Em visita à ONU em Nova York, um ditador acaba sequestrado e barbeado. Sem seu visual característico, ele assiste ao tio traidor assumir o poder, mas, com a ajuda de uma feminista vegetarian... Ler tudoEm visita à ONU em Nova York, um ditador acaba sequestrado e barbeado. Sem seu visual característico, ele assiste ao tio traidor assumir o poder, mas, com a ajuda de uma feminista vegetariana do Brooklyn, tentará reconquistar seu trono.Em visita à ONU em Nova York, um ditador acaba sequestrado e barbeado. Sem seu visual característico, ele assiste ao tio traidor assumir o poder, mas, com a ajuda de uma feminista vegetariana do Brooklyn, tentará reconquistar seu trono.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
- Clayton
- (não creditado)
- Newscaster Voiceover
- (narração)
- Virgin Guard
- (as Naz Homa)
- Virgin Guard
- (as Dawn Zimniak)
Avaliações em destaque
The comedy in this movie is both hilarious and uncomfortable at times. It has the same LOL- quality as it did in Borat, but there are scenes where the comedy is so crude that it is almost uncomfortable watching/listening to it. The movie is definitely funny, but you will not enjoy it if you do not find jokes about racism and stereotypes funny.
The plot is your typical Sacha Baron Cohen plot; a person from an entirely different culture travels to America and you watch how incompatible the two cultures are. Also, just like most of Sacha Baron Cohen movies, there is a love story intertwined. It's not the dramatic and sensitive kind of love story though. The plot itself is not very immersive, and I believe that its only purpose is to lead you to the funny parts.
I will say this though, the ending speech of this movie given by 'The Dictator' really impressed me. It made me realize how well Sacha Baron Cohen understands politics and stereotypes. You have to hear it for yourself.
If you're looking for a movie with consistent but crude laugh-out-loud comedy, but do not look for a serious and powerful plot, then you will enjoy this film. On the other hand, if you cringe at racist and stereotype jokes, you will be covering your ears virtually the entire movie.
Approach with an open mind.
As expected from Sacha's previous outings and trailers, this film is in extremely bad taste with plenty of filth, blatant offence (disguised as naivety) of every race, gender, age, animal, disability, sexual orientations, terrorism and politics. Sacha gets away with it because no one is left out. No one, including white folks and straight men. Actually, I lie. I don't know how the hell he gets away with it. The important question is, though, is it funny? Yeah...mostly.
There are enough roll in the isle moments to make this worth the ticket but there are also plenty of misfired jokes too, some of which really makes you groan but that's to be expected for a relentless joke firing machine which incidentally has (perhaps mercifully) a short run time of 84mins.
Another burning question I ask myself, while watching this is do I feel guilty laughing at some of the offencive jokes? Yes I do, my guilty conscience raises its ugly head but then I realise (or perhaps I'm just making excuses) that I am laughing at the Dictator's naivety and hilarious sense of misplaced morality while others around him frown at his demeanours.
This is a departure from the Borat, Ali G, and Bruno stable. With those previous films, real people are sought after and ridiculed by scrutinising their reactions and moral bases. This film, however is purely fictitious, Naked Gun style comedy very much similar to Eddie Murphy's Coming to America with obviously a lot lot less subtlety. However, Sacha's Dictator has pretty much the same political correctness that Borat has but with more hilarious Dictatorship cravings such as executing anyone that annoys him.
A good supporting cast thankfully gives this zany film a little bit more variety, particularly Anna Francis, comically playing off the Dictator's character who frankly dominates almost every frame (as I guess a dictator would). John C Reilly also gives a short but hilarious turn. And then there are a few special cameo celebrity guest appearances (or victims, rather) sprinkled around.
There are a couple of moments political satire that stands out in hilarity and I wish there was more of it. Alas, it seems vulgarity is more favoured.
So if you have no guilty conscience, welcome vulgarity and all things "un-pc" with open arms, do not despise Sacha Cohen Baron and are willing to kiss his armpits (last one is optional), then I reckon you will enjoy this film. For me, filthy films are not my normal cup of tea, nevertheless I did enjoy this but I need a long shower after watching it.
I'm glad this movie headed in a different direction from his previous efforts. Had the film continued in the same fashion as the reality TV way, then I don't think it would have stood any chance of working, not with this new character anyway. So to those who are expecting and hoping for something similar to Bruno and Borat you may be left a little disappointed, but for those who wouldn't mind seeing something slightly different, and can take a movie for what it is, then you should enjoy this, as I did.
The gross out humor however could have been way shorter. Some low hanging fruit lowest common denominator jokes were drawn out unnecessarily. I had to skip several 10 minute parts, but I missed none of the story anyway.
The love story part was forced. The suspension of disbelief was stretched so far it was almost painful.
Overall it was a reasonable story and I did laugh several times.
It could have used some extra editing and other extra care, then it would be a really good movie.
The Dictator may not be one of the decade's greatest comedies and was widely viewed as - to use a contemporary term - quite mid. Not too bad, nothing amazing. Yes, Baron Cohen has made better films and more enduring, interesting characters. Oddly, General Aladeen (the titular Dictator) comes off as a relic of a time past: we really don't have dictators quite like Muammar Gaddafi or Saddam Hussein - two men who are obvious inspirations to Cohen's eclectic, offensive, and frankly, hilarious character - anymore, do we?
There's also this tongue-in-cheek, "we can be offensive as we want" energy that I kind of love about this movie. Nowadays, even Cohen himself seems mindful of causing too much offense to the wrong groups. But back then, it really didn't matter: anyone was fair game. That, along with the film's anti-authoritarian leanings, makes it a celebration of free speech and expression. So much so that the film (intelligently) manages to criticize the democratic world and the United States in particular quite mercilessly.
There are some truly hilarious gags involving bodily humour to, as per Cohen's style. He can be very sophisticated and satirical, but go for a good masturbation or body hair or...um...phone inside a woman giving birth joke as well. This is not a movie that "elevates" itself from the things we all know are really funny, deep down.
The supporting cast is also really good here. Ben Kingsley was the perfect choice, Anna Faris has that face that conveys well meaning stupidity unlike any other actress in Hollywood, and Jason Mantzoukas...man, you could've told me he was an Iranian nuclear scientist and I'd believe you. I cannot accept that he's of "100% Greek heritage" (although, apparently he's long has an interest in the Middle East and has lived and studied there).
The movie isn't perfect. It gets a little silly at times and the jokes sometimes overstay their welcome. Its brand of humour isn't for everyone either. It also lacks the staying power of Cohen's other films and I think part of that has to do with the - likely studio - insistence that it be a romantic comedy. It doesn't really work, even if it is really funny.
Lesson Learned: Even a "mid" comedy from America's Comedic Golden Age is better than most comedies today. The Dictator is willing to piss everyone off and it ages like fine wine.
Você sabia?
- CuriosidadesThe mock-Arabic language that Aladeen (Sacha Baron Cohen) and Nadal (Jason Mantzoukas) speak on the helicopter tour is actually Hebrew.
- Erros de gravaçãoAt 09:40 (After leaving the nuclear research campsite), A Waving Spanish Flag can be found on the top of the palace instead of Wadiyan Flag.
- Citações
General Aladeen: [to his pregnant wife] Are you having a boy or an abortion?
- Cenas durante ou pós-créditosIn loving memory of Kim Jong-il
- Versões alternativasUnrated version - 99mins
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #20.126 (2012)
- Trilhas sonorasWala Ala Baloh
Written by Khaled Ezz, Mohamed Refahy & Mohamed Rahem
Performed by Amr Diab (as Amir Diab)
Courtesy of EMI Music Arabia
Under License from EMI Film & Television Music
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- El dictador
- Locações de filme
- Plaza de España, Seville, Andalucía, Espanha(Palace of Wadiya exterior scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 65.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 59.650.222
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.435.092
- 20 de mai. de 2012
- Faturamento bruto mundial
- US$ 179.379.533
- Tempo de duração
- 1 h 23 min(83 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1