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IMDbPro

Blonde

  • 2022
  • 18
  • 2 h 47 min
AVALIAÇÃO DA IMDb
5,4/10
76 mil
SUA AVALIAÇÃO
POPULARIDADE
1.418
208
Ana de Armas in Blonde (2022)
A fictionalized chronicle of the inner life of Marilyn Monroe.
Reproduzir trailer1:54
6 vídeos
99+ fotos
DramaDrama de épocaDrama do mundo do espetáculoDrama psicológicoHistóriaTragédia

Uma Crônica Fictícia sobre a vida pessoal de Marilyn Monroe.Uma Crônica Fictícia sobre a vida pessoal de Marilyn Monroe.Uma Crônica Fictícia sobre a vida pessoal de Marilyn Monroe.

  • Direção
    • Andrew Dominik
  • Roteiristas
    • Andrew Dominik
    • Joyce Carol Oates
  • Artistas
    • Ana de Armas
    • Lily Fisher
    • Julianne Nicholson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,4/10
    76 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.418
    208
    • Direção
      • Andrew Dominik
    • Roteiristas
      • Andrew Dominik
      • Joyce Carol Oates
    • Artistas
      • Ana de Armas
      • Lily Fisher
      • Julianne Nicholson
    • 1.1KAvaliações de usuários
    • 503Avaliações da crítica
    • 50Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 12 vitórias e 36 indicações no total

    Vídeos6

    Official Trailer
    Trailer 1:54
    Official Trailer
    Official Teaser Trailer
    Trailer 0:53
    Official Teaser Trailer
    Official Teaser Trailer
    Trailer 0:53
    Official Teaser Trailer
    Oscars 2023 Best Actress Nominees
    Clip 1:01
    Oscars 2023 Best Actress Nominees
    The Rise of Ana de Armas
    Clip 3:15
    The Rise of Ana de Armas
    Blonde: I Didn't Think You Were Ever Coming Back (Latin America Market Subtitled)
    Clip 1:10
    Blonde: I Didn't Think You Were Ever Coming Back (Latin America Market Subtitled)
    Blonde: Por Que Ana De Armas Como Marilyn? (Spanish/Spain Subtitled)
    Featurette 1:41
    Blonde: Por Que Ana De Armas Como Marilyn? (Spanish/Spain Subtitled)

    Fotos616

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    Elenco principal99+

    Editar
    Ana de Armas
    Ana de Armas
    • Norma Jeane
    Lily Fisher
    Lily Fisher
    • Young Norma Jeane
    Julianne Nicholson
    Julianne Nicholson
    • Gladys
    Tygh Runyan
    Tygh Runyan
    • Norma Jeane's Father
    Michael Drayer
    Michael Drayer
    • Deputy Will Bonnie
    Sara Paxton
    Sara Paxton
    • Miss Flynn
    Ryan Vincent
    Ryan Vincent
    • Uncle Clive
    Vanessa Lemonides
    • Marilyn Singing Voice
    • (narração)
    Patrick Brennan
    Patrick Brennan
    • Joe (Photo Shoot Photographer)
    Rob Brownstein
    Rob Brownstein
    • Acting Coach
    Evan Williams
    Evan Williams
    • Eddy Robinson Jr.
    Xavier Samuel
    Xavier Samuel
    • Cass Chaplin
    Dan Butler
    Dan Butler
    • I.E. Shinn
    David Warshofsky
    David Warshofsky
    • Mr. Z
    Rebecca Wisocky
    Rebecca Wisocky
    • Yvet
    Sonny Valicenti
    Sonny Valicenti
    • Casting Director
    Ethan Cohn
    • Assistant to Director
    Mike Ostroski
    Mike Ostroski
    • The Writer
    • Direção
      • Andrew Dominik
    • Roteiristas
      • Andrew Dominik
      • Joyce Carol Oates
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1.1K

    5,476.4K
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    10

    Avaliações em destaque

    2wisewebwoman

    Exploitive and flat

    Three hours of sheer boredom with the whole focus of the film being on Norma Jean's father who abandoned her mother before she was born. Nothing new on offer. A lot of nude shots, Marilyn calling her husbands "Daddy" the babies she couldn't have, her intelligence got short shrift and her drug taking a huge focus, fed by her handlers.

    John F. Kennedy, the womanizer, is depicted in a particularly revolting scene.

    Shock value ruled the day and nothing new was added.

    Totally disappointing and the words that comes to mind are crude and vulgar. Good imitative performance from Ana.

    But not worth a re-watch or an award of any kind.

    2/10.
    5CinemaSerf

    Blonde

    What a truly disappointing film this is. It offers us a really slow, sterile and disjointed - almost episodic - depiction of just how Marilyn Monroe's life might have panned out. For a start, I couldn't decide whether Ana de Armas was really Lady Gaga or Scarlett Johansson (both of whom would have acquitted themselves better, I'd say) as she offers an admittedly intense, but remarkably uninvolved performance. We move along from chapter to chapter in her life hindered by some fairly weak and uninspiring dialogue and seriously intrusive scoring in what becomes an increasingly shallow and lacklustre fashion. The photography does try hard - it does offer us a sense of intimacy, but the whole thing is presented in such a stylised and un-natural manner that it is frequently difficult to tell whether she is/was a "real" woman. Her marriages are treated in an almost scant manner - and her relationship with JFK is reduced to something rather implausibly one-sided and sordid showing nothing of how their relationship might have come to be. It has no soul, this film. Aside from her glamour - which was, even then, hardly unique we are not really introduced to any of the nuances of her character, we are left guessing a lot of the time as to just how she did become such a superstar, and how she spiralled so inevitably into a maelstrom of booze and pills. It relies to a considerable extent on the viewer's existing knowledge of, and affection for, this flawed lady. Adrien Brody and Bobby Cannavale don't really have much chance to add anything as her husbands and the highly speculative relationship between her and Charlie Chaplin Jnr (Xavier Samuel) and his sexually ambiguous partner-in-crime Edward G Robinson Jr (Scoot McNairy) does suggest something of the rather profligate and debauched existence that some lived in Hollywood, but again their characters are also largely undercooked and again, we are largely left to use our own imagination. It is far, far too long and in a packed cinema, I could see people looking at the ceiling just once too often. Watchable, certainly, but a real missed opportunity to offer us something scintillating and tantalising about this most of iconic of women.
    Nac89

    Awful

    As someone that knows nothing about Marilyn Monroe, I was excited to watch.

    I ended up turning it off about 40 mins in. I knew this couldn't be real bc it was so trashy and dark.

    I see now this is a fictional awfully made up story. They made Marilyn seem like trash. I can't imagine anything I watched being true.

    I couldn't stomach watching another minute so I turned it off. 40 mins of my life I will never get back! I don't know if this was ever in the theater, but I'm happy I didn't pay money to see this.

    Blonde could have been a really good movie if they didn't try and make it into a 2022 Hollywood flop.
    4arungeorge13

    A disjointed, episodic look at Monroe's miseries! [+42%]

    "Blonde" is sadly reduced to the collective tragedies (and horrors) that the iconic actress went through in her short 36-year-old life. Don't get me wrong, Ana de Armas totally owns the role and gives it her all (God bless her cheekbones!). She also gets worthwhile support from the cinematography, production design, costume, and make-up departments. The biggest letdown is the script that heavily lacks connective tissue between what feels like various disjointed episodes in Monroe's life. Again, each of these episodes are stripped down to repetitive plot-points such as the absentee father, the abortions, the failed marriages, and most importantly, the male gaze.

    Writer-director Andrew Dominik perceives Marilyn Monroe and Norma Jeane as two distinct personas, the former being a glowy, on-screen cover-up for the distressed latter. Again, because the film is only interested in showcasing the worst of her life, as viewers, we feel disconnected early on, especially given the film goes on for a butt-numbing 160 minutes. Also, I didn't particularly like the transition between black & white and color bang in the middle of certain scenes. What was the underlying point? The film basically leaves Armas to do most of the heavy lifting since the script only attempts to look at her as an object of desire.

    Of course, there are more than a few controversial stretches in the film, and if that's barring a scene with a speaking foetus, then I'm probably dreaming it all up. This isn't what Norma would've wanted to be seen as her "legacy", and both entries Netflix has come up with thus far on Marilyn Monroe (yes, I'm looking at you The Mystery of Marilyn Monroe: The Unheard Tapes) are lacklustre.
    3rchosen-193-5535

    Horrible fictional garbage. And the rating seems to be for no real reason.

    So first off, the movie made the news when it was said to have a NC-17 rating. We were never really told why. It seems like it was given that rating just to drawn attention to the movie because the movie was had about much language, nudity...etc as a R rated movie.

    As for the movie itself.... overhyped trash. This is based on a fictional book and not her true story. It's sad that she can't even get a legit story but instead gets a fake version. All that aside the movie is almost 3 hours long. And its very slow moving. There are some disturbing scenes of course, but nothing really shocking compared to other movies.

    You still get the feeling she was abused by everyone of course. But that's about it. Again, since its not her actual story, it feels like your watching some tabloid version of her life. What a waste of time and such overblown hype. But I know it will win Oscars because "critics" will probably love it for some reason.

    Only reason I even gave it a three was the actress nailed her voice and how she acted.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This film is based on the 2000 novel "Blonde" by Joyce Carol Oates, which is a fictionalized account inspired by the life of Marilyn Monroe, not an actual biography. Oates insisted that the novel is a work of fiction that should not be regarded as a biography. Oates said that she didn't have anything to do with the making of this film, though once in a while, director Andrew Dominik would get in contact with her, and that she was given an almost-final cut in 2020 and she has praised the film ever since. The novel had been previously adapted into a two-part miniseries: Blonde (2001), starring Poppy Montgomery as Monroe.
    • Erros de gravação
      Marilyn greets the Secret Service agents at her door with: "You were expecting maybe Mother Teresa?" Mother Teresa had not gained international recognition in 1962. It's highly doubtful Marilyn would have known who she was.
    • Citações

      Norma Jeane: Marilyn doesn't exist. When I come out of my dressing room, I'm Norma Jeane. I'm still her when the camera is rolling. Marilyn Monroe only exists on the screen.

    • Conexões
      Featured in How Fight Scene Props Are Made for Movies & TV (2022)
    • Trilhas sonoras
      Ev'ry Baby Needs a Da-Da-Daddy
      Written by Lester Lee and Allan Roberts

    Principais escolhas

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    Perguntas frequentes18

    • How long is Blonde?Fornecido pela Alexa
    • Is this film a biography?

    Detalhes

    Editar
    • Data de lançamento
      • 28 de setembro de 2022 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official Netflix
    • Idiomas
      • Inglês
      • Italiano
    • Também conhecido como
      • Rubia
    • Locações de filme
      • Los Angeles Theatre - 615 S. Broadway, Downtown, Los Angeles, Califórnia, EUA("Gentlemen Prefer Blondes" premiere)
    • Empresa de produção
      • Plan B Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 22.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 47 min(167 min)
    • Cor
      • Color
      • Black and White
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.33 : 1
      • 2.39 : 1

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