The Prophet

I have seen this film twice now. The first time was in Vancouver when most of the adults in the audience were silently weeping. The second time was at it's premiere in Lebanon; the author's birth country, where the reaction was the same. This film is not just about the insightful poetry nor is it about the stunning animation only. It is about how beautifully they compliment each other and how moving the result is. This is a film that touches the soul and the grief we bury so deep, yet somehow does so in a joyful way. Children and young adults will also enjoy the film as it is a movie that offers different things to different ages and different people. Congratulations to Salma Hayek, Roger Allers and the rest of the team for creating a movie which is unique.

I agree with the first reviewer, in that, while I did not like all segments of the film, and some of them I would fast-forward or skip if I could, but in totality it was a very touching, inspiring and beautiful experience.

I did love the section on work and did appreciate the artist being there at the screening and sharing how it was done. Also the section on love, and one or two others. I did quite enjoy how the main story was composed (and changed from the book's story) and animated.

I think though that one of the main treasures of this film is precisely the difference in animation styles of each segment, which managed to bring together the difference and multiplicity, but at the same time to cross-reference to each other and weave in the images/symbolism from other segments of the book.

So while I did not like the style and manner of some of the segments, I do appreciate them being there for the purpose of incorporating difference and multitude.

I rarely go to see the film in the theatre twice, never mind at the festival prices, but I'm going to see it again within a week from the first time - to enjoy those parts that I did like, and also to pick up on the things I might have missed the first time around.

Unlike the previous reviewer, I actually do believe it will be quite popular in North America once it comes out, if not for any other reason, then because many people could find a favorite section or two in it, even if they don't like the rest of it, it is sort of like a treasure box, which you could open to enjoy those couple pieces meaningful to you at that particular time.

Kahlil Gibran's book The Prophet was an engaging mix of poetry, spirituality and philosophy musing upon subjects including love, food, and death. It's quite lovely.

While the book has no story or characters, someone decided to try and turn it into a movie. The basic premise is a young, mute girl and her mother meet an imprisoned philosopher the state is afraid of and travel a little with him. Along the way, he muses on subjects like love and food and death.

The framing story, done by the folks behind is very engaging, with likable characters and a simple but appealing story. The problem is the musings, each a Gibran poems animated by a different animator and either read by Liam Neeson (perfect voice for it) or turned into a pop song.

I hated most of these. The animation is rarely interesting enough to stand on its own, and because there are tons of pauses to let the animation breath, Gibran's words are unfocussed and lack their melodic rhythms. Also the songs are pretty dreadful.

The end result is an hour of entertaining drama broken up by tedious little animation of poems that stand better on their own.

Some people seem to have really enjoyed this, but I can't recommend it. Or at least, not unless you fast forward through all the poetry.

I bought the ticket for this movie with very low expectations, but God was I wrong!

Soon after the opening scene, I realized that this was no ordinary movie. It's different from any other I've seen... and in so many ways: the mind-blowing messages; the brilliant blending of poetry, music, painting, and animation; and the way it propels one's imagination up to an entirely new level, all the time staying true to the soul of Khalil Gibran's artistic genius.

I highly recommend this exceptional movie to everyone who loves life and appreciates art in all its forms. Being a sensual mind opener, this masterpiece succeeds at making the viewer not only enjoy it, but enjoy existence as a whole too.

Hats off to Salma Hayek, Liam Neeson, Gabriel Yared, and of course Roger Allers.

If you are tired of all the pretentious movies out there, don't miss out on this simple one. After all, simplicity is the ultimate sophistication, right?

9/10 (being the 'stingy with the grades' reviewer that I am)

It's difficult to simply judge the film without passing some judgment on the content of Gibran's poetry, which, in the context of the film, sounds even more like self-help advice. So those who like spiritualism, practical philosophy, and one man's interesting (then and still now) take on the world will probably find the content pretty awesome. For the rest of us, as I said, at times, it sounds a bit like self-help stuff, or new age stuff that is not new at all. Interestingly, a lot of the stuff about labor and work sounded very much like the stuff the Soviets would love (don't know if he was popular in the USSR).

The film attempts to tell the story of Mustafa, who is been on house arrest for seven years and is finally being released (deported back to his own country). The details of how he came to be in this other country are fuzzy, but it is clear that he is a poet, painter, and philosopher, and his ideologies have landed him in this bind. Mustafa befriends Almitra, who has stopped speaking since her father died a year ago. Almitra's mom does the housework for Mustafa under the (clumsy) watch of Halim (or Halil?) Everyone loves Mustafa. Townsfolk loves him. The cleaning lady and the kid love him. Even the guard loves him. There is a very clear distinction between good and evil here, which will appeal to younger children, and maybe not so much to the older crowd. So Mustafa is taken through the town (mistake!) to the boat that is supposed to take him back, but needless to say, things don't turn out that way at all. There is some strong imagery here (complete with a firing squad, but we only hear them fire).

I think most of the content is out of reach of most younger children. The stuff about love and life, about how parents do not own their children got through to the kids who were watching around me in the theater. I was surprised that even the youngest did not fall asleep, as some parts were just Mustafa speaking about stuff. I believe this s due to the amazing animation work by many great artists.

If Gibran's work does not interest you at all, I still would say this is a must see, if you like animation art. There's great stuff here. I dare say something for every taste and preference in terms of animation art.

All in all, it was a great film to see on the big screen. Animation was top notch and engaging (as the kids around me proved it). The story involving Almitra also appealed to the children, i think, though not to me as much. Mustafa's story is a classic case of denial of and persecution of freedom of speech; it is good to see something like this being made.