Death to 2021

Where is Charlie Brooker? This is like watching someone copy his previous work but not understanding why it was actually funny.

Sad.

Maybe this in itself is deliberate, making 2021 just that little but more grim.

Bring back the end of year Wipe!

I really enjoyed the 2020 one but I found this edition much less entertaining. I guess the year just wasn't as interesting to comment on.

They brought back probably my two favourite characters from the previous one in the average British and American woman and added a news woman who I thought was a lot of fun as well so there were definitely moments I found hilarious.

Again the majority focuses on America but they manage to squeeze in a few moments of world news.

Overall just not very funny for my taste and the commentary wasn't exactly groundbreaking.

I was watching this hoping for them to make fun of both sides which they did to some extent but then again started adding handfuls of propaganda for seasoning. I am here for it but wish they had brought out the ridiculousness of both sides not just been presenting one side as irrational and the other as wise and progressive which its not and this comes from someone who is removed from the politics of this region and is a neutral observer.

2022 is just days away as I write this. Netflix promoted this in their popular stream.

I think this will split opinion, much like the satirical "don't look up", people will love or hate it.

I found it funnier than "death to 2020", and didn't expect to find this as funny as I did, but the last four years of the state of the world have become quite surreal, and U. S. politics especially so. Laughing at it is a good "pressure relief valve". There's something to offend everyone!

A repeat of quality of Death to 2020, Charlie Brooker's writing is still brilliant, but again isn't as hilarious when performed by US actors. Having Fishbourne as narrator seems a good draw, but ultimately isn't as scathing or as well-timed as Brooker (in his Yearly/Weekly Wipes). Unfortunately Netflix always skews to the US and ignores the UK talents that made the show great in the first place.

US and UK centric, heavily focusing on the former, the main events of 2021 are summarised and put into context, with varying degrees of humour. Diane Morgan easily provides the standout character, who is hilarious in her delivery.

Important and sensitive topics are covered well with a level of explanation hidden below the cartoonish characters. Not as good as Brooker's previous reviews, but better than 2020 and still worth watching.