Stefan Ruzowitzky but one really has to wonder what went so wrong with this thing. There aren't any thrills, the story itself is downright boring and the so-called character development is rather laughable. I'm really not certain what they were trying to do with this thing but in the end it's just a complete waste of talent and the viewer's time. The biggest problem is without question the screenplay that just never comes to life as we're introduced to characters that we've seen way too many times before and this film doesn't do anything new with them. Every twist and turn in this picture is something you'll see coming from a mile a way and it all leads to a rather embarrassing and laughable ending. Several subplots are introduced to the film but these here just seem to happen for no reason and they're never explained or revisited later in the film. The interesting cast is the only thing that keeps this from being a complete disaster. Bana is actually very good as the cold-blooded killer but it's too bad they didn't write a better role for him. Wilde is also very good in her supporting role as the sister. Kate Mara is also good as a deputy being abused by her sheriff father, although this here is another subplot that makes no sense. Both Spacek and Kristofferson are pretty much wasted but it's nice seeing them. DEADFALL lacks any tension, lacks any development and in the end it's just a complete mess that's really not worth sitting through.
** (out of 4)
On the eve of Thanksgiving, brother and sister Addison (Eric Bana) and Liza (Olivia Wilde) head off into different directions in blizzard conditions after a failed robbery. While he's running around causing more mayhem, Liza meets a boxer (Charlie Hunnam) recently released from prison. The two strike up a friendship and head off to his parent's (Sissy Spacek, Kris Kristofferson) house where the brother has also found his way to. DEADFALL is a thriller from director Stefan Ruzowitzky but one really has to wonder what went so wrong with this thing. There aren't any thrills, the story itself is downright boring and the so-called character development is rather laughable. I'm really not certain what they were trying to do with this thing but in the end it's just a complete waste of talent and the viewer's time. The biggest problem is without question the screenplay that just never comes to life as we're introduced to characters that we've seen way too many times before and this film doesn't do anything new with them. Every twist and turn in this picture is something you'll see coming from a mile a way and it all leads to a rather embarrassing and laughable ending. Several subplots are introduced to the film but these here just seem to happen for no reason and they're never explained or revisited later in the film. The interesting cast is the only thing that keeps this from being a complete disaster. Bana is actually very good as the cold-blooded killer but it's too bad they didn't write a better role for him. Wilde is also very good in her supporting role as the sister. Kate Mara is also good as a deputy being abused by her sheriff father, although this here is another subplot that makes no sense. Both Spacek and Kristofferson are pretty much wasted but it's nice seeing them. DEADFALL lacks any tension, lacks any development and in the end it's just a complete mess that's really not worth sitting through.
Quite a good little crime drama with a snowy backdrop and isolation as an insistent threat. The tension is woven with the back stories of those involved all leading to an inevitable confrontation and a predictable solution.
Getting there is the fun and this movie delivers enough action and suspense to keep one's interest and it has a semi-stylish tone that is better in the action department then in the character's and their development. The acting ranges from the intense too intensely wooden. Eric Bana is engaging in an aloof amalgamation of insanity and infantile. The other male lead (Charlie Hunnam) barely registers even though he is given the most screen time.
There is very little invested in the female Deputy and her Sheriff Dad, and the conflicted Parents. Some effort is made in the end to strengthen these complex situations but it is really rushed and rather anti-climactic.
It is best when things are on the move and the hunt is on and at worst in the convoluted love story in the middle. Overall it is a good thriller that can be enjoyed for its moving parts, despite the stale and stoic presentation of psychological situations that are presented in such shallowness as to be distracting.
Getting there is the fun and this movie delivers enough action and suspense to keep one's interest and it has a semi-stylish tone that is better in the action department then in the character's and their development. The acting ranges from the intense too intensely wooden. Eric Bana is engaging in an aloof amalgamation of insanity and infantile. The other male lead (Charlie Hunnam) barely registers even though he is given the most screen time.
There is very little invested in the female Deputy and her Sheriff Dad, and the conflicted Parents. Some effort is made in the end to strengthen these complex situations but it is really rushed and rather anti-climactic.
It is best when things are on the move and the hunt is on and at worst in the convoluted love story in the middle. Overall it is a good thriller that can be enjoyed for its moving parts, despite the stale and stoic presentation of psychological situations that are presented in such shallowness as to be distracting.
Haven't seen a crime thriller this good in ages, with such fast moving pace but excellent character development at the same time.
The screenplay is exciting and observant of human psychology. The acting is superb, and I guess the directing had a lot going for it too. Like the perfect storm,this just all came together and did a job of stirring me up good.
The tension built up from the start with Addison and what we learn about him and his coach. The relationship between the sheriff and his daughter, and the how the men treated her, and her stoic dealing with it...wow, I could not have handled it.
The relationship between the siblings was ambiguous but inspiring at the same time. The relationship in the family between the spouses and the son was written with such deft strokes which said so much.
The actors were fabulous. Especially at the dinner table at the climax of the story. The mother, Sissy Spacek, had such easy going wisdom about her but exploded with outraged indignation when pushed beyond the limit.
Loved the way the brother got the "L" word out of the protagonist in the climactic denouement. And it left you in the end wondering how the story would go on with our antiheroes.
One of those screenplays where you just fall in love with the bad guy and it just kills you to know he is fated, and that he has written his own tragedy as well as having been written by it.
Look forward to more of Zach Dean's screenplays.
The screenplay is exciting and observant of human psychology. The acting is superb, and I guess the directing had a lot going for it too. Like the perfect storm,this just all came together and did a job of stirring me up good.
The tension built up from the start with Addison and what we learn about him and his coach. The relationship between the sheriff and his daughter, and the how the men treated her, and her stoic dealing with it...wow, I could not have handled it.
The relationship between the siblings was ambiguous but inspiring at the same time. The relationship in the family between the spouses and the son was written with such deft strokes which said so much.
The actors were fabulous. Especially at the dinner table at the climax of the story. The mother, Sissy Spacek, had such easy going wisdom about her but exploded with outraged indignation when pushed beyond the limit.
Loved the way the brother got the "L" word out of the protagonist in the climactic denouement. And it left you in the end wondering how the story would go on with our antiheroes.
One of those screenplays where you just fall in love with the bad guy and it just kills you to know he is fated, and that he has written his own tragedy as well as having been written by it.
Look forward to more of Zach Dean's screenplays.
After a heist of a casino, the criminal Addison (Eric Bana) is on the run to Canada with his accomplice Theo (Dennis Lafond) and his sister Liza (Olivia Wilde). Out of the blue, Theo hits a deer and loses control of the car that leaves the road and overturns. Theo dies and Addison kills a patrolman that comes to help them. Then he splits the money with Liza and tells her to get a ride to the border while he will cross the woods. Addison leaves a trail of blood in his runaway.
Meanwhile, the former boxer Jay (Charlie Hunnam), who was arrested for losing a fight, is released from prison on probation and calls his mother June Mills (Sissy Spacek) that lives in an isolated house with his estranged father Chet Mills (Kris Kristofferson) that was the former Sheriff. June invites her son for the Thanksgiving dinner, but he goes first to the gym to collect money that his couch owes him. They quarrel and Jay hits him and believes that has killed him. He flees and while driving on the road, he sees Liza and gives a ride to her. Soon they fall in love with each other. Meanwhile Sheriff Marshall T. Becker (Treat Williams) is hunting Addison with his men but he does not allow that his daughter, Deputy Hanna (Kate Mara) to participate in the hunting party. The Thanksgiving will end with all the characters gathering at Chet and June's home.
"Deadfall" is a good thriller with impressive landscape in the snow. The engaging story begins with a poor development of Addison and Liza and does not show the heist of the casino. But the plot is tense and the cast has great names. Sheriff Marshall T. Becker is one of the most imbecile and arrogant sheriffs that I have seen in an American movie. My vote is seven.
Title (Brazil): "A Fuga" ("The Runaway")
Meanwhile, the former boxer Jay (Charlie Hunnam), who was arrested for losing a fight, is released from prison on probation and calls his mother June Mills (Sissy Spacek) that lives in an isolated house with his estranged father Chet Mills (Kris Kristofferson) that was the former Sheriff. June invites her son for the Thanksgiving dinner, but he goes first to the gym to collect money that his couch owes him. They quarrel and Jay hits him and believes that has killed him. He flees and while driving on the road, he sees Liza and gives a ride to her. Soon they fall in love with each other. Meanwhile Sheriff Marshall T. Becker (Treat Williams) is hunting Addison with his men but he does not allow that his daughter, Deputy Hanna (Kate Mara) to participate in the hunting party. The Thanksgiving will end with all the characters gathering at Chet and June's home.
"Deadfall" is a good thriller with impressive landscape in the snow. The engaging story begins with a poor development of Addison and Liza and does not show the heist of the casino. But the plot is tense and the cast has great names. Sheriff Marshall T. Becker is one of the most imbecile and arrogant sheriffs that I have seen in an American movie. My vote is seven.
Title (Brazil): "A Fuga" ("The Runaway")
Você sabia?
- CuriosidadesOlivia Wilde's first day of shooting was actually the scenes where her character almost freezes to death and she was only in a miniskirt during filming in Canada.
- Erros de gravaçãoDuring the opening sequence, the get-away car hits a deer, smashing the windshield and covering it with blood. In the following shots showing the car careening out of control, the windshield is intact with no damage.
- ConexõesFeatured in Maltin on Movies: Playing for Keeps (2012)
- Trilhas sonorasSweet Soul Sunshine
Written by John Alexander Aguon, Jr. and Eric King
Performed by The Gypsy Sons
Principais escolhas
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- How long is Deadfall?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Atrapados
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 66.351
- Fim de semana de estreia nos EUA e Canadá
- US$ 19.391
- 9 de dez. de 2012
- Faturamento bruto mundial
- US$ 1.946.254
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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