A Vida, Acima de Tudo

This is very tender-hearted film and well acted. It grows on you so bare with it, because the characters develop through-out. It took sometime before I felt being pulled into this story, but I am very happy I stayed with it. The film has a very strong feeling of authenticity. It's not trying to swindle you with false emotions; it never sinks into false melodrama.

The theme is of struggle – and the resiliency of women – more particularly a young girl growing up. The struggles are with poverty, AIDS, abandonment, and ignorance. The individuals face their issues with a stoical, but telling emotion. The performances are strong and intense. The ending brings us a soulful resolution.

Oliver Schmitz, the German director has a panache for telling socially relevant stories about South Africa. In the hey days of the apartheid years he made the classic and iconic Mapantsula which through its lead character Panic, a petty criminal, the international world was able to see how bad the system is through Panic's story of political consciousness been awaken by events happening around him. In the 90's he made a post apartheid film Hi-Jack stories;it did not fare that well but touched on lure of gangsterism, hijacking and criminal behavior in the new South Africa. It's very poignant in the post Madiba- post Mbeki years and in the year of the Zuma presidency that Schmitz tackles the thorny issue of the shame that is associated with HIV/AIDS and the burden of child headed families due to this epidemic. Although immediately one would like to associate Life,above all with Yesterday but Life above all is a cut above Yesterday .It feels more sincere, touching and less whimsical than Yesterday, although the films are both set in the rural areas, both use vernacular and deal with stigmatization. I think the choice to tell the story from the child's perspective in Life, Above All is refreshing and the film actually feels more contemporary than Yesterday.

The child in question here is Khomotso Manyaka who plays Chanda; the eldest daughter in her family who has to act as a glue to hold the film and the family together as they go through trying times. Half the cast of the film have not appeared in anything before, and some of the cast are none actors ,so the performances are not always strong but they are always heart felt. Khomotso does a lot of heavy lifting and one hopes her career does not start and end here but keeps growing; for she is able to emote well and gives Chanda that naivety and tenacity at all the right moments. Then there's the evergreen Lerato Mvelase as Chanda's mother Lilian; Lerato gives Lilian that grace that a mother would have, although at times I felt she was a bit too young to have a child of Chandas age but her performance is that great that one easily overlooks that conceit. Then there's Harriet Lanabe as Mrs.Tafa; who if there was any justice in this world would be getting local awards for her performance in this role. She's brilliant; she inhibits this woman's character so well that one cannot distinguish between the character and the actor. There are plenty of acting talent in this film The film benefits for having evenly structured multi-stories were all the major characters have their journeys and we get to follow them to the end.So its not just about the messaging but there is a story that one can immerse themselves in.The powerful thing about this story is that it keeps bringing you back to our own reality and makes one ponder about one or two things as you are watching it.

What I liked about Life, Above All is that it shows that shame factor actually does not help the situation. Shaming people and trying to put them down and ostracizing them does not sort the problem but just makes it bigger and this can be said not just for HIV/AIDS but for homosexuality,criminal behavior or any social or familial problem. It is through Chanda's uncompromising love that we see a way out of the virtuous cycle of shame and guilt.This movie ain't easy to watch but it's not a bleak movie at all. Shcmitz captures the tone of the rural life very well, from costume, to weather to iconography but above all he is able to capture the idea of a community. How communities work ,the good,the bad and the darn ugly of communities but above all what communities can do together to uplift and not just to tear down. Do yourself a favor and watch this one, it's a classic in the making, a story about us on the big screen catching it while its there.

It takes quite a while for the central conflict (and hence themes) to emerge in this story of a 12-year old African girl and her family. For a while, it seems to be one of those movies in which the protagonist is challenged by a series of apparently unrelated hardships -- misery for its own sake -- and hence it touches the viewer less than it might. Once the story takes shape, though, it becomes very powerful. It is absolutely worth experiencing the seemingly episodic first half to get to the film's payoff. Recommended, and highly so if you are interested (as I am) in the struggle between the rational, modern worldview and the religious. (7/10 for me, means B+, highly recommended).

This movie should be compulsory viewing for all budding film students. In fact all film makers, everywhere, should be locked in a small, locked room, strapped down and forced to watch this. For in the hour and a half it takes to watch this movie you will learn more about what movie making is truly all about. Here is a movie with a heart, a soul and perhaps most importantly, a point. It will rip your heart apart and along the way make you feel infinitely guilty that you have the couple of bucks to rent this movie, let alone enough money to own a television set to watch it on. Yet this is not the "message" this is simply a consequence of telling a real life story, of people with nothing and who just get on with life. It is indictment on the human race that we live in such inequitable times, yet again, that is not the message, just the backdrop. The actors in this movie are simply magnificent. Not only is the "lead" actor who plays Chanda stunningly good but also those who play small, almost minute parts. Amongst a truly outstanding cast the young girls who play 12 year old Esther and 6 year oldish Iris are simply phenomenal, these tiny children conveying more in a smile or the tiniest wrinkle of their faces than a veteran actor of 60 years. How they even understood what they had to do amazes me, how they actually did it astounds me.

This is a "simple" story but then again the best things in life are simple. This is a movie mostly about humanity, and sometimes about the lack of humanity. It is about personal strength, about love, about the triumph (at least in this case) of compassion over everything the world can throw at you. OK, 100,000 movies have already been made about this stuff, and 100,000 more are still to be made. But this one actually works. See it and be amazed.

Oliver Schmitz, the German director has a panache for telling socially relevant stories about South Africa. In the hey days of the apartheid years he made the classic and iconic Mapantsula which through its lead character Panic, a petty criminal, the international world was able to see how bad the system is through Panic's story of political consciousness been awaken by events happening around him. In the 90's he made a post apartheid film Hi-Jack stories;it did not fare that well but touched on lure of gangsterism, hijacking and criminal behavior in the new South Africa. It's very poignant in the post Madiba- post Mbeki years and in the year of the Zuma presidency that Schmitz tackles the thorny issue of the shame that is associated with HIV/AIDS and the burden of child headed families due to this epidemic. Although immediately one would like to associate Life,above all with Yesterday but Life above all is a cut above Yesterday .It feels more sincere, touching and less whimsical than Yesterday, although the films are both set in the rural areas, both use vernacular and deal with stigmatization. I think the choice to tell the story from the child's perspective in Life, Above All is refreshing and the film actually feels more contemporary than Yesterday.

The child in question here is Khomotso Manyaka who plays Chanda; the eldest daughter in her family who has to act as a glue to hold the film and the family together as they go through trying times. Half the cast of the film have not appeared in anything before, and some of the cast are none actors ,so the performances are not always strong but they are always heart felt. Khomotso does a lot of heavy lifting and one hopes her career does not start and end here but keeps growing; for she is able to emote well and gives Chanda that naivety and tenacity at all the right moments. Then there's the evergreen Lerato Mvelase as Chanda's mother Lilian; Lerato gives Lilian that grace that a mother would have, although at times I felt she was a bit too young to have a child of Chandas age but her performance is that great that one easily overlooks that conceit. Then there's Harriet Lanabe as Mrs. Tafa; who if there was any justice in this world would be getting local awards for her performance in this role. She's brilliant; she inhibits this woman's character so well that one cannot distinguish between the character and the actor. There are plenty of acting talent in this film The film benefits for having evenly structured multi-stories were all the major characters have their journeys and we get to follow them to the end. So its not just about the messaging but there is a story that one can immerse themselves in. The powerful thing about this story is that it keeps bringing you back to our own reality and makes one ponder about one or two things as you are watching it.

What I liked about Life, Above All is that it shows that shame factor actually does not help the situation. Shaming people and trying to put them down and ostracizing them does not sort the problem but just makes it bigger and this can be said not just for HIV/AIDS but for homosexuality,criminal behavior or any social or familial problem. It is through Chanda's uncompromising love that we see a way out of the virtuous cycle of shame and guilt. This movie ain't easy to watch but it's not a bleak movie at all. Shcmitz captures the tone of the rural life very well, from costume, to weather to iconography but above all he is able to capture the idea of a community. How communities work ,the good,the bad and the darn ugly of communities but above all what communities can do together to uplift and not just to tear down. Do yourself a favor and watch this one, it's a classic in the making, a story about us on the big screen catching it while its there.