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IMDbPro

A Incrível História de Adaline

Título original: The Age of Adaline
  • 2015
  • 12
  • 1 h 52 min
AVALIAÇÃO DA IMDb
7,2/10
223 mil
SUA AVALIAÇÃO
POPULARIDADE
1.772
327
Michiel Huisman and Blake Lively in A Incrível História de Adaline (2015)
A trailer for Age of Adaline
Reproduzir trailer0:31
25 vídeos
99+ fotos
Fantasia sobrenaturalRomance alegreDramaFantasiaRomance

Uma jovem nascida no início do século XX sofre um acidente que a deixa sem idade. Depois de muitos anos de solidão, ele conhece um homem que complica a vida eterna em que se estabeleceu.Uma jovem nascida no início do século XX sofre um acidente que a deixa sem idade. Depois de muitos anos de solidão, ele conhece um homem que complica a vida eterna em que se estabeleceu.Uma jovem nascida no início do século XX sofre um acidente que a deixa sem idade. Depois de muitos anos de solidão, ele conhece um homem que complica a vida eterna em que se estabeleceu.

  • Direção
    • Lee Toland Krieger
  • Roteiristas
    • J. Mills Goodloe
    • Salvador Paskowitz
  • Artistas
    • Blake Lively
    • Michiel Huisman
    • Harrison Ford
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    223 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.772
    327
    • Direção
      • Lee Toland Krieger
    • Roteiristas
      • J. Mills Goodloe
      • Salvador Paskowitz
    • Artistas
      • Blake Lively
      • Michiel Huisman
      • Harrison Ford
    • 521Avaliações de usuários
    • 244Avaliações da crítica
    • 51Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 10 indicações no total

    Vídeos25

    Trailer
    Trailer 0:31
    Trailer
    New Trailer
    Trailer 1:32
    New Trailer
    New Trailer
    Trailer 1:32
    New Trailer
    Official Trailer
    Trailer 2:32
    Official Trailer
    Reunion
    Clip 0:39
    Reunion
    Heartbreak
    Clip 0:44
    Heartbreak
    Happy Birthday
    Clip 0:45
    Happy Birthday

    Fotos186

    Ver pôster
    Ver pôster
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    + 180
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    Elenco principal54

    Editar
    Blake Lively
    Blake Lively
    • Adaline Bowman
    Michiel Huisman
    Michiel Huisman
    • Ellis Jones
    Harrison Ford
    Harrison Ford
    • William Jones
    Kathy Baker
    Kathy Baker
    • Kathy Jones
    Ellen Burstyn
    Ellen Burstyn
    • Flemming
    Amanda Crew
    Amanda Crew
    • Kikki Jones
    Lynda Boyd
    Lynda Boyd
    • Regan
    • (as Linda Boyd)
    Hugh Ross
    • Narrator
    Richard Harmon
    Richard Harmon
    • Tony
    Fulvio Cecere
    Fulvio Cecere
    • Cab Driver
    Anjali Jay
    Anjali Jay
    • Cora
    Hiro Kanagawa
    Hiro Kanagawa
    • Kenneth
    Peter J. Gray
    • Clarence James Prescott
    • (as Peter James Grey)
    Izabel Pearce
    Izabel Pearce
    • Flemming (Age 5)
    • (as Izabel A. Pearce)
    Cate Richardson
    Cate Richardson
    • Flemming (Age 20)
    Jane Craven
    Jane Craven
    • Miriam
    Noel Johansen
    Noel Johansen
    • 1950's Policeman
    Aaron Craven
    Aaron Craven
    • 1950's FBI Agent
    • Direção
      • Lee Toland Krieger
    • Roteiristas
      • J. Mills Goodloe
      • Salvador Paskowitz
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários521

    7,2222.6K
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    Avaliações em destaque

    lqk9

    The actors can hold up the material so far. Also, the main male character is creepy.

    This is a standard love story drama. It could have been so much more, but the actors could only take what they're given so far.

    The writers/etc could have turned the age element of the movie into something truly unique, and explored the interesting angles it offers (is it possible to have many 'true loves'? How would a wizened woman of many years express herself whilst encased in the body of a late twenties young woman? How would she act in critical situations which faze less experienced people? How would she keep up with the times? What jobs or knowledge would she focus on? How would she nurture the legacy she leaves behind in the form of her sons and daughters?).

    Instead, the movie went for the superficial, flimsy, easy options (examples: she's great at navigating traffic because she's had decades to learn the city's shortcuts, she wears a lot of old-cut clothing), and turned the main protagonist into a ditsy ditherer at key moments that needed a more delicate and refined touch (her attitude when being chatted up at parties, her car breaking down, meeting her lover's family for the first time). Even the jobs she has and the skills she's acquired are just sort of padding and not really explored despite being a key choice she's made.

    Basically, the whole movie focuses on the love story between this protagonist and her new boyfriend despite already having a potentially very interesting female lead character that could have been developed so much more elegantly; a new boyfriend might be a part of that, that makes sense... but it took up far too much of the film's focus when there were other topics that needed some development too. It felt like a feast of potentially interesting avenues were hinted at in the writing, and yet the main route taken was the typical stereotype love story. Why bother kicking off the story with such an interesting twist if it just becomes part of the backdrop and doesn't influence the characters' behaviour?

    That leads me onto a final point which made me increasingly uncomfortable when watching the film – the way the male lead character pressures and pushes the lead protagonist into going out with him is a bit unnerving. He publicly pressures her into having a photo taken in front of her colleagues when she's clearly unsettled by it, and then offers her a way out: go on a date with him. Hm. They part ways. Then later on he finds out her address (via her workplace?!) which she wanted to keep private, and just pops up to stalk her a bit more. The first half of their dynamic is her pushing him away, placating him, etc. and him being far too full on – it's not romantic, it's really creepy to see, and it's another point where I think a woman of over 100 wouldn't behave in the "no doesn't really mean no" ditsy schoolgirl manner, which quite frankly was a bit weird. It made me uncomfortable watching it when supposedly the movie's main intention was to make me think this new relationship was "cute". It wasn't. It was just stalker-ish!
    8AmyJenson1995

    The Age of Adaline

    As I'm the romantic type, it would be hard for me to keep being objective. I will also avoid peeling some onions to not make this any harder.

    Of course it's not the first time a movie is focused on the forever young theme. It's actually becoming redundant and to be frank not always beautifully used as it should be.

    But Adaline is a good exception and this beautiful story will let you shed some tears and give you a warm feeling that life has many beautiful things to offer so we have to enjoy every opportunity given to our eyes. Of course it's not as powerful as Titanic or Gone with the Wind but it is without a doubt one of the best movies I've seen this year.

    The main reason is probably Blake Lively. She is illuminating in this movie and we could feel that she owns Adaline throughout the story. She's always in the right tone, the right emotion and she transported me throughout the movie. The rest of the cast is doing great too especially Harrison Ford who I was surprised to see in that kind of movie. This is proving me how great and talented this actor is. He gave to this old man haunted by his past a real deal of emotions.

    So here it is. Now let me empty that brand new tissue box next to me and wish you a nice ride in Adaline Land.
    8georgebaldwin-07903

    Just Enjoy This Emotional Tapestry As It Is Woven

    This movie touched me personally at a number of levels, because I lived in San Francisco, "the one that got away" looked a lot like B.L. and my (very happy) marriage is like the one H.F. portrays. I found B.L. hauntingly beautiful, and this story a tapestry of feelings unfolding; especially her surrender versus flight. Her encounter with H.F. from out of her past is powerful for both characters. And I thought the resolution of her immortality was quite a pleasant surprise that made me smile after being teary-eyed most of the movie. The last few minutes of the movie are especially beautiful if you are a romantic like me. This is a sweet movie that you will really enjoy.
    8uta-49633

    A beautiful film

    Excellent performances, a truly poignant story. See it, you won't be disappointed.

    Director Lee Toland Krieger wisely speeds through the scientific mumbo-jumbo, treating it as the least-interesting aspect of this tale. Instead, he focuses on the relationship fallout of Adaline's predicament. It's a disarmingly affecting film, and very sad at points. A rumination on loneliness. Cinematically, Krieger serves up numerous arching, overhead shots and slow-motion sequences. This coupled with the various time periods tackled gives the picture a buoyant sense of scope.

    Particularly memorable in this is Harrison Ford. After stiff and stagey efforts in movies such as "42," Ford delivers a beautifully conflicted performance as a man trying to reconcile his past.

    Highly recommended.
    8nadeyn

    morbidity or maturity mortality?

    The acting in this I cannot fault, though Adeline has a very low range of emotions given the material, her demure persona is a sign of the times in which she was raised. Perhaps it was the stiff upper lip if the early 20th century? I have never seen the male lead and he suited his part well.

    I watched this with my mother and daughters ( sobbing continued on both sides with both generations for different reasons, but both centred around loss). I felt torn, suitably watching this with both generations, as to what part of the film affected me most. Those with children and aging parents will understand when viewing this.

    The soundtrack was beautiful and the song played during the most emotive scenes is both beautiful and haunting enough for me to seek it out.

    A beautiful movie, which is a little in the fantasy realm in its explanation behind the mortality/immortality aspect which makes it almost fairy tale like, but beautifully executed, and gorgeously told. See it with your mother or daughter, or like I did, both! Take your tissues!

    Enredo

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    • Curiosidades
      The story about the ships beneath San Francisco is true. Hundreds of ships were abandoned by hopeful gold miners. One fellow set up a salvage company, hauling some of them ashore and leaving some afloat to be used as storage units, boarding houses and even a jail and a church. The city needed to expand its acreage so that they could expand the harbor so they sold water lots. People would take an abandoned boat, scuttle it, and then claim the lot. To keep it they had to fill in the water by dumping rock, sand, and dirt. As it settled, much of it served to support the ships and many of the hulls were preserved largely intact. Decades later as underground utilities were being installed the ships were discovered. So far they have found some 500 of them. Much of downtown San Francisco was built on top of them,
    • Erros de gravação
      When she is pulled over near the beginning of the film, her driver's permit as a ZIP code on it, even though she was born in 1908 and the cop says she's 45, making it 1953. ZIP codes were not introduced until 1963.
    • Citações

      Adaline Bowman: Tell me something I can hold on to forever and never let go.

      Ellis Jones: Let go.

    • Conexões
      Featured in The Tonight Show Starring Jimmy Fallon: Blake Lively/Brian Grazer/Nate Bargatze (2015)
    • Trilhas sonoras
      Since I Don't Have You
      Written by Jimmy Beaumont (as James Beaumont), Wally Lester (as Walter Lester), Joseph Rock, Jack Taylor (as John Taylor), Joe Verscharen (as Joseph Verscharen), and Janet Vogel

      Performed by The Skyliners

      Courtesy of The Bicycle Music Company

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    Perguntas frequentes21

    • How long is The Age of Adaline?Fornecido pela Alexa
    • This is very similar to The Outer Limits: Last Supper (season 3, episode 4).

    Detalhes

    Editar
    • Data de lançamento
      • 21 de maio de 2015 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Canadá
    • Centrais de atendimento oficiais
      • Official site
      • Official site (Japan)
    • Idiomas
      • Inglês
      • Português
      • Italiano
    • Também conhecido como
      • El secreto de Adaline
    • Locações de filme
      • Coquitlam, Columbia Britânica, Canadá
    • Empresas de produção
      • Lakeshore Entertainment
      • Lionsgate
      • Sidney Kimmel Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 25.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 42.629.776
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 13.203.458
      • 26 de abr. de 2015
    • Faturamento bruto mundial
      • US$ 65.663.276
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 52 min(112 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Dolby Atmos
      • Datasat
      • Auro 11.1
      • SDDS
      • Dolby Surround 7.1
    • Proporção
      • 2.39 : 1

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