Alongside Night

Jeez Louise, where do I even start? Calling this movie a "train wreck" would be an insult to train wrecks. I doubt any train wreck could ever be as abominable as this movie is. Heck, I would rather be in a train wreck than watch this again. I've seen better acting in home movies (better production values, too). The dialogue is laughably bad. The pace is leaden. It's so torturously slow that it makes The Blair Witch Project look like a Road Runner cartoon. On paper, it sounds like a "so-bad-it's-fun" movie, but it's not. It's really not.

Imagine watching a grainy recording of paint drying, played in super slow motion, narrated by Gilbert Gottfried. Imagine further that you are being tickle tortured, having toothpicks stuck under your fingernails, and having teeth extracted without anesthesia all at the same time. Imagine further still that you are being force fed the contents of a septic tank while all this is happening.

If you can imagine all of this, then you have a pretty good idea of what watching this is like.

The Libertarian view of the future is explored in this film Alongside nights which shows the USA approximately 10 to 15 years from now where we have bankrupted ourselves and our citizens with worthless paper money. So when Pat Boone tells you to buy gold, you'd better rush out and get a hunk of that stuff, preferably in Krugerrand form.

Warning all of this impending calamity is Nobel Prize winning economist Kevin Sorbo who's seen as a threat to the government which is as full of intrigue as any government in the Mid East now. The Federal Emergency Management Agency is now our secret police and they keep a lot of their own secrets. No mention is made of the FBI, Secret Service or the CIA, wonder where they all went. Our Armed Forces are useless, they're actually unionized and on strike.

Sorbo's precocious kid Christian Kramme an economics major and guerrilla fighter is the key player in this film. This is one badly directed, badly acted film by some players like Star Trek Voyager refugees Tim Russ and Garrett Wang who've seen better days.

So folks, stockpile your weapons and get your Krugerrands while you may.

Alongside Night is a fast paced drama / action adventure with significant implications for our future. It's full of great actors and well directed. Instead of relying on special effects and chase scenes it has a well thought out plot structure. The characters are interesting and appealing. You really get invested in what is happening to them. It's based on a novel that came out in 1982, predicting the massive economic problems facing the world now and has been upgraded to fit in well with the present day, futurism that is coming true before our very eyes. I strongly suggest that you see this movie before reading the novel to avoid spoilers, but I read the book when it first came out and still found it entertaining, a damn good movie.

Knowing something about the difficulties in the making of this movie, I sat in genuine open-mouthed awe.

Author, producer, and director J. Neil Schulman just died a couple nights ago, as I type, and I have cried buckets already. Watching this astonishingly good movie, I have cried even more: What an extraordinary talent we have lost.

J. Neil and I never met, but we exchanged many communications. I felt we were more than acquaintances, and we were certainly allies.

I have been impressed by his writings for decades now, and recently I discovered his short posts on Facebook were often hilarious.

J. Neil was an advocate of human liberty. I notice many of the negative reviewers here dislike that concept. They prefer authoritarianism, or even tyranny, judging by their words. Of course they won't like this movie.

But it is so good, it has such an engrossing story, and it is so well acted, so well directed, so well photographed, one need not be in philosophical agreement to appreciate, admire, and like "Alongside Night."

Of course I was predisposed to like it, but what I saw just overwhelmed me with its inventiveness and great production values, and even a good score.

My only complaint, and I am crying as I type this, is that I didn't see and review this excellent creation so J. Neil could know how much more I admire him, how much more I marvel at his talent, after watching "Alongside Night."

I do highly recommend this movie, and hope millions of people will buy a copy. It won't help J. Neil now, and he desperately needed the money in his last years, but it will be a tribute to him, a small way to say "J. Neil Schulman, R.I.P."

I could really identify with the female character 'Lorimar'. She is independent, intelligent and is able to handle a firearm. Honestly, I had to watch this movie about three times in order to really 'get it'. he script is complex and covers a lot of material but at about the third viewing you can readily see the merit of this film. I think that a lot of the negative reviews come from people that don't want to be lectured or taught free-market principles. Moreover, when you consider that this film was produced on a budget of less that $1,000,000 the production value is absolutely astounding!