AVALIAÇÃO DA IMDb
6,9/10
91 mil
SUA AVALIAÇÃO
Colin Clark, um funcionário de Sir Laurence Olivier, documenta as tensas interações entre Olivier e Marilyn Monroe durante a produção de O Príncipe Encantado (1957).Colin Clark, um funcionário de Sir Laurence Olivier, documenta as tensas interações entre Olivier e Marilyn Monroe durante a produção de O Príncipe Encantado (1957).Colin Clark, um funcionário de Sir Laurence Olivier, documenta as tensas interações entre Olivier e Marilyn Monroe durante a produção de O Príncipe Encantado (1957).
- Direção
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- Indicado a 2 Oscars
- 18 vitórias e 64 indicações no total
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I just saw this film at the Mill Valley Film Festival and was pretty much blown away. My expectations were low and the very beginning of the film seemed to bear that out. Seeing well-known actors playing very well-known actors can take a little getting used to. But both Kenneth Branagh and Michelle Williams did admirable jobs. Michelle was a revelation. She completely inhabited the role of Marilyn in all of her complexity: her vulnerability, her guile, her sweetness, and her insecurity. This is one of the few performances I've seen where I would say someone is a lock for the Oscar. But this is not only a tour-de-force of acting. It is also a compelling and well-told story of the making of a film and of the competing personalities and agendas involved. Eddie Redmayne was wonderful as Colin, the narrator and main character of the story. Judi Dench was her wonderful, wise self. The cast was filled with wonderful character actors who seemed familiar and comfortable. My brother and I agreed that this was a better film than A King's Speech so on that basis alone it should win Best Picture. At the very least, it was an very entertaining and moving night at the movies.
I attended an advance screening of "My Week With Marilyn," and much to my surprise, was absolutely blown away. I was initially very reluctant to accept Michelle Williams as Marilyn, one of the most beautiful and glamorous women of all time, but she was extraordinary - luminous, even. She pulled off the role seamlessly, and turned Ms. Monroe into a layered, complex character, rather than the sex-kitten caricature we are all so used to seeing. Michelle managed to show us the real Marilyn - the woman who so desperately wanted to be loved, to be accepted, to be good at her job. The vulnerability, the mannerisms, the voice - all were pitch perfect. I have no doubt there will be yet another Oscar nomination in Michelle Williams' near-future.
I was also very impressed by Eddie Redmayne, who's character was arguably the heart of the film. He was excellent as the star-struck yet sensitive Colin Clark, who helped Marilyn through her very difficult time on the set of "The Prince and the Showgirl." This was definitely a star-making turn for Eddie - I expect we'll be seeing much more of him.
The movie is similar in tone to "The King's Speech," and was helped by a beautiful score and wonderful costumes. Director Simon Curtis, who devoted eight years of his life to this project, did a wonderful job capturing the essence of 1950's England. The wardrobe department deserves a nomination, as do the writers. Kenneth Branagh was superb as Laurence Olivier, as was the great Judi Dench as Dame Sybil.
All in all, one of the best films I've seen this year, and definitely the best (not to mention most authentic) portrayal of Marilyn ever to hit the silver screen. I couldn't have been more impressed.
I was also very impressed by Eddie Redmayne, who's character was arguably the heart of the film. He was excellent as the star-struck yet sensitive Colin Clark, who helped Marilyn through her very difficult time on the set of "The Prince and the Showgirl." This was definitely a star-making turn for Eddie - I expect we'll be seeing much more of him.
The movie is similar in tone to "The King's Speech," and was helped by a beautiful score and wonderful costumes. Director Simon Curtis, who devoted eight years of his life to this project, did a wonderful job capturing the essence of 1950's England. The wardrobe department deserves a nomination, as do the writers. Kenneth Branagh was superb as Laurence Olivier, as was the great Judi Dench as Dame Sybil.
All in all, one of the best films I've seen this year, and definitely the best (not to mention most authentic) portrayal of Marilyn ever to hit the silver screen. I couldn't have been more impressed.
"My Week with Marilyn" is entertaining and sufficiently well done to interest anyone who remembers her story. But those who have some exposure to the literature she has generated should be impressed by the way the film manages to represent so many of the very different views there are about her. Was she a smart, predatory woman in control of her persona and milking it for all she could get? The sad addicted victim of her handlers? An ordinary woman looking for love and happiness derailed by her own star quality? The movie represents all of these views and refuses to settle the question. The writer and director are to be congratulated for resisting the temptation to come down on a particular view.
Remember "The Prince And The Showgirl"? I saw it for the first time only a few years ago, after the death of all the protagonists. The miracle, and it is indeed a miracle, Marilyn felt so alive, so contemporary. In "My Week With Marilyn" Michelle Williams is full of light, the real light, the internal one, while everyone else is deadly opaque. The film feels like a very low budget TV movie and not even the grand manors and colleges manage to give it the production value, the story deserved. But Michelle Williams is truly enchanting. Not that she is a dead ringer for the real Marilyn. So much more demure, smaller breasts, smaller behind, only her strange kind of melancholia seems to match the original one and some of that magic essence appears to be in place. Eddie Redmayne, the narrator, whose POV drives the story is rather a cool fish. His grasp is so limp and small that I was kept longing for more. Kenneth Brannagh is very funny and Judi Dench, terrific, but Julia Ormond as Vivien Leigh is just so wrong one wants to fast-forward, unfortunately, that's impossible right now. But, let's go back to Michelle Williams, the one reason to see this film and in itself she's reason enough.
MY WEEK WITH MARILYN – CATCH IT ( B+ ) A young Colin Clark remembers the time he has spend with Marilyn Monroe during the filming of "The Prince and the Showgirl". The movie is told through the eyes of Colin Clark and how he sees Marilyn and her estrange relationship with the director/actor Laurence Olivier. As the movie is only about some of days Colin Clark spends with Marilyn, we don't get to see the whole drama inside her life but I must commend Michelle Williams for her stellar portrayal of Marilyn because it's her performance that takes you deep into the mind of Marilyn rather than the script itself. Michelle Williams's hardcore study on her character shows in the movie and she deserved her Oscar nod. Eddie Redmayne is impressive as always but over the years I've noticed that Eddie is always good but never really leaves a strong impact. I've seen him several movies so far but he wasn't that memorable in them. Kenneth Branagh is simply superb. Julia Ormond and Dominic Cooper are alright in their parts. Emma Watson did a decent job out of Hermione, even it was a small role but it was defiantly good to see her spreading outside Harry Potter franchise. Overall, My Week with Marilyn is a good movie and Michelle Williams's performance is worth watching. Highly Recommended! P.S I would love to see Michelle Williams reprise her role as Marilyn Monroe in Marilyn's autobiography if Hollywood decides to make one.
Você sabia?
- CuriosidadesAccording to executive producer and director Simon Curtis on his DVD commentary, Dame Judi Dench was unavailable for the principal photography period, and her parts had to be filmed about two weeks before the rest of the production. Throughout the movie, Dench and Michelle Williams are never seen in the same shot, including one in which Dench shakes hands with (seemingly) Williams' hand being extended from off-screen. Adam Recht's deft editing gives the illusion that Williams and Dench were being filmed at the same time.
- Erros de gravaçãoA frustrated Olivier tells Colin that he should have cast Vivien to play Elsie instead of Marilyn. Marilyn bought the rights to "The Sleeping Prince" from its author Terence Rattigan, and hired Olivier, who agreed to co-produce the film, to direct; she could not be replaced.
- Citações
Marilyn Monroe: Little girls should be told how pretty they are. They should grow up knowing how much their mother loves them.
- ConexõesFeatured in Maltin on Movies: The Muppets (2011)
- Trilhas sonorasWhen Love Goes Wrong (Nothin' Goes Right)
Written by Harold Adamson and Hoagy Carmichael
Performed by Michelle Williams
Published by EMI First Catalog Inc., Peer Music (UK) Ltd (c/o Songs of Peer Ltd)
Courtesy of The Weinstein Company
Arranged and Produced by David Krane
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Mi semana con Marilyn
- Locações de filme
- Hatfield House, Melon Ground, Hatfield Park, Hatfield, Hertfordshire, Inglaterra, Reino Unido(Windsor Castle - interiors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 6.400.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 14.600.347
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.750.507
- 27 de nov. de 2011
- Faturamento bruto mundial
- US$ 35.057.696
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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