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IMDbPro

Sete Dias com Marilyn

Título original: My Week with Marilyn
  • 2011
  • 12
  • 1 h 39 min
AVALIAÇÃO DA IMDb
6,9/10
91 mil
SUA AVALIAÇÃO
Michelle Williams in Sete Dias com Marilyn (2011)
Colin Clark, an employee of Sir Laurence Olivier's, documents the tense interaction between Olivier and Marilyn Monroe during production of The Prince and the Showgirl.
Reproduzir trailer2:02
16 vídeos
99+ fotos
BiografiaDramaDrama de épocaDrama do mundo do espetáculo

Colin Clark, um funcionário de Sir Laurence Olivier, documenta as tensas interações entre Olivier e Marilyn Monroe durante a produção de O Príncipe Encantado (1957).Colin Clark, um funcionário de Sir Laurence Olivier, documenta as tensas interações entre Olivier e Marilyn Monroe durante a produção de O Príncipe Encantado (1957).Colin Clark, um funcionário de Sir Laurence Olivier, documenta as tensas interações entre Olivier e Marilyn Monroe durante a produção de O Príncipe Encantado (1957).

  • Direção
    • Simon Curtis
  • Roteiristas
    • Adrian Hodges
    • Colin Clark
  • Artistas
    • Michelle Williams
    • Eddie Redmayne
    • Kenneth Branagh
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    91 mil
    SUA AVALIAÇÃO
    • Direção
      • Simon Curtis
    • Roteiristas
      • Adrian Hodges
      • Colin Clark
    • Artistas
      • Michelle Williams
      • Eddie Redmayne
      • Kenneth Branagh
    • 258Avaliações de usuários
    • 394Avaliações da crítica
    • 65Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 2 Oscars
      • 18 vitórias e 64 indicações no total

    Vídeos16

    No. 1
    Trailer 2:02
    No. 1
    "Getaway"
    Clip 0:30
    "Getaway"
    "Getaway"
    Clip 0:30
    "Getaway"
    "Vivien Visits the Set"
    Clip 0:44
    "Vivien Visits the Set"
    "Heatwave"
    Clip 0:36
    "Heatwave"
    "Bathtub"
    Clip 0:42
    "Bathtub"
    My Week With Marilyn: Bath Tub
    Clip 0:42
    My Week With Marilyn: Bath Tub

    Fotos218

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    Elenco principal50

    Editar
    Michelle Williams
    Michelle Williams
    • Marilyn Monroe
    Eddie Redmayne
    Eddie Redmayne
    • Colin Clark
    Kenneth Branagh
    Kenneth Branagh
    • Sir Laurence Olivier
    Julia Ormond
    Julia Ormond
    • Vivien Leigh
    Pip Torrens
    Pip Torrens
    • Sir Kenneth Clark
    Geraldine Somerville
    Geraldine Somerville
    • Lady Jane Clark
    Michael Kitchen
    Michael Kitchen
    • Hugh Perceval
    Miranda Raison
    Miranda Raison
    • Vanessa
    Karl Moffatt
    Karl Moffatt
    • Jack Cardiff
    Simon Russell Beale
    Simon Russell Beale
    • Cotes-Preedy
    Toby Jones
    Toby Jones
    • Arthur Jacobs
    Robert Portal
    Robert Portal
    • David Orton
    Philip Jackson
    Philip Jackson
    • Roger Smith
    Jim Carter
    Jim Carter
    • Barry
    Victor McGuire
    Victor McGuire
    • Andy
    Dougray Scott
    Dougray Scott
    • Arthur Miller
    Richard Attlee
    Richard Attlee
    • Reporter #1
    Michael Hobbs
    Michael Hobbs
    • Reporter #2
    • Direção
      • Simon Curtis
    • Roteiristas
      • Adrian Hodges
      • Colin Clark
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários258

    6,990.8K
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    Avaliações em destaque

    7TheLittleSongbird

    On the most part, this is beguiling stuff

    'My Week With Marilyn' had much going for it, considering the cast pedigree and the subject. It is always hard making biographical dramas of actresses known for their beauty or portraying the actresses themselves, as evidenced by the wildly variable executions of how well they come off or not.

    Whether it is a completely truthful account of Marilyn Monroe's life at this chapter of her life or not was never going to cloud my judgement of how to rate and review 'My Week With Marilyn'. What mattered much more was how the film fared on its own two feet, and 'My Week With Marilyn' fares mostly very well and is beguiling stuff. Not one of the greatest biopics ever made (in a list that includes 'Amadeus' and 'The Elephant Man') but generally of the portrayals of actresses known for their classic beauty it's one of the better-faring ones.

    By all means, there are flaws. The direction can be rather blandly workmanlike and there is too much of a heavy-footed feel that jars with the lightness of the material itself. The film has a tendency to drag in the more intimate scenes with Monroe and Clark, which does suffer from occasional disjointed-ness, some trite moments and lack of chemistry at times.

    Julia Ormond is also badly miscast as Vivien Leigh, it is a very phoned in and indifferent performance that anybody not familiar with the actress herself but is aware of her reputation will question her appeal, she is also somewhat too healthy-looking (but also not beautiful enough) for a woman plagued with physical and mental health problems in her later years. To a lesser extent, Dominic Cooper struck me as too young and doesn't have much to do to really register.

    However, 'My Week With Marilyn' looks wonderful. The production and costume design were among the most visually exquisite and evocatively designed of that year, the period is perfectly evoked that it's like you've been transported back in time and are actually there and it's a beautifully shot film (not as incredible of that for 'The Tree of Life' and 'Hugo' but close). The soundtrack brilliantly and beautifully captures the mood of the film, it's sensitively composed without being too low-key and never intrusive or too made for television. It's also evocative of the period.

    Not everything in the script works, there are some trite and disjointed parts but they are far outweighed by the very thought-provoking, funny and sincere ones, it's fluff but very charming fluff. The storytelling drags occasionally, but is also very entertaining and heartfelt with the scenes with Monroe and Laurence Olivier being particularly intriguing and well done.

    Ormond aside, the acting is very good. Michelle Williams allures and completely captivates as Monroe herself, blending a sultriness, childlike lust and a darker and more destructive nature seamlessly. She matched by Kenneth Branagh's spot-on Olivier, being hilarious, sympathetic and believable in his exasperation, Judi Dench's splendid Dame Sybil and Zoe Wanamaker's gleefully scene-stealing and wonderfully stern turn. Dougray Scott has been criticised by some, personally had little problem with him, and there is much more of a resemblance to him as Arthur Miller than Ormond as Leigh, other than his American accent being overdone.

    Eddie Redmayne gives a very sensitive portrayal in a role deliberately not written as interestingly as the rest, as, despite being the film's heart, he is not the film's focus and was never intended to be as meaty as Monroe or Olivier.

    On the most part, 'My Week With Marilyn' was very worthwhile and beguiling. Well worth the time, as long as watched as a film on its own two feet and not as a history lesson. 7/10 Bethany Cox
    7kattegat

    Carefully Crafted Historically

    "My Week with Marilyn" is entertaining and sufficiently well done to interest anyone who remembers her story. But those who have some exposure to the literature she has generated should be impressed by the way the film manages to represent so many of the very different views there are about her. Was she a smart, predatory woman in control of her persona and milking it for all she could get? The sad addicted victim of her handlers? An ordinary woman looking for love and happiness derailed by her own star quality? The movie represents all of these views and refuses to settle the question. The writer and director are to be congratulated for resisting the temptation to come down on a particular view.
    9jimbecker1956

    Remarkable Performance!

    I just saw this film at the Mill Valley Film Festival and was pretty much blown away. My expectations were low and the very beginning of the film seemed to bear that out. Seeing well-known actors playing very well-known actors can take a little getting used to. But both Kenneth Branagh and Michelle Williams did admirable jobs. Michelle was a revelation. She completely inhabited the role of Marilyn in all of her complexity: her vulnerability, her guile, her sweetness, and her insecurity. This is one of the few performances I've seen where I would say someone is a lock for the Oscar. But this is not only a tour-de-force of acting. It is also a compelling and well-told story of the making of a film and of the competing personalities and agendas involved. Eddie Redmayne was wonderful as Colin, the narrator and main character of the story. Judi Dench was her wonderful, wise self. The cast was filled with wonderful character actors who seemed familiar and comfortable. My brother and I agreed that this was a better film than A King's Speech so on that basis alone it should win Best Picture. At the very least, it was an very entertaining and moving night at the movies.
    10briannaweitzman

    The best portrayal of Marilyn Monroe to date.

    I attended an advance screening of "My Week With Marilyn," and much to my surprise, was absolutely blown away. I was initially very reluctant to accept Michelle Williams as Marilyn, one of the most beautiful and glamorous women of all time, but she was extraordinary - luminous, even. She pulled off the role seamlessly, and turned Ms. Monroe into a layered, complex character, rather than the sex-kitten caricature we are all so used to seeing. Michelle managed to show us the real Marilyn - the woman who so desperately wanted to be loved, to be accepted, to be good at her job. The vulnerability, the mannerisms, the voice - all were pitch perfect. I have no doubt there will be yet another Oscar nomination in Michelle Williams' near-future.

    I was also very impressed by Eddie Redmayne, who's character was arguably the heart of the film. He was excellent as the star-struck yet sensitive Colin Clark, who helped Marilyn through her very difficult time on the set of "The Prince and the Showgirl." This was definitely a star-making turn for Eddie - I expect we'll be seeing much more of him.

    The movie is similar in tone to "The King's Speech," and was helped by a beautiful score and wonderful costumes. Director Simon Curtis, who devoted eight years of his life to this project, did a wonderful job capturing the essence of 1950's England. The wardrobe department deserves a nomination, as do the writers. Kenneth Branagh was superb as Laurence Olivier, as was the great Judi Dench as Dame Sybil.

    All in all, one of the best films I've seen this year, and definitely the best (not to mention most authentic) portrayal of Marilyn ever to hit the silver screen. I couldn't have been more impressed.
    8dharmendrasingh

    Candle in the Wind

    Marilyn Monroe, the quintessential blonde bombshell, came to Pinewood Studios in 1956 to shoot 'The Prince and the Showgirl', a light comedy directed by and starring Laurence Olivier. Colin Clark, the third assistant director on the film, was the lucky 23-year-old who got to spend a week with her. 'My Week with Marilyn' cinematises his diary.

    I imagine there aren't many characters more difficult to play than Monroe. It must be like playing Elvis. But I'm delighted to confirm that Michelle Williams makes the impossible look easy. She has thrown herself into this part and has nailed the portrayal. Aside from the physical resemblance, Williams walks, talks and acts like Monroe. It's too early to say whether she'll win the Oscar next year, but a nomination seems a certainty.

    Williams' performance is bolstered by impeccable turns by an enviable roster of the creamiest cream of British talent: Judi Dench, Kenneth Branagh, Zoë Wanamaker, Eddie Redmayne and Emma Watson. Especial mention must go to Branagh whose Olivier is impeccable. He accurately displays the legendary actor's sophistication and scurrility, and is bound to receive a supporting Oscar nod.

    I loved the film's playfulness, for instance when Clark takes Monroe on a tour of Eton, followed by skinny-dipping in a cold river. The filmmakers do well to capture the craziness of Marilyn's world and the feeling of what it was like to be the most famous woman in the world. There are some lovely little touches – like the scene where Clark asks Monroe why she has a picture of Abe Lincoln by her bedside. Her reply, 'I don't know who my real father was, so why not him?'.

    Eddie Redmayne, who has appeared in some big films ('The Good Shepherd', 'Elizabeth: The Golden Age') is well-cast as Colin Clark. Perhaps it's because he looks so much the underdog. He sort of represents every young man who would have killed to be in his shoes.

    Clark has his eyes set on Monroe but resigns himself to the fact that Emma Watson's character, a costume assistant, is more his match. A weakness in the story, although I'm unclear of the veracity, is how underused Watson is and how readily she forgives his liaison with Monroe. Didn't girls have higher standards in those days?

    Simon Curtis is yet another Englishman who has moved seamlessly from TV to cinema. His film astutely plays down the fact that Colin was brother to the even more famous Alan Clark, a former Conservative MP. Rightly so, I think. This film isn't about the minister or his also-famous diaries.

    I'm glad the filmmakers didn't sacrifice the film's integrity by moulding it to be rated 12A (British certificate) to increase ticket sales. The two or three flashes of flesh are not only welcome, they are vital (Monroe said that 'the body is meant to be seen'). Curtis teases us like Marilyn was famous for doing. But he knows not to go too far by showing us any more than is necessary.

    In summary, this is a brilliant biopic, as well as a story of what happened when a young man got close to the star he adored. It is bittersweet and evocative of a golden age of Hollywood. I was made to care for Monroe. I felt bad for her when she was exploited. Along with Elton John's beautiful song, this film has made me understand Norma Jeane Mortenson a little better. Now I see her as more than a sex symbol. She may have been blonde but she wasn't dumb. Dumb blondes don't read James Joyce or marry Arthur Miller, or come out with some of the wittiest lines a person can utter. She was like all of us, really: a human being.

    www.moseleyb13.com

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      According to executive producer and director Simon Curtis on his DVD commentary, Dame Judi Dench was unavailable for the principal photography period, and her parts had to be filmed about two weeks before the rest of the production. Throughout the movie, Dench and Michelle Williams are never seen in the same shot, including one in which Dench shakes hands with (seemingly) Williams' hand being extended from off-screen. Adam Recht's deft editing gives the illusion that Williams and Dench were being filmed at the same time.
    • Erros de gravação
      A frustrated Olivier tells Colin that he should have cast Vivien to play Elsie instead of Marilyn. Marilyn bought the rights to "The Sleeping Prince" from its author Terence Rattigan, and hired Olivier, who agreed to co-produce the film, to direct; she could not be replaced.
    • Citações

      Marilyn Monroe: Little girls should be told how pretty they are. They should grow up knowing how much their mother loves them.

    • Conexões
      Featured in Maltin on Movies: The Muppets (2011)
    • Trilhas sonoras
      When Love Goes Wrong (Nothin' Goes Right)
      Written by Harold Adamson and Hoagy Carmichael

      Performed by Michelle Williams

      Published by EMI First Catalog Inc., Peer Music (UK) Ltd (c/o Songs of Peer Ltd)

      Courtesy of The Weinstein Company

      Arranged and Produced by David Krane

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    Perguntas frequentes

    • How long is My Week with Marilyn?Fornecido pela Alexa
    • What happened to Colin Clark after the events of this movie?

    Detalhes

    Editar
    • Data de lançamento
      • 27 de abril de 2012 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • Mi semana con Marilyn
    • Locações de filme
      • Hatfield House, Melon Ground, Hatfield Park, Hatfield, Hertfordshire, Inglaterra, Reino Unido(Windsor Castle - interiors)
    • Empresas de produção
      • The Weinstein Company
      • BBC Film
      • Lipsync Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • £ 6.400.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 14.600.347
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.750.507
      • 27 de nov. de 2011
    • Faturamento bruto mundial
      • US$ 35.057.696
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Datasat
    • Proporção
      • 2.35 : 1

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