AVALIAÇÃO DA IMDb
5,5/10
7,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children who committed an act of violence against his family years ear... Ler tudoAn agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children who committed an act of violence against his family years earlier.An agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children who committed an act of violence against his family years earlier.
- Direção
- Roteirista
- Artistas
- Prêmios
- 11 vitórias e 7 indicações no total
Jake Warren Wilson
- Danny
- (as Jake Wilson)
Avaliações em destaque
I was teetering between 6 and 7 here, and settled on the latter because this IS a genuinely scary and disturbing film. We've definitely had a shortage of that lately in this genre - so it was nice to have some moments where, even at 39 years-old, I felt a little uneasy.
"Citadel" has many strengths and a few weaknesses. I'll touch on a bit of each while trying not to give too much away from what is a basic storyline. Now, it didn't have to be basic.
I think where the film misses is diving a bit further into the villains of this frightening tale. The back-story there is a bit vague to say the least, and the rest of the story doesn't do much to clear it up.
I'm sure that the budget constraints limited the production in certain ways, BUT I think all involved deserve more kudo's than criticism. After all, the intent with these types of films is to scare, and this is as "uncomfortable" as I've been watching a film in quite some time.
Think of a darker, scarier spin on Harry Brown. "Citadel" actually borrows quite a bit from "Harry Brown".
The film is extremely brooding - never really stepping into the light for more than a few seconds. I think it's definitely a strength. The film does have it's own sense of Style.
You have the feeling during this film that you are completely alone. There is no help coming, and you'll have to fend for yourself.
The film is without question under-rated at present on IMDb. I pulled up the rating on my phone after renting it from the redbox, and due to time, I nearly put-off watching it altogether. Glad I fit it in. I've seen 62 films from 2012 so far, and this is definitely in the top 20 for now. It's one of the better entries into the horror genre over the last few years, and could have been incredible if they would have just finished the film.
The ending needed a bit more carnage and revenge to put this over-the-top into the "true-gem-of-a-sleeper" category. They were so close... literally a few heads being axed-off and an explosion away from sheer low-budget glory, and a 9 ranking. Why do I get the feeling we'll see an American version of this that spends 10 times the money but has no sense of style or scare value?
The acting is way above average for this type of thing, and it's that acting and the mood that keeps it afloat. The lead and the priest are great. There are only 4 speaking roles in the whole film! 4! Rather than nit-pick the plot and the ending(which are easy targets) - let's step back and enjoy some of the strong characteristics of this film.
You might like this if you liked:Candyman(better), Winter's Bone(better),The Road(about even or ever-so-slightly better), Eden Lake(about even or ever-so slightly better), The People Under The Stairs(even), and The Brood(even).
If you want a sleeper horror film to rent - it's usually a dangerous proposition. That's one of the many reasons why I can recommend this one. Far from perfect, but boy this little low-budget Irish entry packs quite an uneasy punch.
67/100
"Citadel" has many strengths and a few weaknesses. I'll touch on a bit of each while trying not to give too much away from what is a basic storyline. Now, it didn't have to be basic.
I think where the film misses is diving a bit further into the villains of this frightening tale. The back-story there is a bit vague to say the least, and the rest of the story doesn't do much to clear it up.
I'm sure that the budget constraints limited the production in certain ways, BUT I think all involved deserve more kudo's than criticism. After all, the intent with these types of films is to scare, and this is as "uncomfortable" as I've been watching a film in quite some time.
Think of a darker, scarier spin on Harry Brown. "Citadel" actually borrows quite a bit from "Harry Brown".
The film is extremely brooding - never really stepping into the light for more than a few seconds. I think it's definitely a strength. The film does have it's own sense of Style.
You have the feeling during this film that you are completely alone. There is no help coming, and you'll have to fend for yourself.
The film is without question under-rated at present on IMDb. I pulled up the rating on my phone after renting it from the redbox, and due to time, I nearly put-off watching it altogether. Glad I fit it in. I've seen 62 films from 2012 so far, and this is definitely in the top 20 for now. It's one of the better entries into the horror genre over the last few years, and could have been incredible if they would have just finished the film.
The ending needed a bit more carnage and revenge to put this over-the-top into the "true-gem-of-a-sleeper" category. They were so close... literally a few heads being axed-off and an explosion away from sheer low-budget glory, and a 9 ranking. Why do I get the feeling we'll see an American version of this that spends 10 times the money but has no sense of style or scare value?
The acting is way above average for this type of thing, and it's that acting and the mood that keeps it afloat. The lead and the priest are great. There are only 4 speaking roles in the whole film! 4! Rather than nit-pick the plot and the ending(which are easy targets) - let's step back and enjoy some of the strong characteristics of this film.
You might like this if you liked:Candyman(better), Winter's Bone(better),The Road(about even or ever-so-slightly better), Eden Lake(about even or ever-so slightly better), The People Under The Stairs(even), and The Brood(even).
If you want a sleeper horror film to rent - it's usually a dangerous proposition. That's one of the many reasons why I can recommend this one. Far from perfect, but boy this little low-budget Irish entry packs quite an uneasy punch.
67/100
I have a friend who's got a mild degree of agoraphobia and this movie, apart from being a decent horror flick, reminds me of him and kinda raises the question of people with that kind of disability.
The portrayal of a guy who goes over his fears & conditions to save his child from the hands of a pack of violent children is harsh and powerful and the director, IMHO, made it quite possible to identify with the main actor. The plot is smart, not easily predictable and the effects are okayish, given the budget.
A hidden gem worth watching.
The portrayal of a guy who goes over his fears & conditions to save his child from the hands of a pack of violent children is harsh and powerful and the director, IMHO, made it quite possible to identify with the main actor. The plot is smart, not easily predictable and the effects are okayish, given the budget.
A hidden gem worth watching.
First of all, the plot of the movie was very interesting and kinda innovative (I think so)... The storyline was well-written, it was simple and kinda easy to understand. The characters were very interesting, well-developed and really likeable. The filming location of the movie was just an abandoned creepy neighborhood. I have to admit, it was an unexpectedly scary movie and there were many jumpscares. The children's appearance was super creepy and kinda terrifying. The opening scene of the movie was definitely unexpected and it was kinda sad. The ending scene was kinda expected and it was super intense. Overall, it was just a nice psychological thriller movie that I would probably recommend it to my friends.
I do normally take a look at other reviews of the films I watch, just to see if other people got something that I missed. Here, I think I must have been watching a completely different film. If you check out a lot of the online reviews of 'Citadel' then you'll be told it's one of the best modern horror films ever.
It just bored me.
It's an Irish horror film about a young man who witnesses his wife being murdered by demon children, leaving him an agoraphobic. He later meets up with a - slightly bonkers - old priest and they team up to fight the aforementioned demon hoodies.
It's an okay enough idea (I've seen worse), but I didn't find any of the characters interesting or likable, plus the children weren't that scary (well, no more than their identical clones you see hanging around every off license up and down the country).
Yes, it was presented in a reasonably different way which made it clear they were trying to steer away from the Hollywood style of film-making. But, at the end of the day, it didn't take away from the fact that it bored me.
Others obviously disagreed. Fair enough.
It just bored me.
It's an Irish horror film about a young man who witnesses his wife being murdered by demon children, leaving him an agoraphobic. He later meets up with a - slightly bonkers - old priest and they team up to fight the aforementioned demon hoodies.
It's an okay enough idea (I've seen worse), but I didn't find any of the characters interesting or likable, plus the children weren't that scary (well, no more than their identical clones you see hanging around every off license up and down the country).
Yes, it was presented in a reasonably different way which made it clear they were trying to steer away from the Hollywood style of film-making. But, at the end of the day, it didn't take away from the fact that it bored me.
Others obviously disagreed. Fair enough.
Honestly, I love the whole concept and the story. The thing I found so difficult to watch was the main character, Tommy Cowley. Granted he's agoraphobic, but I'm a bit irritated with such weak characters, especially when they're men. So you'd better have a lot of patience for Tommy's constant cringing if you want to finish the film.
In a nutshell, I thought the decisions the main character made were all short of idiotic, but then again, maybe it's attributed to his "condition". It didn't hamper the fact that the cinematography was quite good, the atmosphere--excellent, and the acting convincing. The spin of the story was also very interesting and I liked that they added an element of supernatural in it.
The pace of the movie is a bit slow, but I thought that worked quite well for the film. There's not much action involved, but I thought the ending was quite good. I still don't regret watching the film and would recommend it.
In a nutshell, I thought the decisions the main character made were all short of idiotic, but then again, maybe it's attributed to his "condition". It didn't hamper the fact that the cinematography was quite good, the atmosphere--excellent, and the acting convincing. The spin of the story was also very interesting and I liked that they added an element of supernatural in it.
The pace of the movie is a bit slow, but I thought that worked quite well for the film. There's not much action involved, but I thought the ending was quite good. I still don't regret watching the film and would recommend it.
Você sabia?
- CuriosidadesCiarán Foy got the idea for the story from an incident where he was attacked by a gang of kids at age eighteen.
- Erros de gravaçãoWhen Tommy leaves his home near the start of the film to take the baby to the centre, by his front door there is a phone base with no phone, when he returns later there is a phone in the cradle.
- ConexõesFeatured in The Ryan Hollinger Show: EDEN LAKE: Britain's Cruelest Horror Film (2025)
- Trilhas sonorasAfter the Ball
Written by Charles Harris (as Charles K. Harris)
Performed by Richard McCullough
Arrangement and recording by Matthew Nolan and Cameron Doyle
Courtesy of SPR Sound
Principais escolhas
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- How long is Citadel?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 13.377
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.715
- 11 de nov. de 2012
- Faturamento bruto mundial
- US$ 141.886
- Tempo de duração1 hora 24 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
- 1.85 : 1
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