Em visita à ONU em Nova York, um ditador acaba sequestrado e barbeado. Sem seu visual característico, ele assiste ao tio traidor assumir o poder, mas, com a ajuda de uma feminista vegetarian... Ler tudoEm visita à ONU em Nova York, um ditador acaba sequestrado e barbeado. Sem seu visual característico, ele assiste ao tio traidor assumir o poder, mas, com a ajuda de uma feminista vegetariana do Brooklyn, tentará reconquistar seu trono.Em visita à ONU em Nova York, um ditador acaba sequestrado e barbeado. Sem seu visual característico, ele assiste ao tio traidor assumir o poder, mas, com a ajuda de uma feminista vegetariana do Brooklyn, tentará reconquistar seu trono.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
- Clayton
- (não creditado)
- Newscaster Voiceover
- (narração)
- Virgin Guard
- (as Naz Homa)
- Virgin Guard
- (as Dawn Zimniak)
Avaliações em destaque
Basically, if you're easily offended, you probably won't want to watch the tale of an evil Middle Eastern Dictator who finds himself lost in America amidst a plot to oust him from power.
However, there are still plenty of people who find this sort of humour funny (and I'm one of them). Personally, I didn't think it was as good as Borat or Bruno as the second half seemed a bit forced. The film lasted just under the typical hour and a half mark, but probably could have got away with being an hour long. It would probably have been a pretty funny hour - if you like that sort of thing.
The major criticisms being thrown at The Dictator is claims of racism (just like Borat and Ali G, not to mention claims of homophobia at Bruno) and whether the film mocks Middle Eastern stereotypes, or whether it actually attacks those who impose the stereotypes. The film has also come under fire for being too 'pro-Jew' too anti-American and generally too liberal. Maybe that's true, maybe it's not. It's one of those arguments where if you're looking to use this film to support or challenge your own political viewpoint or religious beliefs there are arguments for and against.
The bottom line is that it's quite funny. Quite. Not as good as Borat or Bruno, but still there are plenty of silly and vulgar (and I should emphasis the words 'silly' and 'vulgar' because they're the backbone of this film) moments to make you laugh out loud. Probably not a classic, but entertaining nonetheless.
The gross out humor however could have been way shorter. Some low hanging fruit lowest common denominator jokes were drawn out unnecessarily. I had to skip several 10 minute parts, but I missed none of the story anyway.
The love story part was forced. The suspension of disbelief was stretched so far it was almost painful.
Overall it was a reasonable story and I did laugh several times.
It could have used some extra editing and other extra care, then it would be a really good movie.
I'm glad this movie headed in a different direction from his previous efforts. Had the film continued in the same fashion as the reality TV way, then I don't think it would have stood any chance of working, not with this new character anyway. So to those who are expecting and hoping for something similar to Bruno and Borat you may be left a little disappointed, but for those who wouldn't mind seeing something slightly different, and can take a movie for what it is, then you should enjoy this, as I did.
Like Cohen, Allen's first films were often misunderstood. Some folks just did not get the joke. Many still don't get it today. The object of comedy has always been to take down the high and mighty by whatever means necessary. And, if you happen to be a Middle Eastern despot, you will find much to be offended by here. But, as Allen often did as well, Cohen uses racial and gender stereotypes to shine a light on people's attitudes, and that's likely to put off others as well. That's fine. Some comedy just isn't for everyone.
While his writing style owes much to Allen, his acting chops are also influenced heavily by one of Britain's greatest comics, Peter Sellers. You can see it in his outrageous accents and in his ridiculous pratfalls. Like Sellers, Cohen is fearless in his characterizations and, again, like Sellers, there will be those who will take offense in this. Again, not for everyone. But, if you laughed your butt off at Sellers' simpleton Indian character destroying a Hollywood party, you will be laughing here too.
And that's what we're talking about; laughs. Not every joke works. Many fall flat. But the film starts off fast and furious with a rapid succession of gags, most of which work hilariously, settles down for a bit and then takes off again, literally. His verbal sparring with co-star Jason Mantzoukas is one of the highlights as are many of the fun cameo appearances and a running joke about his name that I will not reveal here. There are many great sight gags that are easily missed and the appearance of his Efawadh character at the U.N. channels a scene right out of Allen's "Sleeper." There's a few scatological and sex jokes also (one about excrement, one about urination, one about masturbation, several about body parts), and these, if you ask me, are the low point of the film (except a child birth scene that's as funny as it is outrageous). But, the bodily fluid gags, so rampant in comedy films today, are actually few and far between. And there's a bit of a message, too.
We're not dealing with "Citizen Kane" here. But, then, this film made me laugh much more.
Você sabia?
- CuriosidadesThe mock-Arabic language that Aladeen (Sacha Baron Cohen) and Nadal (Jason Mantzoukas) speak on the helicopter tour is actually Hebrew.
- Erros de gravaçãoAt 09:40 (After leaving the nuclear research campsite), A Waving Spanish Flag can be found on the top of the palace instead of Wadiyan Flag.
- Citações
General Aladeen: [to his pregnant wife] Are you having a boy or an abortion?
- Cenas durante ou pós-créditosIn loving memory of Kim Jong-il
- Versões alternativasUnrated version - 99mins
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #20.126 (2012)
- Trilhas sonorasWala Ala Baloh
Written by Khaled Ezz, Mohamed Refahy & Mohamed Rahem
Performed by Amr Diab (as Amir Diab)
Courtesy of EMI Music Arabia
Under License from EMI Film & Television Music
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- El dictador
- Locações de filme
- Plaza de España, Seville, Andalucía, Espanha(Palace of Wadiya exterior scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 65.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 59.650.222
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.435.092
- 20 de mai. de 2012
- Faturamento bruto mundial
- US$ 179.379.533
- Tempo de duração1 hora 23 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1